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Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis ofthe Scandinavian crime genre; from Sjöwall and Wahlöö's Martin Beck series, through Henning Mankell's Wallander, to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo.

It was midday on December 21st in the city of Tromsø when the boy was last seen: a tall, blond boy swathed in anorak and scarf against the Arctic noon. After that he wasn’t seen again, not until three months later, when Professor Mackenzie’s dog started sniffing around in the snow and uncovered a human ear, attached to a naked corpse. Nobody knew who he was, or where he had come from. And after three months it was almost impossible to track down the identity of the corpse. But Inspector Fagermo refused to give up, and as he probed deeper into the Arctic city he began to discover a dangerous conspiracy of blackmail, espionage, and cold-blooded murder.

In this sequel to BLOOD FOR THE GHOSTS AND CLASSICAL SURVIVALS, Hugh Lloyd-Jones treats many topics in the study of the ancient world. The subjects range from Homer and Pindar to the pioneering work of modern scholars such as Scaliger, Gilbert Murray, Dean Inge and Edgar Lobel and the relevance (or lack of relevance) of psychoanalysis to a proper interpretation of classical thought and literature. A final chapter, from which the title of the collection derives, gives a new assessment of the place of Greek learning in the world today.

This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.

Focusing on the sexualized violence of Stieg Larsson's bestselling Millennium trilogy – including the novels, Swedish film adaptations, and Hollywood blockbusters – this collection of essays puts Larsson's work into dialogue with Scandinavian and Anglophone crime novels by writers including Jo Nesbø, Håkan Nesser, Mo Hayder and Val McDermid.

Euro Noir examines the astonishing success of European fiction and drama which is often edgier, grittier and more compelling than some of its British or American equivalents, and provides a highly readable guide for those wanting to look further than the obvious choices. Euro Noir provides the perfect shopping list for what to watch or read before that trip to Paris, Rome or Berlin. The invasion of foreign crime fiction, films and TV (not just the Scandinavian variety) has transformed the crime shelves of bookshops and DVD stores. But the sheer volume of new European writers and films is daunting and there is a keen need for a guide to the field. Euro Noir presents a roadmap to the territory and is the perfect travel guide to the genre. From Italy, such influential authors as Andrea Camilleri and Leonardo Sciascia and Mafia crime dramas Romanzo Criminale and Gomorrah, along with the gruesome Gialli crime films. From France and Belgium, important writers from Maigret's creator Georges Simenon to today's Fred Vargas, cult television programmes Braquo and Spiral and films, from the classic heist movie Rififi to modern greats such as Hidden, Mesrine and Tell No One. German and Austrian greats such as Jakob Arjouni and Jan Costin Wagner, crime films including Run Lola Run and The Lives of Others. Along with the best crime writing and filmmaking from Spain, Portugal, Greece, Holland and other European countries

Robert S. Paul suggests that the reason detective fiction has won legions of readers may be that "the writer of detective fiction, without conscious intent, appeals directly to those moral and spiritual roots of society unconsciously affirmed and endorsed by the readers." Because detective stories deal with crime and punishment they cannot help dealing implicitly with theological issues, such as the reality of good and evil, the recognition that humankind has the potential for both, the nature of evidence (truth and error), the significance of our existence in a rational order and hence the reality of truth, and the value of the individual in a civilized society. Paul argues that the genre traces its true beginning to the Enlightenment and documents two related but different reactions to the theological issues involved: first, a line of writers who are generally positive in relation to their cultural setting, such as Edgar Allan Poe, Wilkie Collins, Conan Doyle; and second, a reactionary strain, critical of the prevailing culture, that begins in William Godwin’s Caleb Williams and continues through the anti-heroic writers like Arsène Lupin to Raymond Chandler, Dashiell Hammett, and John MacDonald.

Uniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.

Nancy Mitford was, in the words of her sister Lady Diana Mosley, 'very, very complex'. Her highly autobiographical early work, the biographies and novels of her more mature French period, her journalism, and the vast body of letters to her family, friends such as Evelyn Waugh, and to the great love of her life, Gaston Palewski, all tell an intriguing story. Drawing from these, as well as conversations with Mitford's two surviving sisters, acquaintances and colleagues, prize-winning author Laura Thompson has fashioned a portrait of a contradictory and courageous woman. Approaching her subject with wit, perspicacity and huge affection, Thompson makes her serious points lightly, eschewing clichés about the eccentricities of the Mitford clan. Life in a Cold Climate is full of the sound of Mitfordian laughter;but tells also the often paradoxical and complex story beneath the smiling and ever elegant façade.

This five-volume collection of the writings of the distinguished surgeon and anatomist John Hunter was published between 1835 and 1837.

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