renaissance dramatic culture

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Renaissance Dramatic Culture

Author : Mary Beth Rose
ISBN : 0810116456
Genre : Literary Criticism
File Size : 63. 55 MB
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This is an annual publication devoted to understanding the drama as a central feature of Renaissance culture. The interdisciplinary essays explore the relationship of Renaissance dramatic traditions to their precursors and successors, and examine the impact of different forms of interpretation.

Renaissance Drama 27

Author : Mary Beth Rose
ISBN : 0810116456
Genre : Theater
File Size : 37. 63 MB
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Renaissance Drama is an annual publication devoted to understanding the drama as a central feature of Renaissance culture. The essays in each volume explore the relationship of Renaissance dramatic traditions to their precursors and successors, have an interdisciplinary orientation, and examine the impact of new forms of interpretation on the study of Renaissance plays.

Textual Intercourse

Author : Jeffrey Masten
ISBN : 0521589207
Genre : Drama
File Size : 29. 48 MB
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Shows how the writing of Renaissance drama was conceptualised in the language of eroticism.

A Companion To Renaissance Drama

Author : Arthur F. Kinney
ISBN : 9780470998915
Genre : Literary Criticism
File Size : 86. 65 MB
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This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.

Reading The Renaissance

Author : Jonathan Locke Hart
ISBN : 0815323557
Genre : Literary Criticism
File Size : 77. 71 MB
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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.

Reading The Renaissance Routledge Revivals

Author : Jonathan Hart
ISBN : 9781317539780
Genre : Literary Criticism
File Size : 67. 51 MB
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Reading the Renaissance, first published in 1996, is a collection of essays discussing the literature, drama, poetics and culture of the Renaissance period. The Renaissance, which extends from about 1300 to 1700 depending on the country, was originally a rebirth of the arts but has also come to apply to the wider cultural change in the face of modernization. The essays represent a plural Renaissance and explore the boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the postmodern, world and theatre. There is also a plurality of methods that is fitting for the variety of topics and the richness of the Renaissance. This book is ideal for students of literature and theatre studies.

Cosmetics In Shakespearean And Renaissance Drama

Author : Farah Karim-Cooper
ISBN : 9780748677092
Genre : Literary Criticism
File Size : 78. 16 MB
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This original study examines how the plays of Shakespeare and other Renaissance dramatists reflect and engage with the early modern discourse of cosmetics.

The Homoerotics Of Early Modern Drama

Author : Mario DiGangi
ISBN : 0521587018
Genre : Drama
File Size : 73. 13 MB
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This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores.

Renaissance Drama 35

Author : Mary Floyd-Wilson
ISBN : 9780810123656
Genre : Drama
File Size : 56. 57 MB
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Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This special issue of Renaissance Drama "Embodiment and Environment in Early Modern Drama and Performance" is guest-edited by Mary Floyd-Wilson and Garrett A. Sullivan, Jr. Anatomized, fragmented, and embarrassed, the body has long been fruitful ground for scholars of early modern literature and culture. The contributors suggest, however, that period conceptions of embodiment cannot be understood without attending to transactional relations between body and environment. The volume explores the environmentally situated nature of early modern psychology and physiology, both as depicted in dramatic texts and as a condition of theatrical performance. Individual essays shed new light on the ways that travel and climatic conditions were understood to shape and reshape class status, gender, ethnicity, national identity, and subjectivity; they focus on theatrical ecologies, identifying the playhouse as a "special environment" or its own "ecosystem," where performances have material, formative effects on the bodies of actors and audience members; and they consider transactions between theatrical, political, and cosmological environments. For the contributors to this volume, the early modern body is examined primarily through its engagements with and operations in specific environments that it both shapes and is shaped by. Embodiment, these essays show, is without borders.

Twins In Early Modern English Drama And Shakespeare

Author : Daisy Murray
ISBN : 9781317195702
Genre : Literary Criticism
File Size : 88. 46 MB
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This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of this classification, authors frequently attempt to explain the phenomenon in ways which call into question the moral and constitutional standing of both the parents and the twins themselves. In line with current critical studies on pregnancy and the female body, discussions of twin births reveal a distrust of the mother and the processes surrounding twin conception; however, a corresponding suspicion of twins also emerges, which monstrous birth pamphlets exemplify. This book analyzes the representation of twins in early modern drama in light of this information, moving from tragedies through to comedies. This progression demonstrates how the dramatic potential inherent in the early modern understanding of twinship is capitalized on by playwrights, as negative ideas about twins can be seen transitioning into tragic and tragicomic depictions of twinship. However, by building toward a positive, comic representation of twins, the work additionally suggests an alternate interpretation of twinship in this period, which appreciates and celebrates twins because of their difference. The volume will be of interest to those studying Shakespeare and Renaissance Literature in relation to the History of Emotions, the Body, and the Medical Humanities.

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