difference and repetition

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Difference And Repetition

Author : Gilles Deleuze
ISBN : 0826477151
Genre : Philosophy
File Size : 66. 3 MB
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Since its publication in 1968, "Difference and Repetition", an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.

Difference And Repetition

Author : Gilles Deleuze
ISBN : 9781441180124
Genre : Philosophy
File Size : 21. 22 MB
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Since its publication in 1968, "Difference and Repetition", an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.

Gilles Deleuze S Difference And Repetition

Author : James Williams
ISBN : 9780748668953
Genre : Philosophy
File Size : 86. 84 MB
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A new edition of this introduction to Deleuze's seminal work, Difference and Repetition, with new material on intensity, science and action and new engagements with Bryant, Sauvagnargues, Smith, Somers-Hall and de Beistegui.

Deleuze S Difference And Repetition An Edinburgh Philosophical Guide

Author : Henry Somers-Hall
ISBN : 9780748669677
Genre : Philosophy
File Size : 36. 75 MB
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The essential toolkit for anyone approaching Deleuze for the first time. When students read Difference and Repetition for the first time, they face two main hurdles: the wide range of sources that Deleuze draws upon and his dense writing style. This Edinburgh Philosophical Guide helps students to negotiate these hurdles, taking them through the text paragraphy by paragraph. It situates Deleuze within Continental philosophy more broadly and explains why he develops his philosophy in his unique way. If you're a seasoned Deleuzian, there's something here for you too: you won't want to miss Henry Somers-Hall's new, positive interpretation of Difference and Repetition.

Deleuze S Difference And Repetition

Author : Joe Hughes
ISBN : 9781441190468
Genre : Philosophy
File Size : 23. 35 MB
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Gilles Deleuze is without question one of the most influential thinkers of the twentieth century. Difference and Repetition is a classic work of contemporary philosophy and a key text in Deleuze's oeuvre, a brilliant exposition of the critique of identity that develops two key concepts: pure difference and complex repetition. Deleuze's 'Difference and Repetition': A Reader's Guide offers a concise and accessible introduction to this hugely important and yet notoriously demanding work.

Time And Intensity In Deleuze S Difference And Repetition

Author : Kieran Aarons
ISBN : OCLC:1071478257
Genre :
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James Williams 2013 Gilles Deleuze S Difference And Repetition A Critical Introduction And Guide Edinburgh Edinburgh University Press And Henry Somers Hall 2013 Deleuze S Difference And Repetition Edinburgh Edinburgh University Press

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ISBN : OCLC:1051352831
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File Size : 79. 90 MB
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Repetition Difference And Knowledge In The Work Of Samuel Beckett Jacques Derrida And Gilles Deleuze

Author : Sarah Gendron
ISBN : 1433103753
Genre : Literary Criticism
File Size : 23. 57 MB
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"Repetition, Difference, and Knowledge" dialogues with novels, theatre, philosophy, and literary theory in order to explore how three thinkers - Samuel Beckett, Jacques Derrida, and Gilles Deleuze - employ repetition as a means with which to radically unsettle some of the most fundamental notions of the human experience (among them, time, presence, originality, and being). Due to its interdisciplinary scope and its focus on repetition as an epistemological concept, this book will attract a broad audience of academic specialists across the humanities from the fields of literary criticism, philosophy, French studies, and poststructural studies. Its simplicity of style, deliberate avoidance of complex jargon, and clarity of argument - particularly when dealing with complicated theoretical ideas and texts - also makes it an invaluable tool for use in both graduate- and undergraduate-level literature and philosophy courses. "Repetition, Difference, and Knowledge" provides experienced and beginning scholars alike with greater insight into the works of Beckett, Derrida, and Deleuze and into the role that repetition has played and continues to play in determining how we read our world and come to meaning.

Deleuze And Guattari

Author : Ronald Bogue
ISBN : 9781134974788
Genre : Philosophy
File Size : 45. 29 MB
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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Repetition And Identity

Author : Catherine Pickstock
ISBN : 9780191506536
Genre : Literary Criticism
File Size : 38. 4 MB
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The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Repetition and Identity offers a theory of the existing thing as such. A thing only has identity and consistency when it has already been repeated, but repetition summons difference and the shadow invocation of a connecting sign. In contrast to the perspectives of Post-structuralism, Catherine Pickstock proposes that signs are part of reality, and that they truthfully express the real. She also proposes that non-identical repetition involves analogy, rather than the Post-structuralist combination of univocity and equivocity, or of rationalism with scepticism. This proposal, which is happy for reality to make sense, involves, however, a subjective decision which is to be poetically performed. A wager is laid upon the possibility of a consistency which sustains the subject, in continuity with the elusive consistency of nature. This wager is played out in terms of a performative argument concerning the existential stances open to human beings. It is concluded that the individual sustains this quest within the context of an inter-subjective search for an historical consistency of culture. But can ethical consistency, and the harmonisation of this with an aesthetic surplus of an 'elsewhere', invoked by the sign, be achieved without a religious gesture? And can this gesture avoid a tragic tension between ethical commitment and religious renunciation? Pickstock suggests a Kierkegaardian re-reading of the Patristic categories of 'recapitulation' and 'reconstitution' can reconcile this tension. The quest for the identity and consistency of the thing leads us from the subject through fiction and history and to sacred history, to shape an ontology which is also a literary theory and a literary artefaction.

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