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American Cinema Of The 1920s

Author : Lucy Fischer
ISBN : 9780813544854
Genre : Performing Arts
File Size : 40. 62 MB
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In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.

Films Of The 1920s

Author : Richard Dyer MacCann
ISBN : UOM:39015040737945
Genre : Performing Arts
File Size : 57. 74 MB
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Contains essays and articles from seventeen noted film studies experts. Chapters provide the reader with a well-rounded view of the societal influences that inspired the films and the techniques that directors, filmmakers, and actors used to portray the world around them.

The Decline Of Sentiment

Author : Lea Jacobs
ISBN : 9780520941533
Genre : Performing Arts
File Size : 89. 73 MB
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The Decline of Sentiment seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis—focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot—is a comprehensive account of the modernization of classical Hollywood film style and narrative form.

High Comedy In American Movies

Author : Steve Vineberg
ISBN : 0742526348
Genre : Performing Arts
File Size : 32. 64 MB
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High Comedy in American Movies explores the 'comedy of manners' film throughout the twentieth century, from the advent of movie sound to recent films, and shows how class comedy's inside view of the aristocratic lifestyle has been influenced by the culture and times in which the movies are produced. Easily accessible, this book makes an engaging supplement to courses in American film, film genre, and film studies.

Film Europe And Film America

Author : Andrew Higson
ISBN : UOM:39015042396476
Genre : Performing Arts
File Size : 83. 89 MB
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Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000

Pudovkin S Cinema Of The 1920s

Author : Panayiota Mini
ISBN : WISC:89081079899
Genre :
File Size : 66. 60 MB
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The Freshman

Author : Christina G. Petersen
ISBN : 9781351694810
Genre : Social Science
File Size : 51. 22 MB
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Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football games, becoming the highest grossing comedy feature of the silent era. This book examines The Freshman from a number of perspectives, with a focus on the social, economic, and political context that led to the rise of campus culture as a distinct subculture and popular mass culture in 1920s America; Lloyd’s use of slapstick to represent an embodied, youthful middle-class masculinity; and the film’s self-reflexive exploration of the conflict between individuality and conformity as an early entry in the youth film genre.

American Culture In The 1920s

Author : Susan Currell
ISBN : 0748625224
Genre : History
File Size : 73. 19 MB
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The 1920s saw the United States rise to its current status as the leading world superpower, matched by an emerging cultural dominance that characterized the second half of the twentieth century. This book provides an stimulating account of the major cultural and intellectual trends of the decade that have been pivotal to its characterization as 'the jazz age'. Currell's book places common representations of the 'roaring twenties' and the 'lost generation' into context through chapters on literature, music and performance, film and radio, and visual art and design, alongside the unprecedented rise of leisure and consumption in the 1920s. Key Features *3 case studies per chapter featuring key texts, genres, writers and artists *Chronology of 1920s American Culture *Bibliographies for each chapter *17 black and white illustrations

Idols Of Modernity

Author : Patrice Petro
ISBN : 9780813547312
Genre : Biography & Autobiography
File Size : 47. 30 MB
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Focusing on stardom during the 1920s, this title reveals strong connections & dissonances in matters of storytelling & performance that can be traced both backwards & forwards, from the silent era to the emergence of sound.

The Institutionalization Of Educational Cinema

Author : Marina Dahlquist
ISBN : 9780253045225
Genre : Performing Arts
File Size : 38. 17 MB
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The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions–such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.

American Cinema S Transitional Era

Author : Charlie Keil
ISBN : 0520240278
Genre : History
File Size : 77. 67 MB
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This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.

Chromatic Modernity

Author : Sarah Street
ISBN : 9780231542289
Genre : Performing Arts
File Size : 53. 49 MB
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The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.

Lovers Of Cinema

Author : Jan-Christopher Horak
ISBN : 0299146847
Genre : Performing Arts
File Size : 86. 1 MB
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Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a groundbreaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell. Also included in the book is a listing of all American avant-garde films produced in the years before World War II as well as a bibliography of the most relevant criticism, literature, and news accounts.

A History Of American Movies

Author : Paul Monaco
ISBN : 9780810874398
Genre : Performing Arts
File Size : 49. 87 MB
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In A History of American Movies: A Film-by-Film Look at the Art, Craft and Business of Cinema, Paul Monaco provides a survey of the narrative feature film from the 1920s to the present. The book focuses on 170 of the most highly regarded and recognized feature films selected by the Hollywood establishment: each Oscar winner for Best Picture, as well as those voted the greatest by members of the American Film Institute. By focusing on a select group of films that represent the epitome of these collaborations, Monaco provides an essential history of one of the modern world's most complex and successful cultural institutions: Hollywood. Divided into three sections, "Classic Hollywood, 1927-1948," "Hollywood In Transition, 1949-1974," and "The New Hollywood, 1975 To The Present," Monaco examines some of the most memorable works in cinematic history, including The General, Wings, Bringing Up Baby, Gone with the Wind, Citizen Kane, Casablanca, On the Waterfront, The Searchers, Psycho, West Side Story, The Godfather, Cabaret, Raging Bull, Rain Man, Toy Story, and Saving Private Ryan. This is the only book that thoroughly treats Hollywood—and the most significant movies that it has made—simultaneously as the coming together of an art, a craft, and a business. This approach provides unique insight into the workings of one of the most accomplished and successful art forms in human history: the Hollywood feature film.

Introduction To Film Studies

Author : Jill Nelmes
ISBN : 9781136777158
Genre : Performing Arts
File Size : 33. 97 MB
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This is a comprehensive textbook for students of cinema. It provides a guide to the main concepts used to analyse the film industry and film texts, and also introduces some of the world's key national cinemas.

Hollywood S African American Films

Author : Ryan Jay Friedman
ISBN : 9780813550480
Genre : Performing Arts
File Size : 85. 17 MB
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In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.

Nation And Narration

Author : Bíró László
ISBN : OCLC:1081583314
Genre :
File Size : 82. 8 MB
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The Arts On Television 1976 1990

Author : Rebecca Krafft
ISBN : UCR:31210023570177
Genre : Government publications
File Size : 28. 53 MB
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Britain And The American Cinema

Author : Tom Ryall
ISBN : UOM:39015050701351
Genre : Biography & Autobiography
File Size : 49. 20 MB
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This book looks at aspects of the relationship between British and American cinema covering the period from the First World War until the 1960s. It deals with the ways in which the two industries have sought to intervene in the affairs of the other, and examines how British subject matter drawn from history, literature, drama, biography has had a place in the American film since the earliest days. The history of the British cinema - its institutions and its films - has been closely intertwined with the history of the American cinema since films were first made and viewed in the late 19th century. In many ways it has been a one-sided relationship with Hollywood exerting a powerful influence on the British film industry, shap

Film History

Author :
ISBN : UCAL:B4930349
Genre : Motion pictures
File Size : 71. 94 MB
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