edgar degas drawings and pastels

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Edgar Degas

Author : Christopher Lloyd
ISBN : 0500293414
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Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist's drawings and pastels, Christopher Lloyd reveals the development of Degas's style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas's total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd's extensive research, which includes consulting the artist's detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.

Edgar Degas

Author : Christopher Lloyd
ISBN : 1606063278
Genre : Art
File Size : 84. 56 MB
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"Published simultaneously in the United Kingdom by Thames & Hudson Ltd."--Title page verso.

Edgar Degas

Author : Christopher Lloyd
ISBN : 0500093814
Genre : Arts
File Size : 63. 28 MB
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Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century; for him drawing was not only a central tenet of his art but was essential to his existence. In Edgar Degas: Drawings and Pastels, Christopher Lloyd examines the artist's drawings and pastels, traces the development of his style, and explores his biography, including his complicated relationship with the Impressionists.The artist's entire career is covered, from his early days copying the Old Masters through 1912, when failing eyesight caused him to cease working. Following a broadly chronological approach, Lloyd discusses Degas's images of dancers, nudes, milliners, and the less well-known racehorse and landscape drawings. His extensive research, which included consulting the artist's detailed notebooks, results in a fascinating and comprehensive exposition of Degas's work, at the heart of which are beautiful reproduction of over 200 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels.

Degas Drawings Of Dancers

Author : Edgar Degas
ISBN : 9780486141664
Genre : Art
File Size : 22. 33 MB
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Forty-one full-page, six half-page drawings depict dancers on stage, in the classroom, and at rehearsals. Charming, spirited views of dancers pirouetting, executing grand battements and ports de bras, practicing at the barre, and more.

Degas

Author : Jacqueline Guillaud
ISBN : UVA:X001704863
Genre : Art
File Size : 20. 36 MB
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Edgar Degas

Author : Richard Thomson
ISBN : 9780892362851
Genre : Art
File Size : 73. 69 MB
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Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.

Edgar Degas

Author : Nathalia Brodskaya
ISBN : 9781780427454
Genre : Art
File Size : 43. 91 MB
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Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous painter’s memory retained the particularities of movement of horses wherever he saw them. After his first rather complex compositions depicting racecourses, Degas learned the art of translating the nobility and elegance of horses, their nervous movements, and the formal beauty of their musculature. Around the middle of the 1860s Degas made yet another discovery. In 1866 he painted his first composition with ballet as a subject, Mademoiselle Fiocre dans le ballet de la Source (Mademoiselle Fiocre in the Ballet ‘The Spring’) (New York, Brooklyn Museum). Degas had always been a devotee of the theatre, but from now on it would become more and more the focus of his art. Degas’ first painting devoted solely to the ballet was Le Foyer de la danse à l’Opéra de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier) (Paris, Musée d’Orsay). In a carefully constructed composition, with groups of figures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each one is moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. This is why Degas moved from the theatre on to the rehearsal halls, where the dancers practised and took their lessons. This was how Degas arrived at the second sphere of that immediate, everyday life that was to interest him. The ballet would remain his passion until the end of his days.

Degas Drawings

Author : Edgar Degas
ISBN : 9780486212333
Genre : Art
File Size : 79. 46 MB
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One hundred works illustrate the French artist's techniques, concerns, and delicate style

Degas By Himself Handbook

Author : Richard ( Editor ) Kendall
ISBN : 0316728101
Genre : Painters
File Size : 79. 48 MB
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Degas And The Nude

Author : George T. M. Shackelford
ISBN : 0500093628
Genre : Nude in art
File Size : 75. 34 MB
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The nude figure was critical to the art of Edgar Degas throughout his life, and yet his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artists treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme dominated his artistic production in all media. With essays by leading critics, the book aims to provide a new interpretation of Degass evolving conception of the nude and to situate it in the subjects broader context among his peers in 19th-century France. Among the scores of reproductions is one of the most important of Degass early paintings, Scene of War in the Middle Ages, which exerted a lifelong influence on the artists treatment of the female nude and includes poses poses repeated throughout his career. Also included are monotypes of the late 1870s, which illustrate Degass most explicitly sexual depictions of women in Parisian brothels, and pictures portraying the daily life of women wherever they resided. Together these iterations range over more than a half-century of virtuoso achievement and manifest a groundbreaking look at the evolution of this master artist.

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