hollywood s indian the portrayal of the native american in film

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Hollywood S Indian

Author : Peter Rollins
ISBN : 9780813131658
Genre : Performing Arts
File Size : 43. 39 MB
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Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.

Hollywood S Indian

Author : Peter C. Rollins
ISBN : UOM:39015040036611
Genre : Performing Arts
File Size : 39. 95 MB
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All too often Hollywood portrays Native Americans either as bloodthirsty savages, ever ready to scalp the innocent and pure, or as noble shamans, calmly sharing their accumulated wisdom with the white man. Rarely has the Indian's own view of himself or his culture been represented in films or other visual media. This collection of essays offers both in-depth analyses of specific films and overviews of Hollywood's depiction of Native Americans from the days of silent films to Disney's Pocahontas. Together, the writers explore the many ways in which the differing portrayals -- negative, sympathetic, or realistic -- have reflected larger changes in American society and their impact on our collective cultural life.

Native Americans On Film

Author : M. Elise Marubbio
ISBN : 9780813140346
Genre : Performing Arts
File Size : 25. 15 MB
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The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement.

Making The White Man S Indian

Author : Angela Aleiss
ISBN : 027598396X
Genre : Language Arts & Disciplines
File Size : 28. 59 MB
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Looks at the history of depictions and treatment of Native Americans in movies from the silent era through the present day.

Racism Sexism And The Media

Author : Clint C Wilson II
ISBN : 0761925163
Genre : Language Arts & Disciplines
File Size : 83. 27 MB
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Racial and ethnic inclusiveness has grown to be more important in the Untied States as its society has become increasingly diverse. Racism, Sexism, and the Media: The Rise of Class Communication in Multicultural America, Third Edition examines how people of color fit into the fabric of America and how the media tell them and others how they fit. Authors Clint C. Wilson, Félix Gutiérrez, and Lena M. Chao perceive the rise of class communication as a result of the convergence of new media technologies and continued demographic segmentation of audiences as people of color grow as targets of and markets for the media. Racism, Sexism, and the Media, Third Edition is recommended for undergraduate and graduate students of mass communication and social sciences, including journalism, broadcasting, film, and advertising.

American Indian Culture And Research Journal

Author :
ISBN : UCSC:32106020177959
Genre : Indians of North America
File Size : 61. 19 MB
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Savages And Saints

Author : Bob Herzberg
ISBN : 9780786451821
Genre : Performing Arts
File Size : 31. 45 MB
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The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film’s production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here.

Ethnic American Literature An Encyclopedia For Students

Author : Emmanuel S. Nelson
ISBN : 9781610698818
Genre : Literary Criticism
File Size : 76. 7 MB
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Unlike any other book of its kind, this volume celebrates published works from a broad range of American ethnic groups not often featured in the typical canon of literature. • Highlights the most important print and electronic resources on multicultural literature through a detailed bibliography • Features entries from 50 contributors, all of whom are experts in their fields • Includes cultural works not often highlighted in traditional textbooks, such as Iranian American literature, Dominican American literature, and Puerto Rican American literature

Great Plains Quarterly

Author :
ISBN : UVA:X006166604
Genre : Great Plains
File Size : 21. 35 MB
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American Indians And The Rhetoric Of Removal And Allotment

Author : Jason Edward Black
ISBN : 9781626744851
Genre : History
File Size : 55. 9 MB
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Jason Edward Black examines the ways the US government’s rhetoric and American Indian responses contributed to the policies of Native-US relations throughout the nineteenth century’s removal and allotment eras. Black shows how these discourses together constructed the perception of the US government and of American Indian communities. Such interactions—though certainly not equal—illustrated the hybrid nature of Native-US rhetoric in the nineteenth century. Both governmental, colonizing discourse and indigenous, decolonizing discourse shaped arguments, constructions of identity, and rhetoric in the colonial relationship. American Indians and the Rhetoric of Removal and Allotment demonstrates how American Indians decolonized dominant rhetoric through impeding removal and allotment policies. By turning around the US government’s narrative and inventing their own tactics, American Indian communities helped restyle their own identities as well as the government’s. During the first third of the twentieth century, American Indians lobbied for the successful passage of the Indian Citizenship Act of 1924 and the Indian New Deal of 1934, changing the relationship once again. In the end, Native communities were granted increased rhetorical power through decolonization, though the US government retained an undeniable colonial influence through its territorial management of Natives. The Indian Citizenship Act and the Indian New Deal—as the conclusion of this book indicates—are emblematic of the prevalence of the duality of US citizenship that fused American Indians to the nation, yet segregated them on reservations. This duality of inclusion and exclusion grew incrementally and persists now, as a lasting effect of nineteenth-century Native-US rhetorical relations.

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