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Carlos Saura

Author : Carlos Saura
ISBN : 1578064945
Genre : Biography & Autobiography
File Size : 38. 48 MB
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Thrust into the international spotlight in 1966 when The Hunt, his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since. Best known in the United States for his Flamenco trilogy--Blood Wedding, Carmen, and A Love Bewitched--he also received Oscar nominations for Mama Turns a Hundred, Carmen, and Tango. Saura's movies are frequently ambiguous, sometimes controversial, and always narratively complex. In many of his films, such as Cría and Goya in Bordeaux, he creates sophisticated expressions of time and space by fusing reality with fantasy, past with present, and memory with hallucination. Carlos Saura: Interviews collects interviews the filmmaker has given in Spain, France, Germany, and Canada. All of the conversations appear here in English for the first time, and, as such, they represent a treasure trove of comments by Saura on his own work. Covering the entire spectrum of his career, including his latest film Buñuel and King Solomon's Table, the interviews discuss his early contributions to the New Spanish Cinema, his documentaries and documentary-like urban films, his cinematic essays on historical figures, his dance films, his adaptations of literary and theatrical works, and the films rooted in his personal reminiscences of the Spanish Civil War. In addition, the collection touches upon Saura's efforts as a photographer, opera director, and novelist and explores his friendship with filmmaker Luis Buñuel. These interviews disclose Saura's amazingly consistent approach to his cinema, his role as an auteur, and the principles on which his creativity and intuition continue to build in innovative ways. Linda M. Willem is professor of Spanish at Butler University. She is the author of Galdós's Segunda Manera: Rhetorical Strategies and Affective Response and editor of A Sesquicentennial Tribute to Galdós. Her work has been published in Literature/Film Quarterly, Bulletin of Hispanic Studies, Latin American Literary Review, Letras Peninsulares, and Crítica Hispánica.

The Films Of Carlos Saura

Author : Marvin D'Lugo
ISBN : 0691008558
Genre : Performing Arts
File Size : 71. 27 MB
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Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden Age--that tend to isolate Spaniards from the rest of Europe, from each other, and from their own individuality. In this first English-language book on Saura, Marvin D'Lugo looks at the social and artistic forces behind this film auteur's highly personal cinema. Tracing Saura's career over three decades, D'Lugo discusses each work from Hooligans (1959), a realist film about a Madrid street-gang member trying to become a bullfighter, to The Dark Night (1989), a film dealing with the persecution of the religious reformer St. John of the Cross in the late sixteenth century. Throughout he argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. D'Lugo shows how in order to explore the complex cultural politics of "Spanishness" as it was institutionalized under Franco, Saura frames his narrations through the eyes of characters who question the forces that shape personal and collective identity. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society.

Carlos Saura Photobolsillo Early Years 1950a 1962

Author :
ISBN : 8417048774
Genre : Photography
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Carlos Saura (Huesca, 1932) is one of the key photographers who portrayed a time in Spanish history which now seems almost forgotten. Saura takes us to places that we barely recognise nowadays: a miserable Spain, with its villages of unpaved streets, adobe houses, peasants fighting the cold with blankets, men whose only means of transport are donkey carriages, women in black... A Spain that reflects the traditions and habits of its people. This new book belongs to the PHotoBolsillo series, which publishes monographs on the most important Spanish, Latin American and African photographers in a didactic and affordable format.

Espa?a A?os 50

Author : Carlos Saura
ISBN : 3869309113
Genre : Documentary photography
File Size : 36. 58 MB
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When the great filmmaker Carlos Saura was a young man, he desired to create a book about his native Spain that would transgress the propaganda imagery of the Franco regime. He strove to depict his country as seen through his camera when he set out on a journey through Andalusia and central Spain in his Fiat 600 in the late 1950s. The trip left a deep impression on his first documentary film, "Cuenca" (1958). Since his youth Saura has been fascinated not only by the process of photographing but also by its technology, as demonstrated by his museum-quality collection of hundreds of historical and self-made cameras. Torn between the two media at the beginning of his career, Saura eventually chose to become a filmmaker but has continued to take photographs. Vanished Spain offers a comprehensive insight into Saura's photography with a focus on his black-and-white work of the 1950s: compelling images of landscapes, villages, bullfights and people of another era. Photographs of Saura's diploma film project, "La Tarde de Domingo" (1957), are also present in the book, making it the definitive representation of his photographic oeuvre.

