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The Debt Collector

Author : Jon Mills
ISBN : 1516811852
Genre :
File Size : 76. 31 MB
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Jack Winchester was a notorious hitman for a ruthless New Jersey crime family until a job went wrong, and he wound up serving time. Four years later, Jack is free and he wants out of the game, but his boss won't let him go. Forced to take on one last job to make amends for what landed him in prison, he travels to the small town of Rockland Cove, Maine. There, he not only discovers that the target and money have disappeared; he finds himself falling for a damaged woman, and befriending an unruly son left behind. Under mounting pressure from his boss and local police-as well as the ghosts of his past-he must unravel the mystery and decide where his loyalties lie...before it's too late.

Cartographies Of The Absolute

Author : Alberto Toscano
ISBN : 9781782799733
Genre : Philosophy
File Size : 89. 61 MB
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Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.

Debt Collector Reborn

Author : Jon Mills
ISBN : 153324491X
Genre :
File Size : 84. 50 MB
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Former mobster and hitman Jack Winchester must rely on his old skills to save a brother and sister smuggled into Los Angeles from Hong Kong. When Jack travels to Skid Row in order to put the past behind him, he is forced to contend with the Triads.

The Films Of Martin Scorsese 1978 99

Author : Leighton Grist
ISBN : 1403920354
Genre : Performing Arts
File Size : 59. 69 MB
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Martin Scorsese is one of the world's great filmmakers, and a genuine auteur. A follow up to The Films of Martin Scorsese, 1963-77, this book covers his work from The Last Waltz to Bringing Out the Dead. Central is the detailed, theoretically informed discussion of all of the Scorsese-directed features released during this period, which, for Scorsese, was marked by both considerable artistic achievement and a shifting and at times uncertain relationship with the Hollywood film industry. Filmic discussion is correspondingly situated in relation to a range of forces and developments – institutional, but also of larger historical reference – that shape the films and Scorsese's authorial discourse. Another stimulating demonstration of sustained textual analysis, The Films of Martin Scorsese, 1978-99 presents an extended critical affirmation of the continuing pertinence of the concept of film authorship and illuminates Hollywood cinema from the late 1970s to the turn of the millennium. Like its predecessor, the book is about authorship and context. Discussion of the films is founded upon a combination of formal, psychoanalytic, and ideological approaches.

Open Your Eyes

Author : Drew R. Maras
ISBN : 1438982461
Genre : Self-Help
File Size : 82. 58 MB
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The Apocalypse, Armageddon, Judgment Day, Doomsday, cataclysmic disasters on a Biblical scale...the End of Days as we know it. This book is your guide to navigating the revelation, and the Rosetta Stone for deciphering this once-every-25,800-year galactic alignment cycle set to commence on December 21, 2012. Open Your Eyes: To 2012 and Beyond will lay the foundation and build a framework around 2012 to help you ascertain the answers to the question that’s synonymous with ambiguity: When will the world as we know it end? Open Your Eyes will literally do just that—open your eyes—and release you from your programmed mind in order to shed light and truth on controversial subjects bound together by fate, not coincidence. Part self-help, part current affairs, this book provides an investigation of a myriad correlating prophesies and events that synergistically corroborate one another. Each piece of the End of Days puzzle comes into view by the book’s end to reveal a crystal clear picture of what is about to occur with our fragile world. This complete picture will manifest an epiphany within you. Many topics discussed here have remained undisclosed to the public, are sensitive and not publicly indoctrinated. Trained for war by the U.S. Marines Corps infantry and then turned pacifist, author Drew R. Maras raises the flag of awareness on the duality of man and the importance of peace. So, if you want some answers—or just a provocative, powerful ride—this book is just for you.

Debt Collector Vengeance

Author : Jon Mills
ISBN : 1522958894
Genre :
File Size : 65. 11 MB
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Mobster and hitman Jack Winchester thought he had put his past behind him. When he returns to New York City and finds his friend murdered, and his sister kidnapped, Jack goes to war against the Sicilian Mafia.

Encyclopedia Of Pulp Fiction Writers

Author : Lee Server
ISBN : 9781438109121
Genre : Literary Collections
File Size : 60. 35 MB
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Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Left Shift

Author : John A. Walker
ISBN : 1860647650
Genre : Art
File Size : 46. 1 MB
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Compared to the 1960s, the 1970s is a neglected decade. This is a history of radical political art in Britain during the 1970s, art that sought to re-establish a social purpose. It argues that what was unique about the visual fine art of the decade was the impact of left-wing politics, women's liberation and the gay movement. Artists discussed include: Rashid Araeen, Conrad and Terry Atkinson, Joseph Beuys, Derek Boshier, Stuart Brisley, Victor Burgin, John Drugger, Gilbert and George, Margaret Harrison, Derek Jarman, John Latham, Mary Kelly, Bruce McLean, David Madalla, Jamie Reid, Jo Spence.

The British School Film

Author : Stephen Glynn
ISBN : 9781137558879
Genre : Performing Arts
File Size : 83. 38 MB
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Through close textual and contextual analysis of British films spanning a century, this book explores how pupils, teachers and secondary education in general have been represented on the British screen. The author addresses a number of topics including the nature of public (fee-paying) and state schooling; the values of special, single-sex and co-education; the role of male and female teachers; and the nature of childhood and adolescence itself. From the silents of Hitchcock to the sorcery of Harry Potter, British cinema’s continued explorations of school life highlights its importance in the nation’s everyday experience and imaginary landscape. Beyond this, the school film, varying in scope from low-budget exploitation to Hollywood-financed blockbusters, serves both as a prism through which one can trace major shifts in the British film industry and as a barometer of the social and cultural concerns of the cinema-going public. This applies especially for gender, race and, in all senses, class.

Play It Again Sam

Author : Andrew Horton
ISBN : 0520205936
Genre : Performing Arts
File Size : 35. 90 MB
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Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory.

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