popular culture in a globalised india

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Popular Culture In A Globalised India

Author : K. Moti Gokulsing
ISBN : 9781134023073
Genre : Social Science
File Size : 61. 22 MB
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As India celebrated the sixtieth anniversary of its independence, much praise was lavished on its emergence as a major player on the global stage. Its economic transformation and geopolitical significance as a nuclear power are matched by its globally resonant cultural resources. This book explores India’s rich popular culture. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. Structured thematically and drawing on a broad range of academic disciplines, the book deals with critical issues including: - Film, television and TV soaps - Folk theatre, Mahabharata-Ramayana ,myths, performance, ideology and religious nationalism - Music, dance and fashion - Comics, cartoons, photographs, posters and advertising - Cyberculture and the software industry - Indian feminisms - Sports and tourism - Food culture Offering comprehensive coverage of the emerging discipline of popular culture in India, this book is essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies.

Globalization And American Popular Culture

Author : Lane Crothers
ISBN : 9781442214972
Genre : Political Science
File Size : 67. 17 MB
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Now in a fully revised and updated edition, this concise and insightful book explores the ways American popular products such as movies, music, television programs, fast food, sports, and even clothing styles have molded and continue to influence modern globalization. Lane Crothers offers a thoughtful examination of both the appeal of American products worldwide and the fear and rejection they induce in many people and nations around the world. The author defines what we mean by "popular culture," how popular culture is distinguished from the generic concept of "culture," and what constitutes "American" popular culture. Tracing how U.S. movies, music, and TV became dominant in world popular culture, Crothers also considers the ways in which non-visual products like fast-food franchises, sports, and fashion have become ubiquitous. He also presents a fascinating set of case studies that highlight the varied roles American products play in a range of different nations and communities. Concluding with a projection of the future impact of American popular culture, this book makes a powerful argument for its central role in shaping global politics and economic development.

Routledge Handbook Of Indian Cinemas

Author : K. Moti Gokulsing
ISBN : 9781136772849
Genre : Performing Arts
File Size : 45. 24 MB
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India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

Fingerprinting Popular Culture

Author : Vinay Lal
ISBN : 0195679180
Genre : Performing Arts
File Size : 41. 15 MB
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Cinema in India has always been a play of middle-class sensibilities and fantasy life. And, this middle class now seems to have come into its own. From the time of Indira Gandhi, the political agendas of political parties and leaders have been increasingly shaped by middle-class consciousness and popular cinema has become for this class both an ideological phalanx and a major vehicle of self-expression. The media-exposed public in turn has become more accessible through the mythic structures and larger-than-life figures of popular cinema. The medium has become a new, more powerful language of public discourse. This book, like its companion volume The Secret Politics of our Desires (1998), is a product of this awareness. It uses Indian popular cinema to reexamine the relationships among society, politics, and culture. The six essays in it, mostly by contributors from outside the world of film studies and film criticism, span topics such as showmanship and stylization of images; the human characterization of abstract concepts such as good and evil; the open-ended, episodic and fragmented nature of the narrative, cemented together through devices such as family "history" and "filial love"; and the re-emergence of "Hindustani" as a secular language of film. The essays also cover popular cinema's fear of using comedy when dealing with the legitimacy and authority of the state; the "ideal" femininity conjured by Lata Mangeshkar's voice; and the debts to Hollywood and the carnivalesque that shape Guru Dutt's comedies.

The Cambridge Companion To Modern Indian Culture

Author : Vasudha Dalmia
ISBN : 9780521516259
Genre : History
File Size : 45. 45 MB
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A wide-ranging and truly interdisciplinary guide to understanding the relationship between India's colonial past and globalized present.

Globalization

Author : Yale H. Ferguson
ISBN : 9781136327025
Genre : Political Science
File Size : 72. 50 MB
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Written by two leading scholars of global politics, Globalization: the return of borders to a borderless world? is a major new book for students of globalization. It describes and explains globalization and its origins, and examines its future in light of key recent political and global trends and events. The text: identifies the different political, economic, technological, and cultural meanings of globalization examines its historical origins from the ancient past through the Cold War and into the twenty-first century describes the multiple attributes and consequences of globalization including its effect on the sovereignty of the nation state discusses recent trends such as the increased use of social media and events like the Arab Spring assesses the normative implications of globalization analyzes the challenges to globalization posed by contemporary events such as the global financial crisis. This book will be essential reading for all students of globalization, and will be of great interest to students of global politics and global governance.