Films Directed By Carlos Saura

Author : Source Wikipedia
ISBN : 1230480013
Genre :
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 28. Chapters: Ana and the Wolves, Antonieta, Blindfolded Eyes, Carmen (1983 film), Cria cuervos, Deprisa, Deprisa, Elisa, vida mia, El Amor brujo (1986 film), El Dorado (1988 film), El jardin de las delicias, Fados, Flamenco (1995 film), Goya in Bordeaux, Honeycomb (film), La caza, La prima Angelica, Los Cuentos de Borges: El Sur (film), Mama cumple cien anos, Peppermint Frappe, Salome (2002 film), Stress Is Three, Sweet Hours (Dulces horas), Tango (film), Taxi (1996 film), The 7th Day, The Dark Night (film), The Delinquents (1960 film), Weeping for a Bandit, Ay Carmela! (film), Dispara!. Excerpt: Cria cuervos (English: Raise Ravens) is a 1976 Spanish film directed by Carlos Saura. The film is an allegorical drama about an eight-year-old girl dealing with loss. Highly acclaimed, it received the Special Jury Prize Award at the 1976 Cannes Film Festival. Eight-year-old Ana, stoic and quiet approaches her father's bedroom where she hears a woman in bed with her father, confessing her love for him. Descending the stairs, she spies an attractive middle-aged woman, hastily dressing and rushing from the bedroom to the front door of the darkened house. The woman and Ana exchange glances but do not speak. Once the woman has left, Ana enters her father's bedroom and finds the man dead, apparently from a heart attack. As if not really understanding the gravity of the situation, Ana unflappably takes away a half-full glass of milk, which she carries to the kitchen and cleans. In the kitchen, she sees her mother, who chides her for being up so late and sends her off to bed. Reality and fantasy swap places. The bizarre death of Ana's father, who will prove to be a Fascist military man, is real. The apparently banal appearance of the mother at the fridge, on the other hand, is in fact fantasized by...

The New Spanish Cinema The Films Of Carlos Saura

Author :
ISBN : OCLC:1176006403
Genre : Motion pictures
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Historical Dictionary Of Spanish Cinema

Author : Alberto Mira
ISBN : 9781538122686
Genre : Performing Arts
File Size : 64. 66 MB
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Historical Dictionary of Spanish Cinema covers Spanish cinema, its treasures its constant attempts to break through internationally, reaching out towards universal themes and conventions, and the specific obstacles and opportunities that have shaped the careers of filmmakers and stars. This book contains a chronology, an introduction, an appendix and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on titles, movements, filmmakers and performers, and genres (such as homosexuality, nuevo cine español or horror). This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.

The A To Z Of Spanish Cinema

Author : Alberto Mira Nouselles
ISBN : 9780810876224
Genre : Performing Arts
File Size : 63. 89 MB
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Spanish cinema is emerging as one of the most exciting, fascinating, and special cinemas in the world. Not only are others viewing Spanish films, but they are adopting Spanish producers and Spanish actors as their own. While Spanish cinema has been maturing for a long time and has been producing excellent directors, actors, and films for decades-including during the dark times of the Franco regime-only now is it winning numerous fans not only at home but also abroad. And with directors like Pedro Almodovar, actors and actresses like Javier Bardem and Penelope Cruz, and films such as Abre los ojos and Alatriste to build upon, the outlook for Spanish Cinema appears brighter than ever. The A to Z of Spanish Cinema provides a better understanding of the role Spanish cinema has played in film history through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on producers, directors, film companies, actors, and films."

