american war cinema and media since vietnam politics ideology and class

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No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.

History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.

Bibliografie : p. 321-324 The focus of this study is on the relationship between Hollywood film and American society from 1967 to the mid-eighties, a period characterized by a major swing in dominant social movements from Left to Right. Attention is given to the attitudes of the Hollywood film industry towards class, race, women and the cultural and political backgrounds of the researched period.

In a series of interviews this book explores the formative experiences of a generation of critical theorists whose work originated in the midst of what has been called 'the postmodern turn,' including discussions of their views on the evolution of critical theory over the past 30 years and their assessment of contemporary politics.

This book analyzes the relationship between political power and the media in a range of nation states in East and Southeast Asia, focusing in particular on the place of the media in authoritarian and post-authoritarian regimes. It discusses the centrality of media in sustaining repressive regimes, and the key role of the media in the transformation and collapse of such regimes. It questions in particular the widely held beliefs, that the state can have complete control over the media consumption of its citizens, that commercialization of the media necessarily leads to democratization, and that the transnational, liberal dimensions of western media are crucial for democratic movements in Asia. Countries covered include Burma, China, Indonesia, Malaysia, Singapore, Thailand, the Philippines and Vietnam.

The essays in Beyond the Stars 5 examine a small but important sample of the conventional themes and ideologies treated in popular film. Among the topics covered are family, social class, gender roles, politics, warfare, hedonism, and the 1960s.

"Previous scholarship has established that American storytellers turned Vietnam into a landscape of American myth. Bates's lucid and judicious study . . . is a valuable addition to the conversation regarding the legacy of Vietnam."—John Hellmann, author of American Myth and the Legacy of Vietnam "An absolutely stunning achievement. Milton Bates presents an incisively accurate analysis of the attitudes that shaped and controlled Americans' perceptions during the 1960s and '70s. He fuses literary analysis with historical scholarship to offer a comprehensive study of American thought and writing before, during, and after the war years. This is a book to be read carefully—and savored."—John Clark Pratt, author of The Laotian Fragments

Much has been written about the events surrounding the 2003 Anglo-American invasion of Iraq and its aftermath, especially about the intentions, principles, plans and course of action of US policy, but much less attention has been given to the consequences of US policy on Iraqi political and social development. This book provides an in-depth analysis of the impact of US policy on the social and political development of Iraq in the twenty-first century. It shows how not just the institutions of the state were destroyed in 2003, leaving the way open for sectarianism, but also the country’s cultural integrity, political coherence, and national-oriented economy. It outlines how Iraq has been economically impoverished, assessing the appalling situation which ordinary people, including women and children, have endured, not just as a result of the 2003 war, but also as a consequence of the 1991 war and the sanctions imposed in the following years. The book argues that the social, political, and cultural ruin that accompanied the Iraq war was an absolute catastrophe; that the policies which had such adverse effects were the foreseeable consequences of deliberate policy choices; and that those responsible continue to evade being made accountable.

Examines American films dealing with the Vietnam War and era, and the power these films possess in delivering political messages

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