the philosophy of film

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The Philosophy Of Film Noir

Author : Mark T. Conard
ISBN : 0813191815
Genre : Performing Arts
File Size : 81. 6 MB
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From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.

The Philosophy Of Film Noir

Author : Mark Conard
ISBN : 9780813171708
Genre : Performing Arts
File Size : 62. 72 MB
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A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.

Trust In The World

Author : Josef Früchtl
ISBN : 9781351781114
Genre : Philosophy
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This book examines the theory, originally raised in Gilles Deleuze’s philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant, Nancy, Agamben, Benjamin and Rancière. It concludes with examination of Cavell’s solution to the problem of scepticism and a synthesis of Kantian aesthetic theory with Cavellian pragmatism. Originally published in German under the title Vertrauen in die Welt, this English-language translation features a new introduction that situates Früchtl’s work within contemporary analytical philosophy of film. It will be of interest to scholars working in Continental aesthetics, philosophy of film, and film theory.

The Philosophy Of Film

Author : Thomas E. Wartenberg
ISBN : 9781405114417
Genre : Philosophy
File Size : 78. 77 MB
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Organized around a series of philosophic questions about film, The Philosophy of Film: Introductory Text and Readings offers an accessible and engaging overview of the discipline. Provides thorough selection of readings drawn from philosophy, film studies, and film criticism Multiple points of view highlighted in discussion of film theory, narration, authorship, film and emotion, and the social values of cinema Presents thought-provoking reading questions as well as clear and helpful introductions for each section More information about this text along with further resources are available from the accompanying website at: http://www.mtholyoke.edu/omc/phil-film/index.html

Philosophy Of Film And Motion Pictures

Author : Noël Carroll
ISBN : 9781405152013
Genre : Philosophy
File Size : 80. 72 MB
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Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout

Philosophy And Film

Author : Cynthia A. Freeland
ISBN : 9781134714148
Genre : Philosophy
File Size : 77. 38 MB
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Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.

Current Controversies In Philosophy Of Film

Author : Katherine Thomson-Jones
ISBN : 9781317655626
Genre : Philosophy
File Size : 72. 57 MB
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This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize. Two new essays by leading figures in the field present different views on each issue. The paired essays contain significant points of both agreement and disagreement; new theories and frameworks are proposed at the same time as authors review the current state of debate. Given their combination of richness and clarity, the essays in this volume can effectively engage both students, undergraduate or graduate, and academic researchers.

Kino 1 Das Bewegungs Bild

Author : Gilles Deleuze
ISBN : 3518288881
Genre : Motion pictures
File Size : 73. 88 MB
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Film And Philosophy

Author : Daniel Shaw
ISBN : 1905674708
Genre : Performing Arts
File Size : 35. 80 MB
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This introductory volume presents an overview of the philosophy of film, a burgeoning sub-discipline of Aesthetics. It offers a sampling of paradigmatic instances of philosophers and philosophical film theorists discussing the movies in a fashion that takes cinema as seriously as any other Fine Art, leaving little doubt that doing philosophy of film is a serious intellectual enterprise.

Race Philosophy And Film

Author : Mary K. Bloodsworth-Lugo
ISBN : 9781136250446
Genre : Philosophy
File Size : 44. 83 MB
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This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.

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