memories of war in early modern england armor and militant nostalgia in marlowe sidney and shakespeare early modern cultural studies series

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Memories Of War In Early Modern England Armor And Militant Nostalgia In Marlowe Sidney And Shakespeare

Author : Susan Harlan
ISBN : 1349954675
Genre : Literary Criticism
File Size : 74. 30 MB
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This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of "spoiling" - or the sanctioned theft of the arms and armor of the vanquished in battle - provides a way of thinking about England's relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.

Queer Milton

Author : David L. Orvis
ISBN : 3319970488
Genre : Literary Criticism
File Size : 70. 68 MB
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Queer Milton is the first book-length study dedicated to anti-heteronormative approaches to the poetry and prose of John Milton. Organized into sections on “Eroticism and Form” and “Temporality and Affect,” essays in this volume read Milton’s works through radical queer interpretive frameworks that have elsewhere animated and enriched Renaissance Studies. Leveraging insights from recent queer work and related fields, contributions demonstrate diverse possible futures for Queer Milton Studies. At the same time, Queer Milton bears witness to the capacity for queer to arbitrate debates that have shaped, and indeed continue to shape, developments in the field of Milton Studies.

William Shakespeare S Long Lost First Play Abridged

Author : REED. TICHENOR MARTIN (AUSTIN.)
ISBN : 0856763721
Genre :
File Size : 64. 16 MB
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Violent Masculinities

Author : J. Feather
ISBN : 9781137344755
Genre : Literary Criticism
File Size : 80. 29 MB
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During the early modern period in England, social expectations for men came under extreme pressure - the armed knight went into decline and humanism appeared. Here, original essays analyze a wide-range of violent acts in literature and culture, from civic violence to chivalric combat to brawls and battles.

Classical And Christian Ideas In English Renaissance Poetry

Author : Isabel Rivers
ISBN : 9781134844173
Genre : Literary Criticism
File Size : 72. 39 MB
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Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.

Hamlet S Moment

Author : András Kiséry
ISBN : 9780191063244
Genre : Literary Criticism
File Size : 69. 5 MB
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Hamlet's Moment identifies a turning point in the history of English drama and early modern political culture: the moment when the business of politics became a matter of dramatic representation. Drama turned from open, military conflict to diplomacy and court policy, from the public contestation of power to the technologies of government. Tragedies of state turned into tragedies of state servants, inviting the public to consider politics as a profession and to imagine what it meant to have a political career. By staging intelligence derived from diplomatic sources, and by inflecting the action and discourse of their plays with a Machiavellian style of political analysis, playwrights such as Shakespeare, Jonson, Chapman, Marston transformed political knowledge into a more broadly useful type of cultural capital, something even people without political agency could deploy in conversation and use in claiming social distinction. In Hamlet's moment, the public stage created the political competence that enabled the rise of the modern public sphere. The first half of the book offers a new analysis of Shakespeare's Hamlet through the lens of its use of political knowledge, while the second half broadens the scope of discussion by exploring the plays of Shakespeare's contemporaries.

Playwriting Playgoers In Shakespeare S Theater

Author : Matteo A. Pangallo
ISBN : 9780812249415
Genre : Drama
File Size : 35. 40 MB
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Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience. Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."

Affective Performance And Cognitive Science

Author : Nicola Shaughnessy
ISBN : 9781408193150
Genre : Performing Arts
File Size : 46. 74 MB
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This book explores new developments in the dialogues between science and theatre and offers an introduction to a fast-expanding area of research and practice. The cognitive revolution in the humanities is creating new insights into the audience experience, performance processes and training. Scientists are collaborating with artists to investigate how our brains and bodies engage with performance to create new understanding of perception, emotion, imagination and empathy. Divided into four parts, each introduced by an expert editorial from leading researchers in the field, this edited volume offers readers an understanding of some of the main areas of collaboration and research: 1. Dances with Science 2. Touching Texts and Embodied Performance 3. The Multimodal Actor 4. Affecting Audiences Throughout its history theatre has provided exciting and accessible stagings of science, while contemporary practitioners are increasingly working with scientific and medical material. As Honour Bayes reported in the Guardian in 2011, the relationships between theatre, science and performance are 'exciting, explosive and unexpected'. Affective Performance and Cognitive Science charts new directions in the relations between disciplines, exploring how science and theatre can impact upon each other with reference to training, drama texts, performance and spectatorship. The book assesses the current state of play in this interdisciplinary field, facilitating cross disciplinary exchange and preparing the way for future studies.

War And Ecology In The Early Modern Period

Author : Benjamin Bertram
ISBN : 1138708852
Genre :
File Size : 89. 29 MB
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Although war is a heterogeneous assemblage of the human and nonhuman, it nevertheless builds the illusion of human autonomy and singularity. Focusing on war and ecology, a neglected topic in early modern ecocriticism, Bestial Oblivion: War, Humanism, and Ecology in Early Modern England shows how early modern warfare unsettled ideas of the human yet ultimately contributed to, and was then perpetuated by, anthropocentrism. Examining the connections among environmental history, war, and humanism, Bertram places particular emphasis on the Anglo-Spanish War, the Wars of Religion, the colonization of Ireland, Jacobean "peace," and the fifteenth-century rebellions that shaped national identity in Tudor England. The monograph juxtaposes a wide range of texts�essays, drama, military treatises, chronicle histories, paintings, engravings, war reports, travel narratives�and authors�Erasmus, Machiavelli, Digges, Shakespeare, Marlowe, Coryate, Bacon�in order to show how an intricate web of "perpetual war" emerged in the Elizabethan period that altered the perception of the physical environment as well as ideas of the human.

Manhood And The Duel

Author : J. Low
ISBN : 9781137055897
Genre : History
File Size : 34. 87 MB
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As cultural practice, the early modern duel both indicated and shaped the gender assumptions of wealthy young men; it served, in fact, as a nexus for different, often competing, notions of masculinity. As Jennifer Low illustrates by examining the aggression inherent in single combat, masculinity could be understood in spatial terms, social terms, or developmental terms. Low considers each category, developing a corrective to recent analyses of gender in early modern culture by scrutinizing the relationship between social rank and the understanding of masculinity. Reading a variety of documents, including fencing manuals and anti-dueling tracts as well as plays by Shakespeare, Jonson, Middleton, and other dramatists, Low demonstrates the interaction between the duel as practice, as stage-device, and as locus of early modern cultural debate.

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