elements of sonata theory

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Elements Of Sonata Theory

Author : James Arnold Hepokoski
ISBN : 9780199773916
Genre : Music
File Size : 38. 31 MB
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Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Elements Of Sonata Theory

Author : James Hepokoski
ISBN : OCLC:804008571
Genre :
File Size : 43. 25 MB
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Elements Of Sonata Theory

Author : James Hepokoski
ISBN : 9780195146400
Genre : Music
File Size : 82. 83 MB
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For over 150 years the concept of "sonata form" lay at the heart of European instrumental music. Now, in Elements of Sonata Theory, musicologist James Hepokoski and music theorist Warren Darcy rethink its basic principles. Considering not only sonatas but.

Elements Of Sonata Theory

Author : James Hepokoski
ISBN : 9780195146400
Genre : Music
File Size : 70. 44 MB
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For over 150 years the concept of "sonata form" lay at the heart of European instrumental music. Now, in Elements of Sonata Theory, musicologist James Hepokoski and music theorist Warren Darcy rethink its basic principles. Considering not only sonatas but.

Sonata Theory

Author : Jesse Russell
ISBN : 5512381148
Genre :
File Size : 79. 98 MB
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High Quality Content by WIKIPEDIA articles! Sonata Theory is an approach to the description of sonata form in terms of individual works' treatment of generic expectations. For example, it is normative for the secondary theme of a minor-mode sonata to be in either the key of III or v. If a composer chooses to break this norm in a given piece, that is a deviation that requires analytical and interpretive explanation.:10 The essentials of the theory are presented by its developers, James Hepokoski and Warren Darcy, in the book Elements of Sonata Theory, which won the Society for Music Theory's Wallace Berry Award in 2008. Although the theory is particularly designed to treat late eighteenth-century works such as those by Mozart, Haydn, and Beethoven, many of its principles are applicable to works in sonata form from later centuries.

Musical Form Forms Formenlehre

Author : William E. Caplin
ISBN : 9789058678225
Genre : Music
File Size : 46. 44 MB
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The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys.

Mahler S Symphonic Sonatas

Author : Seth Monahan
ISBN : 9780190266462
Genre : Music
File Size : 80. 59 MB
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Why would Gustav Mahler (1860-1911), modernist titan and so-called prophet of the New Music, commit himself time and again to the venerable sonata-allegro form of Mozart and Beethoven? How could so gifted a symphonic storyteller be drawn to a framework that many have dismissed as antiquated and dramatically inert? Mahler's Symphonic Sonatas offers a striking new take on this old dilemma. Indeed, it poses these questions seriously for the first time. Rather than downplaying Mahler's sonata designs as distracting anachronisms or innocuous groundplans, author Seth Monahan argues that for much of his career, Mahler used the inner, goal-directed dynamics of sonata form as the basis for some of his most gripping symphonic stories. Laying bare the deeper narrative/processual grammar of Mahler's evolving sonata corpus, Monahan pays particular attention to its recycling of large-scale rhetorical devices and its consistent linkage of tonal plot and affect. He then sets forth an interpretive framework that combines the visionary insights of Theodor W. Adorno-whose Mahler writings are examined here lucidly and at length-with elements of Hepokoski and Darcy's renowned Sonata Theory. What emerges is a tensely dialectical image of Mahler's sonata forms, one that hears the genre's compulsion for tonal/rhetorical closure in full collision with the spontaneous narrative needs of the surrounding music and of the overarching symphonic totality. It is a practice that calls forth sonata form not as a rigid mold, but as a dynamic process-rich with historical resonances and subject to a vast range of complications, curtailments, and catastrophes. With its expert balance of riveting analytical narration and thoughtful methodological reflection, Mahler's Symphonic Sonatas promises to be a landmark text of Mahler reception, and one that will reward scholars and students of the late-Romantic symphony for years to come.

Harmony Adrift

Author : Emily Dewoolfson
ISBN : OCLC:1038415940
Genre : Piano music
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Maurice Ravels 1901 piano work Jeux deau is one of his earliest dialogues with classical sonata form. A comparison of this work with the formal sections laid out in Hepokoski and Darcys Elements of Sonata Theory reveals clear rhetorical indicators of all major sections, although themes are treated freely and traditional key relationships are abandoned in favor of a novel harmonic language that drifts between tonality and atonality. Jeux deau is also notable for its water-like gestural motion, which Ravel adapted from the music of Franz Liszt and others but which he expanded through this work. Considering how seminal this piece is both to Ravels later works and to music from other composers who built on Ravels stylistic hallmarks, the absence of a detailed analytical study of Jeux deau is a significant gap in both the literature on Ravels work and the literature on the history of sonata form.In the pursuit of a more complete understanding of this work, therefore, Jeux deau will be analyzed from multiple revealing perspectives. In Chapter 1, I will discuss semiotic considerations, including the water topic and Ravels contributions to this topic. In Chapter 2, I will illuminate Ravels dialogue with sonata form by analyzing Jeux deau in the context of the sonata-form theory of James Hepokoski and Warren Darcy. As part of this analysis, I will use modified Schenkerian tools to clarify the harmonic trajectories of the music as it develops, both on the surface as well as at various middleground levels. Finally, I will discuss semiotic considerations, including the narrative implications of the water topic and its effect on the sonata form.

Extraordinary Measures

Author : Joseph N. Straus
ISBN : 9780199831401
Genre : Music
File Size : 32. 8 MB
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Approaching disability as a cultural construction rather than a medical pathology, this book studies the impact of disability and concepts of disability on composers, performers, and listeners with disabilities, as well as on discourse about music and works of music themselves. For composers with disabilities--like Beethoven, Delius, and Schumann--awareness of the disability sharply inflects critical reception. For performers with disabilities--such as Itzhak Perlman and Evelyn Glennie--the performance of disability and the performance of music are deeply intertwined. For listeners with disabilities, extraordinary bodies and minds may give rise to new ways of making sense of music. In the stories that people tell about music, and in the stories that music itself tells, disability has long played a central but unrecognized role. Some of these stories are narratives of overcoming-the triumph of the human spirit over adversity-but others are more nuanced tales of accommodation and acceptance of life with a non-normative body or mind. In all of these ways, music both reflects and constructs disability.

Harmony In Haydn And Mozart

Author : David Damschroder
ISBN : 9781107025349
Genre : Music
File Size : 80. 64 MB
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Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.

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