Maternidad Y Ausencia En Cria Cuervos De Carlos Saura

Author : Maria Jose Gamez Fuentes
ISBN : OCLC:502538274
Genre :
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Iay Carmela

Author : Carlos Saura
ISBN : OCLC:1159664590
Genre :
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¡Ay Carmela! is a 1990 Spanish film directed by Carlos Saura and based on the eponymous play by José Sanchís Sinisterra. The film stars Carmen Maura, Andrés Pajares, and Gabino Diego as a trio of travelling players performing for the Republic, who inadvertently find themselves on the nationalist side during the closing months of the Spanish Civil War.

Marathon

Author : Ibergroup (Barcelona)
ISBN : OCLC:716748649
Genre :
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The Flamenco Tradition In The Works Of Federico Garc?a Lorca And Carlos Saura

Author : Rob Stone
ISBN : 0773464298
Genre : Literary Criticism
File Size : 70. 77 MB
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This study explores the meaning and importance of flamenco in the works of two of the most important and influential figures in 20th-century Spanish culture, the poet and playwright Federico Garcia Lorca and the film-maker Carlos Saura. Lorca and Saura shared a fascination for flamenco as a medium for the existential ideology of the marginalized and disenfranchised and this work evaluates the development of these themes through a close, contextual study of their works, which are linked explicitly by Saura's film adaptation of Lorca's Bodas de sangre and, more profoundly, by their use of flamenco to express ideas of sexual and political marginalization in pre- and post- Francoist Spain respectively. The study demonstrates that an understanding of the symbolism, visual style, characters, themes and performance system of flamenco is key to a greater understanding of the social, sexual, political and existential themes in the works of Lorca and Saura.

The Cinema Of Spain And Portugal

Author : Roman Gubern
ISBN : 1904764444
Genre : Performing Arts
File Size : 87. 66 MB
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Providing an overview of Spanish and Portuguese cinema, this title contains 24 essays, each on a separate seminal film from the region, profiling work from the likes of Pedro Almodıvar and João Cesar Monteiro.

Carmen

Author : Chris Perriam
ISBN : 9789042019645
Genre : History
File Size : 39. 89 MB
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Since Prosper Mérimée and Georges Bizet (with his librettists Meilhac and Halévy) brought the figure of the Spanish Carmen to prominence in the nineteenth century an astonishing eighty or so film versions of the story have been made. This collection of essays gathers together a unique body of scholarly critique focused on that Carmen narrative in film. It covers the phenomenon from a number of aspects: cultural studies, gender studies, studies in race and representation, musicology, film history, and the history of performance. The essays take us from the days of silent film to twenty-first century hip-hop style, showing, through a variety of theoretical and historical perspectives that, despite social and cultural transformations—particularly in terms of gender, sexuality and race—remarkably little has changed in terms of basic human desires and anxieties, at least as they are represented in this body of films. The conception of Carmen's independent sexuality as a source of danger both to men (and occasionally women) and to respectable society has been a constant. Nor has sexual and ethnic otherness lost its appeal. On the other hand, the corpus of Carmen films is more than a simple recycling of stereotypes and each engages newly with the social and cultural issues of their time.

Iberoromania

Author :
ISBN : UVA:X001534455
Genre : Catalan philology
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Spanish Cinema

Author : Rob Stone
ISBN : 9781317875000
Genre : Performing Arts
File Size : 24. 98 MB
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From the surrealist films of Luis Buñuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary Spanish films, which has made them popular world-wide and led directors and stars such as Almodóvar, Banderas and Penélope Cruz to be welcomed by Hollywood. Using original interview material with Spanish Cinema luminaries such as Carlos Saura, Julio Medem, Imanol Uribe and Elías Querejeta, Rob Stone charts a history of Spanish Cinema throughout the turbulent Francoist years and beyond. The book aims to provide a broad introduction to Spanish Cinema, the nine chapters divided into four types: chapters on Spanish Cinema during the Dictatorship and following the transition to democracy survey current debate and opinion while tracing the development of themes and film movements throughout those periods. chapters on early Spanish cinema and Basque cinema present vital and fascinating aspects of Spanish cinema that have previously been ignored chapters on childhood in Spanish cinema, and sex and the new star system offer new pathways into the study of Spanish cinema chapters on Carlos Saura, Elías Querejeta and Julio Medem offer specific case studies of film-makers who are emblematic of different periods in Spanish cinema and, indeed, Spanish history As with other titles in the Inside Film series, the book is comprehensively illustrated with representative stills and has a thorough bibliography, index and list of resources.

