the great gatsby

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A young man, newly rich, tries to recapture the past and win back his former love, despite the fact that she has married.

Sorry old sport, but Gatsby has a bigger house than you, prettier friends than you and a Rolls Royce to cart them all round in. To a backdrop of popping champagne corks and orchestral jazz, our hero bids to buyout his old adversary, perennial jock, Tom Buchanan and reclaim Daisy, his favourite bit of High Society totty. Pulp! The Classics is a new imprint that gives the nation's favourite classic novels original retro covers in a pulp fiction style - with a dash of wry humour. Redesigned and reset, using the original unabridged text from some of the best writers that have ever lived, Pulp! The Classics promises readers their favourite books with stunning and highly original jackets.

So we beat on, boats against the current, borne back ceaselessly into the past. ‘F. Scott Fitzgerald’s novel The Great Gatsby was first published on April 10, 1925. Set on Long Island’s North Shore and in New York City during the summer of 1922, it is the story of an attractive young man, hopelessly in love, who, having worked so hard to improve himself so he can win back the woman he loves, finds himself in a world where money has replaced humility and despair has replaced hope. For me, the novel is a comment on the values and cynicism of east coast America almost a hundred years ago, a time when a section of society had suddenly become very wealthy and the American Dream was for most, nothing more than the mere pursuit of money.’ Peter Joucla ‘Peter Joucla’s surprisingly clear-eyed adaptation cuts to the heart of Fitzgerald’s text while preserving a very decent amount of it.’ 4 stars –Evening Standard ‘Evoking all the glamour and atmosphere of the roaring twenties, Wilton’s brings Gatsby to glorious, all-singing, all-dancing life (jazz hands optional). A must-see’ – welovethisbook.com ‘An unashamed nostalgia party for a world we never knew... This is a show that majors in fun; and it’s no surprise to see it’s a cult hit.’ Telegraph

The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates with the power of myth. A novel of lyrical beauty yet brutal realism, of magic, romance, and mysticism, The Great Gatsby is one of the great classics of twentieth-century literature.

More critical writing exists on The Great Gatsby than on any other work of American fiction. This Columbia Critical Guide introduces and contextualizes the key critical debates surrounding Fitzgerald's novel. The extracts and essays included here reflect The Great Gatsby's place as one of the first American novels to make significant use of modernist techniques and explore the influence of this "Lost Generation" work on later American writings. In considering secondary sources from the twenties to the present, this smart and sophisticated study guide offers readers an invaluable resource on this complex rendering of a moment in American history.

Presents a series of critical essays discussing the structure, themes, and subject matter of Fitzgerald's story of the love between wealthy Jay Gatsby and the beautiful Daisy Buchanan.

Background information accompanies the story of a young man, newly rich, who tries to recapture the past and win back his former love, despite the fact that she has married

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