the science of paintings

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The Science Of Paintings

Author : W.Stanley Jr. Taft
ISBN : 9780387217413
Genre : Art
File Size : 59. 73 MB
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The physics and materials science behind paintings: the pigments, binders, canvas, and varnish that go into making a painting appear the way it does. The text discusses the physical principles behind the colors seen and how these change with illumination, the various types of paint and binders used in both old and modern paintings, and the optics and microscopic structure of paint films. Chapters on dating, binders, and dendochronology have been contributed by experts in the respective fields.

The Practice And Science Of Drawing

Author : Harold Speed
ISBN : 9780486132372
Genre : Art
File Size : 42. 9 MB
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Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials, and much more. 84 plates and diagrams.

The Science Of Painting

Author : Jehan Georges Vibert
ISBN : HARVARD:32044108140609
Genre : Painting
File Size : 26. 73 MB
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Science And Art

Author : Antonio Sgamellotti
ISBN : 9781782625322
Genre : Antiques & Collectibles
File Size : 34. 77 MB
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Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted. Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art. Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst.

Pictures And Tears

Author : James Elkins
ISBN : 9781135950125
Genre : Art
File Size : 50. 32 MB
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Art Does art leave you cold? And is that what it's supposed to do? Or is a painting meant to move you to tears? Hemingway was reduced to tears in the midst of a drinking bout when a painting by James Thurber caught his eye. And what's bad about that? In Pictures and Tears, art historian James Elkins tells the story of paintings that have made people cry. Drawing upon anecdotes related to individual works of art, he provides a chronicle of how people have shown emotion before works of art in the past, and a meditation on the curious tearlessness with which most people approach art in the present. Deeply personal, Pictures and Tears is a history of emotion and vulnerability, and an inquiry into the nature of art. This book is a rare and invaluable treasure for people who love art. Also includes an 8-page color insert.

The Scientist And The Forger

Author : Jehane Ragai
ISBN : 9781783267422
Genre : Art
File Size : 60. 88 MB
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"The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described." Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger. The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception. The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike. Contents:Establishing the First Link in the Art Chain: AttributionMicroscopy-Related TechniquesScientific Techniques Reliant on Mass SpectrometrySome X-ray-based TechniquesInfrared ReflectographyDigital Techniques in Art AuthenticationDendrochronolgyThe Beguiling Odalisque — Is the Courtroom the Proper Venue for Authentication?Three Portraits, Two Women — Can Science Decide?Psychology of the ViewerPsychology of the ForgerReflections on the Turbulent World of Authentication Readership: General reader, curator, connoisseur, art-historian, psychologist, scientist and financier. Key Features:There is no existing publication to date that brings together the material presented in this book and which responds to heightened interest in and demand for information on forgery-related subjects as reflected in ever-expanding media coverageThis book will appeal to a broad readership: general reader, curator, connoisseur, art-historian, psychologist and the scientist in view of the interdisciplinary nature of the work. It might also be of interest to the financier as large sums of money are involved in the purchase of paintings by famous mastersThis book covers a wide spectrum of interrelated subjects: the current state of forgery in painting touching upon some of the most singular cases, the potential and limits of new research methodologies, psychological parameters related to forgery as well as to viewership and finally the current efforts in redressing a situation of greed and fraud in the art market. Adding novelty, is the very contemporary character and diversity of the cases presented (from European to Middle Eastern artworks)Keywords:Authentication;Scientific Detection of Forgery;Psychology/Forger;Psychology/Viewer;Art World;Copy;Attribution;Connoisseur;Art Historian;Digital Techniques in Art;Painting;FraudReviews: "A highly original and informative volume that is not only impossible to put down but also makes one think in a new way about how we view the world around us." Chris Dobson, FRS John Humphrey Plummer Professor of Chemical and Structural Biology and Master of St John's College, Cambridge

Frederic Church

Author : Jennifer Raab
ISBN : 9780300208375
Genre : Art
File Size : 50. 87 MB
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A reconsideration of Church's works offering a sustained examination of the aesthetics of detail that fundamentally shaped 19th-century American landscape painting.

The Structure Of Paintings

Author : Michael Leyton
ISBN : 9783211357422
Genre : Computers
File Size : 73. 13 MB
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Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book shows that these laws determine the structure of paintings. Furthermore, the book demonstrates that the emotion expressed by a painting is actually the memory extracted by the laws. Therefore, the laws of memory storage allow the systematic and rigorous mapping not only of the compositional structure of a painting, but also of its emotional expression. The argument is supported by detailed analyses of paintings by Picasso, Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling, Balthus and Holbein.

The Art Of Fresco Painting In The Middle Ages And The Renaissance

Author : Mrs. Mary P. Merrifield
ISBN : 9780486147338
Genre : Art
File Size : 56. 41 MB
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DIVRecognized authority in the field discusses painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini; also comments on causes of fresco destruction and how to restore works of art. /div

Hit Makers

Author : Derek Thompson
ISBN : 9781101980323
Genre : BUSINESS & ECONOMICS
File Size : 54. 83 MB
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Presents an investigation into the lucrative quality of popularity in the twenty-first century to share economic insights into what makes ideas, productions, and products successful.

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