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High Noon In Lincoln

Author : Robert M. Utley
ISBN : 0826312012
Genre : History
File Size : 84. 60 MB
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"In research, writing, and interpretation, High Noon in Lincoln is a superb book. It is one of the best books (maybe the best) ever written on a violent episode in the West."--Richard Maxwell Brown author of Strain of Violence: Historical Studies of American Violence and Vigilantism

High Noon

Author : Phillip Drummond
ISBN : UOM:39015041355283
Genre : Performing Arts
File Size : 72. 39 MB
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In this book, Phillip Drummond offers a detailed account of High Noon's troubled production context and its early public reception, along with career summaries of the key participants.

High Noon

Author : Karen Southwick
ISBN : 0471297135
Genre : Business & Economics
File Size : 74. 14 MB
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The controversial CEO of Sun Microsystems shares his secrets of what works, and what doesn't, including inside information on his current battle with Microsoft

High Noon

Author : Nora Roberts
ISBN : 9780748110131
Genre : Fiction
File Size : 80. 86 MB
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Phoebe MacNamara first comes face to face with Duncan Swift high up on a roof, as she tries to stop one of his ex-employees from jumping to his death. As Savannah's chief hostage negotiator, Phoebe is calm, courageous, and ready to risk her life to save others. But this chance meeting with Duncan will bring dramatic repercussions for them both. When Phoebe is brutally assaulted in her precinct house she realizes that someone is out to destroy her - both professionally and personally. With Duncan's support, Phoebe must discover just who is pursuing her, before it's too late . . .

High Noon On The Electronic Frontier

Author : Peter Ludlow
ISBN : 0262621037
Genre : Computers
File Size : 23. 80 MB
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Collects essays discussing policy issues relating to digital communtication, including property rights, hacking, privacy, and freedom of speech

High Noon

Author : Debra Webb
ISBN : 9780373696215
Genre : Fiction
File Size : 62. 63 MB
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TIME FOR A SHOWDOWN...COLBY STYLE With one of Texas's most heinous serial killers still on the loose, it's Colby agent Joel Hayden's sworn duty to protect single mom Laney Seagers. Getting a job at Laney's High Noon bar is easy for Joel...but gaining the trust of the fiercely independent beauty is considerably harder. Amid escalating danger, Joel struggles to safeguard the shattering family secret that could destroy all Laney has ever known. As he witnesses her world starting to unravel, how can he protect her without revealing what he knows? A lifelong bachelor, Joel learns a new lesson on the job: protecting Laney from violence may be easier than protecting her heart.

High Noon

Author : Glenn Frankel
ISBN : 9781620409503
Genre : History
File Size : 75. 93 MB
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From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.

Hollywood S High Noon

Author : Thomas Cripps
ISBN : 0801853168
Genre : History
File Size : 75. 33 MB
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Over the last twenty-five years, the field of cinema studies has offered a dramatic reassessment of the history of film in general and of Hollywood in particular. Writers have drawn on the methodologies of a number of disciplines—literary criticism, sociology, psychology, women's studies, and minority and gay studies—to deepen our understanding of motion pictures, the film industry, and movie theater audiences. In Hollywood's High Noon, noted film historian Thomas Cripps offers a lively narrative history of Hollywood's classical age that brings the insights of recent scholarship to students and general readers. From its origin during the First World War to the beginning of its decline in the 1950s, Cripps writes, Hollywood operated as did other American industries: movies were created by a rational production system, regulated by both government and privately organized interests, and subject to the whims of a fickle marketplace. Yet these films did offer consumers something unique: in darkened movie palaces across the country,audiences projected themselves—their hopes and ideas—onto silver screens, profoundly mediating their reception of Hollywood's flickering images. Beginning with turn-of-the-century moving-picture pioneer Thomas Edison, Cripps traces the invention of Hollywood and the development of the studio system. He explores the movie-going experience, the struggle for social control over the movies through censorship, the impact of sound on the style and content of films, alternatives to Hollywood's oligopoly including "race" films and documentaries, the paradoxical predictability and subversive creativity of genre pictures, and Hollywood's self-proclaimed "shining moment" during the Second World War. Cripps concludes with a discussion of the collapse of the studio system after the war, due in equal parts to suburbanization, the emergence of television, and government anti-trust action.

High Noon In The Automotive Industry

Author : Helmut Becker
ISBN : 3540311912
Genre : Business & Economics
File Size : 30. 22 MB
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This book was born from curiosity. To begin with, it was the curiosity of an economist who studied in the 60’s in an environment which has subsequently developed from national into global economics. Who has to recognize that politicians, scholars and large segments of society oblivious to supranational authorities and e- nomic globalization forces continue to labour under the notion that they are still fully autonomous and sovereign when shaping national economic policy. And pretend as though their own national state were still the "m- ter in its own house" that despite unbridled market economics could c- tinue to dictate to the economy and companies how to live and in which "rooms". All that has become fiction. The laws of globalization diminish the - noeuvring space for shaping national economic policy. Even if many folks today don’t want to hear it: The issue is no longer achieving what is soc- politically desirable for the own society but rather the optimal adaptation of society and social benefits to the politically practicable.

Lamps At High Noon

Author : Jack S. Balch
ISBN : 0252069390
Genre : Fiction
File Size : 33. 97 MB
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The Federal Arts Projects were created by FDR in the summer of 1935. A year later, a handful of writers employed in the St Louis office of the Missouri Writers' Project, including Jack Balch, went out on strike. Lamps at High Noon is the only novel about this strike and the only one to treat comprehensively any aspect of the Federal Writers' Project, whose participants included some of the country's most accomplished and promising authors. Charlie Gest, the wide-eyed and well-intentioned protagonist of the novel, confronts firsthand the project's sometimes underhanded efforts to monitor the political views of its writers. Named assistant director of the project in Monroe (a fictional St. Louis), Gest is vaguely aware that the program's good intentions do not always overshadow the abuses it tolerates, which include shielding corporate interests and avoiding hiring highly qualified black writers. Gest is hounded by a nagging suspicion that, like lamps that burn in broad daylight, the issues at stake in the work stoppage are not the ones that most need addressing. offers a peerless critical engagement of the economic constraints and political exigencies surrounding debates over the federal funding of art since the New Deal.

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