cinematic sociology social life in film

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Cinematic Sociology

Author : Jean-Anne Sutherland
ISBN : 9781412992848
Genre : Performing Arts
File Size : 52. 75 MB
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Cinematic Sociology is a one-of-a-kind resource that helps students to view films sociologically while also providing much needed pedagogy for teaching sociology through film. In this engaging text the authors take readers beyond watching movies and help them see films sociologically while also developing critical thinking and analytical skills that will be useful in college coursework and beyond. The book's 15 essays from expert scholars in sociology and cultural studies explore the ways social life is presented - distorted, magnified, or politicized - in popular film.

Cinematic Sociology

Author : Jean-Anne Sutherland
ISBN : 9781412960465
Genre : Social Science
File Size : 47. 79 MB
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Sociology Through Film uses feature films to teach central areas in sociology such as culture, race/ethnicity, social class, and gender/sexuality. By using Film to introduce the sociological imagination, students will 'experience' social context being studied, and reinforce critical thinking skills. An introductory chapter includes a discussion of the significance of film in modern society, a consideration of the ways that film both reflects and shapes social reality, an explanation of how sociologists analyze film, and coverage of sociological tools for 'reading' film as text. Films will provide an illustrative framework for understanding the social world, and therefore the films discussed will not go 'out of date'.

Cinematic Sociology

Author : Jean-Anne Sutherland
ISBN : 9781412960465
Genre : Social Science
File Size : 45. 40 MB
Format : PDF, Kindle
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Sociology Through Film uses feature films to teach central areas in sociology such as culture, race/ethnicity, social class, and gender/sexuality. By using Film to introduce the sociological imagination, students will 'experience' social context being studied, and reinforce critical thinking skills. An introductory chapter includes a discussion of the significance of film in modern society, a consideration of the ways that film both reflects and shapes social reality, an explanation of how sociologists analyze film, and coverage of sociological tools for 'reading' film as text. Films will provide an illustrative framework for understanding the social world, and therefore the films discussed will not go 'out of date'.

Sociology

Author : David M. Newman
ISBN : 1412980895
Genre : Social Science
File Size : 70. 70 MB
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Image And Influence

Author : Andrew Tudor
ISBN : 9781317928300
Genre : Performing Arts
File Size : 41. 96 MB
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This text outlines what sociologists need to know of the nature of communication and of mass culture, while also looking in some empirical detail at the workings of the Hollywood community and the psychology of the star system. It explores trends such as attempts to adapt semiology and psycholinguistics to our understanding of film ‘language’, using them to develop a paradigm for film analysis. The book goes on to offer a guide to comprehension of the relation between cinema and society through detailed analysis of the relation between the German silent cinema and its social context and extensive discussion of popular genres like the western, gangster movie and horror movie. Seeing movies in terms of meaning, as reservoirs of culture which audiences may use for a variety purposes, this book uses a combination of sociological perspective and critical method to present a unique intriguing perspective.

Sociology On Film

Author : Chris Cagle
ISBN : 9780813576961
Genre : History
File Size : 84. 6 MB
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After World War II, Hollywood’s “social problem films”—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar “problem film” translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of “society” that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction.

Cinematic Identity

Author : Cindy Patton
ISBN : 9781452913254
Genre : Performing Arts
File Size : 64. 52 MB
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Though largely forgotten today, the 1949 film Pinky" had a significant impact on the world of cinema. Directed by Elia Kazan, the film was a box office success despite dealing with the era s most taboo subjects miscegenation and racial passing and garnered an Academy Award nomination for its African American star, Ethel Waters. It was also historically important: when a Texas movie theater owner showing the film was arrested for violating local censorship laws, his case went to the U.S. Supreme Court, which ruled the censorship ordinance unconstitutional. In Cinematic Identity, " Cindy Patton takes Pinky" as a starting point to meditate on the critical reception of this and other problem films of the period and to explore the larger issues they raise about race, gender, and sexuality. It was films like Pinky," Patton contends, that helped lay the groundwork for a shift in popular understanding of social identity that was essential to white America s ability to accept the legitimacy of the civil rights movement. The production of these films, beginning with 1949 s Gentleman s Agreement," coincided with the arrival of the Method school of acting in Hollywood, which demanded that performers inhabit their characters lives. Patton historicizes these twin developments, demonstrating how they paralleled, reflected, and helped popularize the emerging concept of the liberal citizen in postwar America, and in doing so illustrates how the reception of projected identities offer new perspectives on contemporary identity politics, from feminism to the gay rights movement. Cindy Patton holds the Canadian Research Chair in Community Culture and Health at Simon Fraser University, where she is professor of women s studies and sociology. Her books include Inventing AIDS," Fatal Advice: How Safe-Sex Education Went Wrong," and Globalizing AIDS "(Minnesota, 2002)."

Sociology Of Film Studies And Documents

Author : J. P. Mayer
ISBN : 1447442415
Genre : Performing Arts
File Size : 75. 93 MB
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Cinema And The City

Author : Mark Shiel
ISBN : 9781444399738
Genre : Social Science
File Size : 81. 16 MB
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This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.

The Cinematic Society

Author : Norman K Denzin
ISBN : 0803986572
Genre : Social Science
File Size : 24. 27 MB
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Ranging over a rich variety of material from film and film literature, and encompassing a critical interrogation of traditional realist ethnographic and cinematic texts, this book highlights the extent to which the cinema has contributed to the rise of voyeurism throughout society. The cinema not only turns its audience into voyeurs, eagerly following the lives of its screen characters, but casts its key players as onlookers, spying on other's lives. The nature of the cinematic voyeur is examined in depth, as are its implications for contemporary society. Norman K Denzin analyzes Hollywood's manipulations of gender, race and class, and, drawing on the work of Foucault, argues that the cinematic gaze must be understood as pa

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