decolonizing museums

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Decolonizing Museums

Author : Amy Lonetree
ISBN : 9780807837146
Genre : Social Science
File Size : 90. 35 MB
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Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co

Interpreting Native American History And Culture At Museums And Historic Sites

Author : Raney Bench
ISBN : 9780759123397
Genre : Social Science
File Size : 90. 65 MB
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Interpreting Native American History and Culture at Museums and Historic Sites features ideas and suggested best practices for the staff and board of museums that care for collections of Native material culture, and who work with Native American culture, history, and communities.

Indigenous Notions Of Ownership And Libraries Archives And Museums

Author : Camille Callison
ISBN : 9783110363234
Genre : Language Arts & Disciplines
File Size : 28. 98 MB
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Tangible and intangible forms of indigenous knowledges and cultural expressions are often found in libraries, archives or museums. Often the "legal" copyright is not held by the indigenous people’s group from which the knowledge or cultural expression originates. Indigenous peoples regard unauthorized use of their cultural expressions as theft and believe that the true expression of that knowledge can only be sustained, transformed, and remain dynamic in its proper cultural context. Readers will begin to understand how to respect and preserve these ways of knowing while appreciating the cultural memory institutions’ attempts to transfer the knowledges to the next generation.

Museums Heritage And Indigenous Voice

Author : Bryony Onciul
ISBN : 9781317671800
Genre : Art
File Size : 70. 40 MB
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Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization.

Routledge Companion To Museum Ethics

Author : Janet Marstine
ISBN : 9780415566117
Genre : Social Science
File Size : 43. 12 MB
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Routledge Companion to Museum Ethics is a theoretically informed reconceptualization of museum ethics discourse as a dynamic social practice central to the project of creating change in the museum. Through twenty-seven chapters by an international and interdisciplinary group of academics and practitioners it explores contemporary museum ethics as an opportunity for growth, rather than a burden of compliance. The volume represents diverse strands in museum activity from exhibitions to marketing, as ethics is embedded in all areas of the museum sector. What the contributions share is an understanding of the contingent nature of museum ethics in the twenty-first century—its relations with complex economic, social, political and technological forces and its fluid ever-shifting sensibility. The volume examines contemporary museum ethics through the prism of those disciplines and methods that have shaped it most. It argues for a museum ethics discourse defined by social responsibility, radical transparency and shared guardianship of heritage. And it demonstrates the moral agency of museums: the concept that museum ethics is more than the personal and professional ethics of individuals and concerns the capacity of institutions to generate self-reflective and activist practice.

Decolonizing Conservation

Author : Dean Sully
ISBN : 9781598743104
Genre : Business & Economics
File Size : 34. 27 MB
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This book challenges the commodification of sacred objects and places by western conservation thought by examining conservation activities at Maori marae?meeting houses?located in the US, Germany, and England, contrasted with changes in marae conservation in New Zealand.

Decolonizing Anthropology Museums

Author : Christina Faye Kreps
ISBN : OCLC:20745325
Genre : Anthropological museums and collections
File Size : 72. 58 MB
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Contesting Knowledge

Author : Susan Sleeper-Smith
ISBN : 9780803219489
Genre : Social Science
File Size : 34. 44 MB
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The essays in section 1 consider ethnography's influence on how Europeans represent colonized peoples. Section 2 essays analyze curatorial practices, emphasizing how exhibitions must serve diverse masters rather than solely the curator's own creativity and judgment, a dramatic departure from past museum culture and practice. Section 3 essays consider tribal museums that focus on contesting and critiquing colonial views of American and Canadian history while serving the varied needs of the indigenous communities.

University Of British Columbia Law Review

Author : University of British Columbia
ISBN : OSU:32437123437614
Genre : Law reviews
File Size : 42. 11 MB
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Indigenizing The Museum

Author : Majel Boxer
ISBN : UCAL:C3483959
Genre : Decolonization
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This dissertation begins by situating decolonization as a theoretical tool in examining the tribal museum model. It argues that individuals, institutions, and communities engaged in tribal museum projects can uphold and perpetuate past museum methods of exhibition which were and are colonialist in nature. Thus, utilizing the theory of decolonization is important in the examination of two tribal museums; the Osage Tribal Museum, in Pawhuska, Oklahoma and the Museum at Warm Springs in Warm Springs, Oregon. The development of a decolonized tribal museum model is complicated by the notion that to be truly decolonized a colonized community can not be engaged with the very same institutions which have had a hand in their colonization. This dissertation is laid out in the following order: Chapter One examines the colonialist relationship between indigenous nations, museums, and the federal government in the nineteenth and twentieth centuries; Chapter Two develops the theory of decolonization as it is understood within the U.S. context and underscores the various ways that two indigenous nations have negotiated these relationships and maintained their respective museums as sites of decolonization; Chapter Three, examines the early history of the Osage Tribal Museum which emerged in 1938 as the first tribal museum to be built by an indigenous nation; Chapter Four explores the Museum at Warm Springs and departs from the previous chapter by describing and analyzing the permanent exhibits and reading them through the lens of decolonization; finally, Chapter Five, draws upon the work of scholars employing the theory of decolonization to their reading of the NMAI. The purpose of this chapter is to illustrate the complex nature of decolonization. That is, that collaboration between the museum profession and indigenous communities is not decolonizing work; rather, it is the overarching goals of community empowerment, truth-telling, and privileging indigenous knowledge that are markers of decolonization. The dissertation concludes by asserting that decolonization as a theory and practice can be empowering to indigenous communities.

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