como-ser-buenos

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Because of the recently increased use of legumes as substitutes for nitrogenous fertilizers to conserve nitrogen for our war efforts, it is important that all usable information on the diseases of these crops be made available to pathologists at once so that their efforts to control these diseases may be speeded. This need for assembled information has prompted the preparation of this material for publication at this time.

En el año 1927 Albert Londres viajó de incógnito a la Argentina para llevar adelante una investigación sobre la trata de blancas. El camino de Buenos Aires, fruto de esa investigación, es mucho más que una crónica ocurrente o el relato de un viaje por el “paraíso de los rufianes”: constituye un testimonio polémico sobre la Argentina y un precioso documento sobre el circuito internacional del hampa.

In this precious poetic autobiography, Gabriella Bianco not only tells the final hour of an existencethat of her son Robert Steve but also the loss of a great love, in a world full of absences. Gabriella Bianco challenges her destiny, inviting us to the caducity of all that surrounds usfeelings, love, life and even the most precious gift, a son. In the loving relation not only with language and poetry, but also with the drama of life, Bianco needs to reveal a secrether sons deathand share it with her sons father, as a moral and absolute duty. From the point of view of the truth and the death of a child, this text is sacred, although, refusing to take the place of the victim under the circumstances, Bianco knowslike all tragic heroes that nothing different would have been possible with her destiny. This valuable literary narration reaches a deeply dramatic effect, as it is so painfully connected to a vital experience. The story always speaks about love, charging this word with immense emotion, whispering words in their agonizing beauty. Bianco tells us what she knows about herself and about the facts, digging in her own soul, with perplexity and nostalgia. In this story, the past is a split mirror, where nothing turned out to be the same. Here the theme of love has the marks of time and renunciation, the mark of destiny. In this narration, Bianco reaches a balance of great beauty, between said and unspoken words, between suggested and explicit thoughts, in a great richness of nuances, when the text turns unstable, facing the emotions stirred up by this testimony.

This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.

Saber uno quin es no tiene equivalente. Cuestionado, sarcsticamente, sobre su identidad, Don Quijote, protest enfticamente: Yo s quin soy! Y Jess, modelo de integridad e independencia, lapidariamente, afirm de s mismo: Yo soy la verdad misma, la verdad absoluta: Yo en el Padre y el Padre en M. Y por ser la verdad, tambin Soy el camino y la vida. El descubrimiento de s conduce al ser humano a la autenticidad responsable. Hasta que punto..., intenta, en un estilo alegre, con lenguaje sencillo, facilitar al lector ayuda efectiva para conocerse, apropiarse de s mismo y disfrutar su autenticidad, deseable y verdadera individualidad: el descubrimiento del intrnseco propsito de su vida nica e irrepetible.

Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.

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