from grain to pixel the archival life of film in transition framing film

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From Grain To Pixel

Author : Giovanna Fossati
ISBN : 9789089641397
Genre : Performing Arts
File Size : 31. 10 MB
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"From Grain to Pixel attempts to bridge the fields of film archiving and academic research, by addressing the discourse on film ontology and analysing how it affects the role of film archives. Fossati proposes a new theoretization of film archival practice as the starting point for a renewed dialogue between film scholars and film archivists." --Book Jacket.

Fantasia Of Color In Early Cinema

Author : Tom Gunning
ISBN : 9089646574
Genre : Art
File Size : 22. 93 MB
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This book brings a treasure trove of early color film images into print form so viewers can enjoy, examine and dream over their forgotten splendor. Drawing on the richness of the early film archives of EYE Film Institute Netherlands, the authors have carefully selected and reproduced frames from the original films made before World War I, presenting their fascinating and often surprising images and hues. Digital reproduction allows the capture of these images in a full range of tone and colors.

Restoration Of Motion Picture Film

Author : Paul Read
ISBN : 9780080516196
Genre : Antiques & Collectibles
File Size : 63. 38 MB
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This is the first book to bring together the work of a modern motion picture film laboratory together with the specialist techniques for preservation and restoration of archival film. The books data has its origins in a training programme called FILM which was written by members of the Gamma Group with funding from the EU fund Force. The committee comprised senior film archivists and technicians in charge of film conservation departments or working film laboratories within national film archives, together with technicians from commercial laboratories which specialise in archival film conservation and who do not work for national and local archives. The final group consisted of many of the most experienced individuals in their fields. Restoration of Motion Picture Film is an extremely informative, well-researched book which is an unmissable addition to the bookshelves of conservators, archivists and curators worldwide. Film history and film conservation students will also find it of great interest and use. * Only book in English on this subject * Prepared by leading specialists in their field * Includes coverage of digital technology

Exposing The Film Apparatus

Author : Giovanna Fossati
ISBN : 946298316X
Genre : Art
File Size : 48. 41 MB
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Imagine opening the gates to a vault full of media apparatuses and letting loose thirty-two international media scholars and professionals on its heterogeneous content... Exposing the Film Apparatus collects the results of such an experiment. This book addresses the keen awareness of the prominence of media technologies in our culture in the last two centuries, while also showing how such an awareness is impacting the curatorial consciousness of those working in film archives, technology, and media museums today. Combining a variety of approaches with insightful perspectives of professionals working on a wide range of film technology-related issues, Exposing the Film Apparatus reveals the richness, diversity, and relevance of the topic for archivists, curators, projectionists, theorists, film and media historians, media artists, educationists and film students today.

The End Of Cinema

Author : André Gaudreault
ISBN : 9780231539388
Genre : Art
File Size : 75. 97 MB
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Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

The Cinema Of Attractions Reloaded

Author : Wanda Strauven
ISBN : 9789053569450
Genre : Performing Arts
File Size : 90. 32 MB
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Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase “cinema of attractions” to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair’s debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars—and featuring contributions by Gunning and Gaudreault as well—The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.

Saving Cinema

Author : Caroline Frick
ISBN : 019979264X
Genre : Performing Arts
File Size : 74. 22 MB
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The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same time, digital technologies have produced an entirely new reality, one that resists the material, artifact-driven approach that is the gold standard of preservation in the Western world. As it has become increasingly easy to capture and access moving images, increasing evidence of something many archivists have known for years has emerged: industrial and training films, amateur travel diaries, and even family videos are critical public resources. It has also raised question about the role of the profession. Is access equivalent to preservation, and, if it is, how should archivists alter their activities? The time is ripe for a reconsideration of the politics and practices of preservation. Saving Cinema is the book to guide that conversation.

Death 24x A Second

Author : Laura Mulvey
ISBN : 1861892632
Genre : Performing Arts
File Size : 64. 77 MB
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In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so that films produced to be seen collectively and followed in a linear fashion may be found to contain unexpected (even unintended) pleasures. The tension between the still frame and the moving image coincides with the cinema’s capacity to capture the appearance of life and preserve it after death. Mulvey proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film’s hidden stillness comes to the fore, thereby acquiring a new accessibility and visibility. The individual frame, the projected film’s best-kept secret, can now be revealed, by anyone, at the simple touch of a button. As Mulvey argues, easy access to repetition, slow motion and the freeze-frame may well shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in the cinematic object. The manipulation of the cinematic image by the viewer also makes visible cinema’s material and aesthetic attributes. By exploring how new technologies can give new life to ‘old’ cinema, Death 24 x a Secondoffers an original re-evaluation of film’s history and also its historical usefulness.

The Art Of Reverse Engineering

Author : Günther Friesinger
ISBN : 9783839425039
Genre : Social Science
File Size : 85. 11 MB
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Reverse Engineering is a term that comes originally from the field of mechanical engineering. Reverse Engineering indicates the process of analysing an existing object or system by laying out its construction plan to then rebuild it in every detail. This manner of reconstruction allows for modifications and adjustments to new demands and requirements, it signifies creative appropriation, democratisation of knowledge, further development. The contributions in this volume take Reverse Engineering to another level, applying it to the fields of arts, sciences and politics in an attempt to reveal the procedures of culture and technology at work, and the importance of access, knowledge and skills in reshaping our present times and future.

Directing

Author : Michael Rabiger
ISBN : 9781135099206
Genre : Performing Arts
File Size : 42. 24 MB
Format : PDF
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This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital. Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget. Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style. The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs. New to the fifth edition * Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach. * Expanded sections on the basics of drama, including thorough analyses of recent films * Discussions of the director’s approach to script analysis and development * New discussion exploring the elements of naturalistic and stylistic aesthetic approaches. * New discussion on the narrative power of lighting and the lens - including many recent film examples for shot size, perspective, focus and exposure * Greater emphasis on the implications of composition, mise-en-scène, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling * Expanded discussion of collaboration between the director and principle creative crew * Updated coverage of workflow and comparative advantages to digital or film acquisition * New section on film production safety, set protocol and etiquette

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