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Film And Comic Books

Author : Ian Gordon
ISBN : 9781604738094
Genre : Literary Criticism
File Size : 49. 27 MB
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In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.

Happy

Author : Grant Morrison
ISBN : 1534306307
Genre : Comics & Graphic Novels
File Size : 65. 26 MB
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"Deluxe trade paperback edition... feature[s] a photo cover that ties into the SYFY show ... [and] includes 10 extra pages of story by creators Grant Morrison and Darick Robertson."--ONIX annotation.

Comic Books And American Cultural History

Author : Matthew Pustz
ISBN : 9781441172624
Genre : Comics & Graphic Novels
File Size : 82. 28 MB
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A highly original collection of essays, demonstrating how comic books can be used as primary sources in the teaching and understanding of American history.

Yellow Negroes And Other Imaginary Creatures

Author : Yvan Alagbé
ISBN : 9781681371771
Genre : Comics & Graphic Novels
File Size : 61. 84 MB
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A timely collection of work about race and immigration in Paris by one of France's most revered cult comic book artists. Yvan Alagbé is one of the most innovative and provocative artists in the world of comics. In the stories gathered in Yellow Negroes and Other Imaginary Creatures—drawn between 1994 and 2011, and never before available in English—he uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. It is both an extraordinary experiment in visual storytelling and an essential, deeply personal political statement. With unsettling power, the title story depicts the lives of undocumented migrant workers in Paris. Alain, a Beninese immigrant, struggles to protect his family and his white girlfriend, Claire, while engaged in a strange, tragic dance of obsession and repulsion with Mario, a retired French Algerian policeman. It is already a classic of alternative comics, and, like the other stories in this collection, becomes more urgent every day. This NYRC edition is an oversized paperback with French flaps, printed endpapers, and extra-thick paper, and features new English hand-lettering and a brand-new story, exclusive to this edition.

Comic Books As History

Author : Joseph Witek
ISBN : 0878054065
Genre : Antiques & Collectibles
File Size : 20. 62 MB
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Describes changing public attitudes towards comic books

Comic Books And The Cold War 1946 1962

Author : Chris York
ISBN : 9780786489473
Genre : Literary Criticism
File Size : 60. 31 MB
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Conventional wisdom holds that comic books of the post–World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture—from atomic anxieties and the nuclear family to communist hysteria and social inequalities—manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.

Comic Books 101

Author : Chris Ryall
ISBN : 9781440307904
Genre : Comics & Graphic Novels
File Size : 67. 23 MB
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60+ years of comic book exploits—on the page and behind the scenes. Welcome to Comic Books 101, the complete, definitive and super-cool guide to the universe of caped crusaders, irradiated spiders, fantastic foursomes and the super-talents behind their creation. Want to know when Marvel, DC and so many other publishers got their start? Wonder why Spider-Man can't challenge Batman or the Justice League? Curious why the Avengers don't battle it out once and for all? It's all covered here: the good, the bad guys and the ugly truths—like why one of Batman's originators died virtually unknown and penniless. Whether you're an absolute newbie, a casual fan or a loyal collector, this book holds the answers. Comic Books 101 will increase your knowledge and enjoyment of this great art form, and grant you the superpower of impressing others with useless yet fascinating trivia! (Which superhero dated a mermaid? Who battled the evil "Egghead," portrayed by what famous actor?) Includes an introduction by Stan "The Man" Lee, plus contributions from Clive Barker, Harlan Ellison, Gene Simmons, Mark Waid, Paul Dini, Joe Hill, Marv Wolfman, Joe Casey and many others. Reveals backstories for Superman, Batman, Wonder Woman, the Flash, Green Lantern, the Justice League of America, Captain America, the Fantastic Four, the Incredible Hulk, Spider-Man, The Mighty Thor, Iron Man, The Avengers, the X-Men…and other comic book greats. Offers an all-inclusive overview of comics, then and now—from the Sub-Mariner to Bone, from origins to Hollywood adaptations…complete with lingo, required reading lists, bios of the most influential names in the industry and much more!

Comic Book Crime

Author : Nickie D. Phillips
ISBN : 9780814767870
Genre : Social Science
File Size : 24. 97 MB
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“Carrying ahead the project of cultural criminology, Phillips and Strobl dare to take seriously that which amuses and entertains us—and to find in it the most significant of themes. Audiences, images, ideologies of justice and injustice—all populate the pages of Comic Book Crime. The result is an analysis as colorful as a good comic, and as sharp as the point on a superhero’s sword.”—Jeff Ferrell, author of Empire of Scrounge Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way. Nickie D. Phillips is Associate Professor in the Sociology and Criminal Justice Department at St. Francis College in Brooklyn, NY. Staci Strobl is Associate Professor in the Department of Law, Police Science and Criminal Justice Administration at John Jay College of Criminal Justice. In the Alternative Criminology series

India S Immortal Comic Books

Author : Karline McLain
ISBN : 9780253220523
Genre : Religion
File Size : 63. 35 MB
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A pioneering study of Indian comic book culture

The Comic Book Film Adaptation

Author : Liam Burke
ISBN : 9781626745155
Genre : Literary Criticism
File Size : 85. 94 MB
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“There is no better, smarter examination of the relationship between comics and film.” —Mark Waid, Eisner Award-winning writer of Kingdom Come and Daredevil In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood’s leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.

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