recording music on location capturing the live performance

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Recording Music On Location

Author : Bruce Bartlett
ISBN : 9781317692386
Genre : Music
File Size : 56. 40 MB
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Recording Music on Location provides an exceptional collection of information regarding all aspects of recording outside of the studio. Featuring clear explanations on how to achieve professional results, this book is divided into two distinct sections: popular music and classical music. Whether you record in the local rock club, jazz café, or in an orchestra hall, Bartlett offers sage advice on each stage of the process of location recording. Packed with hints and tips, this book is a great reference for anyone planning to venture outside of the studio. Audio examples, tracking sheets, weblinks, and downloadable checklists are available on the companion website at This edition has been thoroughly updated and includes new sections on iOS devices, USB thumb-drive recorders, and digital consoles with built-in recorders, along with updated specs on recording equipment, software, and hardware. This edition will also show you how to prepare recordings for the web and live audio streaming, and covers spectral analysis, noise reduction, and parallel compression. A new case study will go in depth on classical-music recording.

On Location Recording Techniques

Author : Bruce Bartlett
ISBN : 9781136119019
Genre : Technology & Engineering
File Size : 54. 50 MB
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Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club. Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right. This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.


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File Size : 63. 11 MB
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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Live Performance Sound Recording

Author : Amélie Amy Blier-Carruthers
ISBN : OCLC:763627376
Genre : Performance
File Size : 85. 58 MB
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Since the advent of recordings, musicians' lives have been enriched, but also complicated, as musical performance has been split into two activities: performing live and making a recording. But how is it that these are so radically different? Drawing on both fieldwork and various kinds of recordings, my research deals with some of the senses in which recordings of classical music are not simply live performances captured. The focus for my study are live performances and studio recordings conducted by Sir Charles Mackerras, and this thesis attempts to suggest ways in which we can study these types of sources and offers an explanation of how these modes of performance might be understood. -- The two performance situations are investigated by descriptions of how they unfold, by discussing musicians' and technicians' attitudes towards them, and analyzing the differences between them. This is achieved by combining ethnographic techniques (interviews and observation) alongside more mainstream musicological approaches (source studies and recording analysis). -- After an introduction discussing what inroads have so far been made into the live versus recorded question, an account is given of the methodologies and sources used in this research. Chapter 3 presents the experiences and opinions of Sir Charles and the performers and production-team members with whom he has been working. Chapter 4 and 5 are based on fieldwork observations of various performance situations and give us a glimpse into both the recording studio and the opera house/concert hall. The following chapter then outlines the elements of performance which are subject to change; these are set under the broad headings of Sound, Expression, and Notes, and include timbre, acoustics, microphone placement, declamation and characterisation, vibrato, phrasing and articulation, volume, tempo, dramatic timing, mistakes, and editing.

Complete Recorded Works In Transcription

Author : Sam Morgan's Jazz Band
ISBN : 9780895797247
Genre : Music
File Size : 78. 50 MB
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Book URL: This edition consists of musical transcriptions of all eight recordings of Sam Morgan¿s Jazz Band, made in New Orleans in 1927. These are among the first recordings of black New Orleans jazz bands made in their home city and, as the band consisted of musicians who stayed on in New Orleans after the Great Exodus to Chicago and New York in the early 1920s, the recordings preserve a purer form of the collectively improvised ensemble of the earliest black jazz bands. It is a loosely integrated, purely linear ensemble mass, a collective projecting of melodic lines close to the unassimilated heterophonic singing of the Black Primitive Baptist and Sanctified Churches. This proto jazz style was being rapidly eclipsed in the 1920s by more flamboyant and technically brilliant forms of New Orleans jazz being recorded by Louis Armstrong, Sidney Bechet, and Jelly Roll Morton. The scores contained herein are the first complete transcriptions of this rare and distinctive music to appear in print.

Live And Recorded

Author : Yngvar Kjus
ISBN : 9783319703688
Genre : Music
File Size : 50. 86 MB
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This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.

Tom Petty Rock N Roll Guardian

Author : Andrea M. Rotondo
ISBN : 9780857128683
Genre : Music
File Size : 81. 43 MB
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Tom Petty: Rock 'n' Roll Guardian is the first intimate portrait of one of rock’s most enduring figures. Songs like American Girl, The Waiting and I Won’t Back Down have touched people from all walks of life because he sung about what he knew – love won, love lost and hardship overcome. Tom Petty’s predisposition to find trouble was always matched by his steely determination to overcome it. After shaky beginnings with his first band, Tom Petty steered his way through bankruptcy, drama and personal loss – including the deaths of his bandmates Roy Orbison, George Harrison and Heartbreakers bassist Howie Epstein – to forge a lasting impact on the world, selling more than 80 million records worldwide. In the wake of his death, this celebratory Omnibus Enhanced edition now features curated Spotify playlists of his early influences, his collaborations and his greatest songs. Additionally, an interactive Digital Timeline of his life charts his uncertain path with video footage of interviews, live performances and more. Born too late to be in the vanguard of rock ’n’ roll first time round, he has nonetheless proved a truly memorable keeper of the flame. This is his remarkable story...

Activating Diverse Musical Creativities

Author : Pamela Burnard
ISBN : 9781472589132
Genre : Education
File Size : 68. 87 MB
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Activating Diverse Musical Creativities analyses the ways in which music programmes in higher education can activate and foster diverse musical creativities. It also demonstrates the relationship between musical creativities and entrepreneurship in higher education teaching and learning. These issues are of vital significance to contemporary educational practice and training in both university and conservatoire contexts, particularly when considered alongside the growing importance of entrepreneurship, defined here as a type of creativity, for successful musicians working in the 21st century creative and cultural industries. International contributors address a broad spectrum of musical creativities in higher education, such as improvisational creativity, empathic creativity and leadership creativity, demonstrating the transformative possibilities of embedding these within higher music education teaching and learning. The chapters explore the active practice of musical creativities in teaching and learning and recognize their mutual dependency. The contributors consider philosophical and practical concerns in their work on teaching for creativity in higher music education and focus on practices using imaginative approaches in order to make learning more interesting, effective and relevant.

Capturing Sound

Author : Mark Katz
ISBN : 9780520261051
Genre : Music
File Size : 85. 81 MB
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"Roth Family Foundation music in America imprint"--Prelim. p.

Music Of The Common Tongue

Author : Christopher Small
ISBN : 081957225X
Genre : Music
File Size : 26. 23 MB
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In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act and of its function in human life. The two streams of discussion occupy alternate chapters so that each casts light on the other. The author offers also an answer to what the Musical Times called the "seldom posed though glaringly obtrusive" question: "why is it that the music of an alienated, oppressed, often persecuted black minority should have made so powerful an impact on the entire industrialized world, whatever the color of its skin or economic status?"

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