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The Book of Songs (or Shi-jing), the oldest existing anthology of Chinese poetry, comprises 305 works created over centuries. Some feature lyrics in simple language that reflects the common people, addressing love and courtship, political satire, and protest. Others focus on court life and dynasties; nearly all rhyme. This stunning dual-language edition features 32 beautiful verses, including "Se Miu," about a man exhaustedly working for the king, and "Odes Of Yong (Bo Zhou)," a melancholy love poem.

First published in 1937. The Book of Songs is a collection of ancient Chinese songs, dating from 800 to 600 B.C. Until this was published in 1937 it had not been translated into English since the middle of nineteenth century, when sinology was still in its infancy. For the first time the original meaning of 290 out of the 305 songs is given, use being made of the advances in the study of old Chinese. The result is not merely a clear picture of early Chinese life, but also the restoration to its proper place in world literature of one of the finest collection of traditional songs.

"First published in 2016 in Great Britain ... and in the United States of America by Sussex Academic Press ... "

The Classic of Poetry, also Shijing or Shih-ching, translated variously as the Book of Songs, Book of Odes, or simply known as the Odes or Poetry is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology.Early references refer to the anthology as the 300 Poems (shi), with a typically inexact use of "three hundred". The Odes first became known as a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confucianism as the guiding principles of Chinese society. The same word shi later became a generic term for poetry. In English, lacking an exact equivalent for the Chinese, the translation of the word shi in this regard is generally as "poem", "song", or "ode". Before its elevation as a canonical classic, the Classic of Poetry (Shi jing) was known as the Three Hundred Songs or the Songs.The Classic of Poetry contains the oldest chronologically authenticated Chinese poems. The majority of the Odes date to the Western Zhou period (1046–771 BC). A final section of 5 "Eulogies of Shang" purports to be ritual songs of the Shang Dynasty as handed down by their descendents in the state of Song, but is generally considered quite late in date. According to the Eastern Han scholar Zheng Xuan, the latest material in the Shijing was the song "Tree-stump Grove" in the "Odes of Chen", dated to the middle of the Spring and Autumn Period (c. 700 BC).The content of the Poetry can be divided into two main sections: the "Airs of the States", and the eulogies and hymns. The "Airs of the States" are shorter lyrics in simple language that are generally ancient folk songs which record the voice of the common people. They often speak of love and courtship, longing for an absent lover, soldiers on campaign, farming and housework, and political satire and protest. On the other hand, songs in the two "Hymns" sections and the "Eulogies" section tend to be longer ritual or sacrificial songs, usually in the forms of courtly panegyrics and dynastic hymns which praise the founders of the Zhou dynasty. They also include hymns used in sacrificial rites and songs used by the aristocracy in their sacrificial ceremonies or at banquets. Pieces of poems not collected was recorded in Zuo Zhuan.Whatever the origin of the various Shijing poems as folk songs or not, they "all seem to have passed through the hands of men of letters at the royal Zhou court". In other words, they show an overall literary polish together with some general stylistic consistency. About 95% of songs in the Poetry are written in a meter of a four-character line, with a slight caesura between the second and third words. Lines tend to be syntactically related couplets, with occasional parallelism; and, longer poems generally are divided into similarly structured stanzas. This style later became known as the "Poetry" style for much of Chinese history.One of the characteristics of the poems in the Classic of Poetry is that they tend to possess "elements of repetition and variation".

The Homeric epics and the Book of Songs are not just the fountainheads of the Western and Chinese literary traditions; for centuries they played a central role in education and communal life, and thus exercised a lasting influence on both civilizations. This volume presents the first systematic comparison of the two corpora. Part One analyzes their genesis and their reception, while Part Two discusses their characteristics as poetic creations. The book brings together Chinese and Western sinologists and classicists, and so promotes significant interdisciplinary and intercultural dialogue. Though the contributors rank among the leading experts in their fields, the essays here are accessible not only to their peers, but also to the interested ‘general reader’, and so to all those who seek a deeper understanding of Chinese and Western civilizations, their common human basis and their characteristic differences.

