american war cinema and media since vietnam politics ideology and class

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No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.

History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.

Philip Seymour Hoffman (1967-2014) was an American film, television and stage actor, film producer, and film and stage director, best known for his memorable supporting roles in independent films. Considered one of the best actors of his generation, he died of a drug overdose at age 46 after years of sobriety. He won the Academy Award for Best Actor for his titular role in Capote (2005), and Best Supporting nominations for Doubt (2008) and The Master (2012). This biography covers his life and career and provides an appendix listing his film, television and stage appearances.

In this provocative book, Andrew Bacevich warns of a dangerous dual obsession that has taken hold of Americans, both conservatives and liberals alike. It is a marriage of militarism and utopian ideology, of unprecedented military might wed to a blind faith in the universality of American values. This mindset, Bacevich warns, invites endless war and the ever-deepening militarization of U.S. policy. It promises not to perfect but to pervert American ideals and to accelerate the hollowing out of American democracy. In The New American Militarism, Bacevich examines the origins and implications of this misguided enterprise. He shows how American militarism emerged as a reaction to the Vietnam War, when various groups in American society -soldiers, politicians on the make, intellectuals, strategists, Christian evangelicals, even purveyors of pop culture-came to see the revival of military power and the celebration of military values as the antidote to all the ills besetting the country as a consequence of Vietnam and the 1960s. The upshot, acutely evident in the aftermath of 9/11, has been a revival of vast ambitions, this time coupled with a pronounced affinity for the sword. Bacevich urges Americans to restore a sense of realism and a sense of proportion to U.S. policy. He proposes, in short, to bring American purposes and American methods-especially with regard to the role of the military-back into harmony with the nation's founding ideals. For this edition, Bacevich has written a new Afterword in which he considers how American militarism has changed in the past five years. He explores in particular how this ideology has functioned under Barack Obama, who ran for president on a campaign based on hope for change and for a new beginning. Despite such rhetoric, Bacevich powerfully suggests, the attitudes and arrangements giving rise to the new American militarism remain intact and inviolable as ever.

Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.

" … a modern mythography, a study of contemporary Hollywood films based on the tools offered by feminism, psychoanalysis, Marxist cultural theory, and deconstruction." —Village Voice "Solidly thought-out observation of the films of the 70's and 80's that comment on the system." —Audience "... intelligent, open advocacy. Its responsible arrangement of carefully described cultural materials will challenge students and instructors alike." —Teaching Philosophy Camera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

This book analyzes the relationship between political power and the media in a range of nation states in East and Southeast Asia, focusing in particular on the place of the media in authoritarian and post-authoritarian regimes. It discusses the centrality of media in sustaining repressive regimes, and the key role of the media in the transformation and collapse of such regimes. It questions in particular the widely held beliefs, that the state can have complete control over the media consumption of its citizens, that commercialization of the media necessarily leads to democratization, and that the transnational, liberal dimensions of western media are crucial for democratic movements in Asia. Countries covered include Burma, China, Indonesia, Malaysia, Singapore, Thailand, the Philippines and Vietnam.

This new edition of Michael H. Hunt's classic reinterpretation of American diplomatic history includes a preface that reflects on the personal experience and intellectual agenda behind the writing of the book, surveys the broad impact of the book's argument, and addresses the challenges to the thesis since the book's original publication. In the wake of 9/11 this interpretation is more pertinent than ever. Praise for the previous edition: Clearly written and historically sound. . . . A subtle critique and analysis.Gaddis Smith, Foreign Affairs A lean, plain-spoken treatment of a grand subject. . . . A bold piece of criticism and advocacy. . . . The right focus of the argument may insure its survival as one of the basic postwar critiques of U.S. policy.John W. Dower, Bulletin of the Atomic Scientists A work of intellectual vigor and daring, impressive in its scholarship and imaginative in its use of material.Ronald Steel, Reviews in American History A masterpiece of historical compression.Wilson Quarterly A penetrating and provocative study. . . . A pleasure both to read and to contemplate.John Martz, Journal of Politics

In Robert A. Heinlein’s controversial Hugo Award-winning bestseller, a recruit of the future goes through the toughest boot camp in the Universe—and into battle against mankind’s most alarming enemy... Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job... “A classic…If you want a great military adventure, this one is for you.”—All SciFi

In many parts of the African Muslim world, slavery still blights the landscape. What are the origins of this terrible institution? Why is it still practiced? How widespread is it and how does it differ from Western chattel slavery? This book tells the story of how the enslavement of Africans by Berbers, Arabs, and other Africans became institutionalized and legitimized throughout Muslim Africa. A classic, pioneering study, first published in 1971 and extensively updated in this revised edition, Slavery in the History of Black Muslim Africa provides an expansive portrait of domestic slavery from the tenth to the nineteenth century in the context of the religious, social, and economic conditions of the African Islamic world. Drawing on a host of accounts from contemporary observers such as Leo Africanus and Ibn Battuta, Fisher and Fisher describe the status and rights of slaves in Africa, and their various roles as currency, goods, eunuchs, soldiers, and statesmen, as well as the jarring historical interruption brought on by slave raiders and traders in West and North Africa.

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