Soft Soaping India

Author : K. Moti Gokulsing
ISBN : 1858563216
Genre : Performing Arts
File Size : 85. 31 MB
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At least one third of India's billion inhabitants regularly watch Indian soap operas, which have displaced popular cinema as the prime entertainment genre. And in the Indian diaspora on every Continent, Indian soap operas are a feature of life -- a source of pleasure, discussion and shared identity. This book characterizes the forms of these soap operas and relates how they have evolved. It explores how they have contributed to shaping the identity of modern India. Initially developed by the national telecast service, Doordoshan, specifically to convey messages about women's role, contraception and other family issues. Doordoshan also engaged viewers with serializations of the two great epics, the Ramayana and the Mahabarata. But with the onset of cable TV, soap operas became primarily entertainment driven and progressively more sensational. The book traces the impact of these different strands of soap operas and considers their impact on India's dominant concerns: the search for national unity, identity, the changing role of women, and the ideology of consumerism. "Soft Soaping India" is the first book to study Indian televised soap operas in all its forms and will be essential reading for students of the media and sociologists interested in India and its diaspora. It will also be relevant to Women's Studies.

Bollywood And Globalization

Author : Rini Bhattacharya Mehta
ISBN : 184331889X
Genre : Performing Arts
File Size : 35. 46 MB
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Commercial cinema has always been one of the biggest indigenous industries in India, and remains so in the post-globalization era, when Indian economy has entered a new phase of global participation, liberalization and expansion. Issues of community, gender, society, social and economic justice, bourgeois-liberal individualism, secular nationhood and ethnic identity are nowhere more explored in the Indian cultural mainstream than in commercial cinema. As Indian economy and policy have gone through a sea-change after the end of the Cold War and the commencement of the Global Capital, the largest cultural industry has followed suit. This book is a significant addition to the study of post-Global Indian culture. The articles represent a variety of theoretical and pedagogical approaches, and the collection will be appreciated by beginners and scholars alike.

Globalization Consumption And Popular Culture In East Asia

Author : Tai Wei Lim
ISBN : 9789814678216
Genre : Political Science
File Size : 85. 78 MB
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This book aims to provide comprehensive empirical and theoretical studies of expanding fandom communities in East Asia through the commodification of Japanese, Korean and Chinese popular cultures in the digital era. Using a multidisciplinary approach including political economy, East Asian studies, political science, international relations concepts and history, this book focuses on a few research objectives. In terms of methodology, it is an area studies approach based on interpretative work, observation studies, policy and textual analysis. First, it aims to examine the closely intertwined relationship between the three major stakeholders in the iron triangle of production companies, consumers and states (i.e., role of government in policy promotion). Second, it studies the interpenetration, adaptation, innovation and hybridization of exogenous Western culture with traditional popular cultures in (North) East Asia. Third, it studies the influence of popular cultures and how cultural products resonate with a regional audience through collective consumption, contents reflective of normative values, the emotive and cognitive appeal of familiar images and social learning as well as peer effect found in fan communities. It then examines how consumption contributes to soft cultural influence and how governments leverage on its comparative advantages and cultural assets for commercial success and in the process augment national (cultural) influence. These questions will be discussed and analyzed and contextualized through the case studies of J-pop (Japanese popular culture), K-pop (Korean popular culture or Hallyu) and Chinese popular culture (including Mando-pop and Taiwanese popular culture).

Bollyworld

Author : Dr Raminder Kaur
ISBN : 9788132103448
Genre : Language Arts & Disciplines
File Size : 23. 78 MB
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This volume brings together a group of international scholars to analyze the globalized networks of Indian cinema. It provides a critique of a common scholarly tendency in the field of popular cinema of defining Indian films in terms of their modernity and desire for nationhood. Bollyworld argues that Indian cinema cannot be understood in terms of this national paradigm, and must be more properly described as a field of visual and cultural production that interlinks sites as diverse as the cosmopolitan city of Bombay, the provincial region of Maharashtra, and countries such as Nigeria, Germany, South Africa and the United Kingdom. The twelve essays track the intra-national and trans-national movements of Bollywood cinema. Divided into three sections, the first discusses the technology and aesthetics of India's commercial cinema as it developed in the period that spans the silents from 1913 to the advent of the talkies in 1931. The second section studies these films as 'local', 'intertextual' manifestations of globalization and highlights the changes in post-liberalization cinema. Against the backdrop of economic liberalization, the institutionalization of multiculturalism and a strong voice of migrant Indian populations, the third section focuses on the overseas reception of Indian films.

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