Feuchtwanger And Film

Author : Ian Wallace
ISBN : 3039119540
Genre : Literary Criticism
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Papers presented at a conference held Sept. 2007 at the University of Southern California, Los Angeles, Calif. and Villa Aurora, Pacific Palisades, Calif.

Cinema And Counter History

Author : Marcia Landy
ISBN : 9780253016195
Genre : Performing Arts
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Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.

Secular Saints

Author : Sarah M. Misemer
ISBN : 1855661616
Genre : Literary Criticism
File Size : 43. 67 MB
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Contemporary icons are drawn from popular culture - musicians, artists, actors, and other personalities we hear on radio or see on television, on screen, in print and in cyberspace. Today's 'gods' are media personalities, and cults surround stars and artists like Frida Kahlo, Carlos Gardel, Eva Perón, and Selena. Because of transnational and global trends in importing and exporting cultural products, the paintings, music, and politics that these figures crafted accrue symbolic meaning in multiple formats. By viewing them through the lens of performance art we can begin to see how their polyvalent personas were first molded and perfected for the public through paintings, tangos, politics, and Tejano music. Once they fashioned their own complex images, these multi-layered icons continued to travel after death over international boundaries, gendered divisions, political borders, and language barriers. Their reincarnation on stage has allowed dramatists to affix and generate new associations, thus converting them into secular saints for contemporary audiences. SARAH M. MISEMER lectures in Hispanic Studies at Texas A&M University, College Station. them into secular saints for contemporary audiences. SARAH M. MISEMER lectures in Hispanic Studies at Texas A&M University, College Station. them into secular saints for contemporary audiences. SARAH M. MISEMER lectures in Hispanic Studies at Texas A&M University, College Station. them into secular saints for contemporary audiences. SARAH M. MISEMER lectures in Hispanic Studies at Texas A&M University, College Station.

Female Figures In Art And Media

Author : Monique Jucquois-Delpierre
ISBN : 9783631600603
Genre : Art
File Size : 39. 65 MB
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This study represents several years' work on the image of women and genre images of women. It uses two modes of reflecting on or between the far from clearly definable concepts of gender, femininity or masculinity and their representation in time and space. The first one leads the reader between (scientific) texts analysing different aspects or figures to enable questions on gender to be concretized. The second mode of reflection extends a sensitive thread between art and science. New forms of art and human interaction are experimented with in an original dynamic process. Diese Studie veranschaulicht die Arbeit mehrerer Jahre uber das Bild und die Genrebilder von Frauen. Sie zeigt, wie die Frau und das Genre erzahlt oder beschrieben werden, welche Mythen oder Allegorien (Eva, Antigone oder Aschenputtel) seit Jahrhunderten in der Kunst, der Literatur und den Medien standig uberarbeitet und umgestellt werden. Zwei Denkansatze leiten den Leser/Zuschauer durch die mehrdeutigen Figuren und Konzepte des Weiblichen oder Mannlichen. Der erste ist wissenschaftlich gangig und textuell, der zweite Ansatz ist visuell, spannt einen sensiblen Faden zwischen Wissenschaft und Kunst und erlaubt, neue menschliche und kunstlerische Formen bzw. Wechselwirkungen auszuprobieren. Cette etude concretise un travail de plusieurs annees sur l'Image et les images du genre. Elle montre comment sont racontes ou decrits la femme et le genre, quels mythes ou allegories (Eve, Antigone ou Cendrillon) sont refondus et transposes en permanence depuis des siecles dans l'art, la litterature et les medias. Deux modes de reflexion conduisent le lecteur/spectateur a travers les figures et concepts ambigus de feminin ou masculin, le premier mode usuel scientifique et textuel, le second, visuel, tend un fil sensible entre science et art et permet d'experimenter de nouvelles formes et interactions humaines et artistiques."

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