Guo Qiyong’s edited volume offers a detailed look at research on Chinese philosophy published in Chinese from 1949-2009. The chapters in this volume are broken down into either the major themes or time periods in the history of Chinese philosophy.

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)

This book begins, and perhaps should end, with an excerpt from the writings of the late eminent Chinese scholar, Fung Yu-lan (or Feng Youlan) (1895-1990), who wrote: "The ancient Chinese culture is an inherent factor determining the Chinese style.". If the latter enunciation of Fung Yu-lan stirs one's interest in Chinese culture for the typical reasons, such as, an interest in ancient periods of China; romanticism, which focuses on the exotic and mysterious, for example, Zen Buddhism and Taoism; or simply as the source of exotic objets d'art, then all the better. Because for a typical Westerner bound in Western conventionalism and parochialism, engendering an understanding of the policies and practices of the People's Republic of China (China) necessitates understanding a modern China in light of Chinese traditional culture (or philosophy), or a China in antiquity. The consequence of Chinese traditional culture affects many political economy concerns of modern China, ranging from socio-economic, political, to international trade and other concerns. Indeed, philosophical antecedents influence modern Chinese policies and practices.

Great Books of China offers concise introductions – each of them accompanied by generous quotation (in English) from the book in question – to sixty-six works in the canon of Chinese literature. The books chosen reflect the chronological and thematic breadth of Chinese literary tradition, ranging from such classics as The Book of Songs and the Confucian Analects, through popular dramas and novels (The Romance of the Western Chamber;The Water Margin), twentieth-century political and biographical works (Quotations from Chairman Mao, the autobiography of the last emperor) and modern novels that are little known in the West (Memories of South Peking, Six Chapters from a Cadre School Life). Frances Wood presents a comprehensive, accessible and richly informative primer for the uninitiated;a box of delights that opens up an entire literary culture to the inquisitive reader.

Including writings that could be considered historical, philosophical, religious, and literary, Wang (philosophy, Loyola Marymount U.) presents an anthology that explores Chinese attitudes towards women and gender from the earliest known writings of 1200 B.C.E. to the period of the Song dynasty (1279 C.E.). Fifty-four writings, some presented in English for the first time, are selected from classics and lesser known works in order to illustrate attitudes towards women and the impact of those attitudes on Chinese cosmologies, views of nature, and cultural practices. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).

Enhance your Chinese language skills through literature and culture You can drill grammar, you can memorize vocabulary; but to truly fortify your Chinese skills you have to read in the language. McGraw-Hill's Classic Chinese Reader strengthens your reading comprehension skills and vocabulary through selections from Chinese literature including poetry, folklore, classic stories and novels, and modern drama. The texts are handpicked especially for the needs of students learning Chinese and are presented in both simplified characters and pinyin, so you will enjoy an authentic reading experience with less difficulty. Build your reading comprehension skills and vocabulary Add new words and phrases to your vocabulary Learn about the history, life, and culture of China

"A comprehensive quarterly digest and index of all quality Chinese publications in the archeological and art history fields;" includes also translated longer synopses of articles on topics covered, and a report of archeological news.

The Classical Moment is a reexamination of the concept of a supreme moment in the literatures of Greece, Mesopotamia, India, China, Japan, Korea, and Vietnam. Taking the case of Greece as its starting point, it examines what such 'moments' have in common, how they are created, and what effect they have on subsequent literary creation.

This work covers Su Shi's intellectual life and how this affected his life as an official and as a private person. It discusses his view of the Way (dao) of the ancient sages of China and its transmission, the Confucian classics, and his views on Buddhism and Daoism.

A groundbreaking work that uncovers an implicit system of hermeneutics in traditional Chinese thought and aesthetics.

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