after the camera digital transformations for conceptual nude portrait photography

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After The Camera

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ISBN : 9781682030066
Genre : Photography
File Size : 42. 65 MB
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Thom Rouse seems to have an unbridled artistic sensibility. In this book, he offers up for review sixty of his favorite fine-art images. Rouse takes photographers behind the scenes of his creative process, showing the starting point—always a portrait, captured by him—and then details the Photoshop tools and techniques he used and, sometimes, some “accessory” images that he adds into the mix, to create a dramatically different work of art. While the components and tone of each image vary from page to page, Rouse strictly maintains that his creative process is based on the idea that each work of art must, at its core, remain photographic. In other words, his fine-art works are enhanced, stylized portraits that transcend the limits typically self-imposed by portrait artists. His goal in creating the book is to educate and inspire other photographers—or, in the words of the artist—to “show you something you haven’t seen before.” This book features a collection of beautiful portraits that collide with a strange collections of elements—one portrait, entitled Shhhh, is coupled with ornamental wooden fish, goose wings, and parts of an aircraft; another, called Andromeda, uses complex Photoshop blending techniques and texture layers to create a Gustav Klimt-inspired feel in the photograph—to create a storytelling piece that elevates the portrait to a fine art category. On page after page, you’ll discover how Rouse conceptualized the featured work of art, the steps he took to bring the concept to life, and the curiously beautiful artistic portrait result.

Afterimage Of Empire

Author : Zahid R. Chaudhary
ISBN : 9780816677481
Genre : History
File Size : 32. 39 MB
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How the colonial photograph revolutionized the very nature of perception


Author : Liz Wells
ISBN : 0415307031
Genre : Photography
File Size : 70. 66 MB
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This seminal text for photography students identifies key debates in photographic theory, stimulates discussion and evaluation of the critical use of photographic images and ways of seeing. This new edition retains the thematic structure and text features of its predecessors but also expands coverage on photojournalism, digital imaging techniques, race and colonialism. The content is updated with additional international and contemporary examples and images throughout and the inclusion of colour photos. Features of this new edition include: *Key concepts and short biographies of major thinkers *Updated international and contemporary case studies and examples *A full glossary of terms, a comprehensive bibliography *Resource information, including guides to public archives and useful websites

Inventing Film Studies

Author : Lee Grieveson
ISBN : 9780822388678
Genre : Performing Arts
File Size : 37. 2 MB
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Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd

Film Denken

Author : Ludwig Nagl
ISBN : 3901644121
Genre : Kongress - Wien 2002 - Film - Philosophie
File Size : 38. 48 MB
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Art Photography Now

Author : Susan Bright
ISBN : 3899041860
Genre :
File Size : 60. 19 MB
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Cet ouvrage présente le travail de76 des plus importants artistes photographes d'aujourd'hui : Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez Lamsweerde, Stéphane Meisel, Philip-Lorca diCorcia, Sam Taylor-Wood, en sept chapitres, selon le sujet - le portrait, le paysage, le récit, l'objet, la mode, le documentaire et la ville.


Author : John Berger
ISBN : OCLC:604705523
Genre :
File Size : 67. 79 MB
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Das Kunstwerk Im Zeitalter Seiner Technischen Reproduzierbarkeit

Author : Walter Benjamin
ISBN : 9783518734056
Genre : Philosophy
File Size : 61. 68 MB
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Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

Creative Camera

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ISBN : UVA:X002585641
Genre : Photography, Artistic
File Size : 57. 24 MB
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Author : William Ritter
ISBN : 9783641177041
Genre : Young Adult Fiction
File Size : 59. 42 MB
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New Fiddleham 1892: Neu in der Stadt und auf der Suche nach einem Job trifft die junge Abigail Rook auf R. F. Jackaby, einen Detektiv für Ungeklärtes mit einem scharfen Auge für das Ungewöhnliche, einschließlich der Fähigkeit, übernatürliche Wesen zu sehen. Abigails Talent, gewöhnliche, aber dafür wichtige Details aufzuspüren, macht sie zur perfekten Assistentin für Jackaby. Bereits an ihrem ersten Arbeitstag steckt Abigail mitten in einem schweren Fall: ein Serienkiller ist unterwegs. Die Polizei glaubt, es mit einem gewöhnlichen Verbrecher zu tun zu haben, aber Jackaby ist überzeugt, dass es sich um kein menschliches Wesen handelt ...

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