flemish-minatures-8-16-century

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Flemish Miniatures From The 8th To The Mid 16th Century

Author : Maurits Smeyers
ISBN : UCSC:32106018015245
Genre : Art
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A large, beautifully illustrated survey of eight centuries of Flemish manuscript illumination which combines a history of the style and content of illumination with a history of manuscripts and books. This comprehensive chronological history presents: the monastic manuscripts of the Pre-Romanesque and Romanesque periods in Flanders and Northern France; books produced for and by the laity during the Gothic period; realism in the late 14th century; the growth of the international book trade; the influence of guilds and universities in the 15th century; the patronage of Philip the Good, Charles the Bold and Margaret of York during the 16th century; the emergence of the printed book. The highly informative and accessible discussions are accompanied by large colour photographs of some of the finest examples of illumination produced during the Middle Ages and the volume is itself a work of art.

Flemish Manuscript Painting In Context

Author : Elizabeth Morrison
ISBN : 9780892368525
Genre : Art
File Size : 74. 9 MB
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A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.

An Index Of The Grey Collection

Author :
ISBN : NYPL:33433089894145
Genre : Library catalogs
File Size : 51. 21 MB
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American Book Prices Current

Author :
ISBN : UOM:39015059882368
Genre : Autographs
File Size : 84. 4 MB
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A record of literary properties sold at auction in the United States.

Making Art History

Author : Elizabeth Mansfield
ISBN : 9781134703227
Genre : Art
File Size : 42. 4 MB
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Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.

Landscape And Religion From Van Eyck To Rembrandt

Author : Boudewijn Bakker
ISBN : 9781351561136
Genre : Art
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Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.

Piety In Pieces

Author : Kathryn M. Rudy
ISBN : 9781783742363
Genre : Literary Criticism
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Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?

Catalogue

Author : Dawson's Book Shop
ISBN : UCAL:B2925932
Genre : California
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Bibliography Of The Netherlands Institute For Art History

Author : Netherlands. Rijksbureau voor Kunsthistorische Documentatie
ISBN : UCLA:L0070929492
Genre : Art
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A History Of Miniature Art

Author : John Lumsden Propert
ISBN : PRNC:32101078173018
Genre : Collectors and collecting
File Size : 48. 6 MB
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The History Of Painting In Belgium From The 14th Century Tot Sic The Present Day

Author :
ISBN : UOM:39015038129949
Genre : Painting
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The Rise And Fall Of The Objets D Art Market Since 1750

Author : Gerald Reitlinger
ISBN : PSU:000027812419
Genre : Art
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Tributes In Honor Of James H Marrow

Author : Professor Jeffrey Hamburger
ISBN : UOM:39015070750248
Genre : Art
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Bibliography of James H. Marrow Abbreviations Alfred Acres, ''Elsewhere in Early Netherlandish Painting''; Jonathan J. Alexander, ''A Shepherdess on a Swing in a Netherlandish Book of Hours''; FranCois Avril, ''Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, eveque d''Elne''; Gabriele Bartz, ''Adam wird ins Paradies getragen''; Marina Belozerskaya, ''Good Dog: Model Canines in Renaissance Manuscripts''; Adelaide Bennett, ''Christ''s Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300''; Paul Binski, ''The Faces of Christ in Matthew Paris''s Chronica Majora''; Bodo Brinkmann, ''Happy End fur einen Lowen''; Klara H. Broekhuijsen, ''Ende ziet alomme int paradijs: Seth''s Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht''; Walter Cahn, ''The Allegorical Menorah''; Bert Cardon, ''The Miroir de la salvation humaine Revisited: Bibliotheque Nationale de France, Ms. Fr. 3275''; Debra Taylor Cashion, ''The Man of Sorrows and Mel Gibson''; Albert Chatelet, ''L''enseignement paternel dans les Heures de Milan-Turin''; Gregory T. Clark, ''Made In Flanders and the Master of the Ghent Privileges: A Second Coda''; Henri Defoer, ''Images as Aids for Earning the Indulgences of Rome''; Christopher de Hamel, ''Dates in the Giant Bible of Mainz''; Albert Derolez, ''Two Notes on Mercatel''s Earliest Astrological Manuscripts''; Mark Evans, ''The Afterlife of Saint Jerome: Giovanni Bilivert''s Portrait of Neri Corsini''; Reindert L. Falkenburg, ''On Compositional Errata in Pieter Aertsen''s Peasant Scenes''; Marc Gil, ''D''Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d''Antoine de Crevecoeur, vers 1450-55 : Leeds, University Library, The Brotherton Collection, Ms. 4''; Liz Guenther, ''Realism and Invention in the Prints of Albrecht Durer''; Jeffrey F. Hamburger, ''The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany''; Christian Heck, ''Histoire mythique et archeologie au quinzieme siecle: Une representation inedite de Stonehenge''; Lynn F. Jacobs, ''The Miraculous Threshold in Hugo Van der Goes''s Portinari Altarpiece''; Eberhard Konig, ''Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund''; Joseph Leo Koerner, ''Bosch''s Enmity''; Anne S. Korteweg, ''Framing the Issues: A Codicological Approach to Dutch Border Decoration''; Thomas Kren, ''Simon Bening, Juan Luis Vives, and the Observation of Nature''; Anne-Marie Legare, ''The Reception of the Dresden Prayer Book Master in the Hainaut''; Jean Michel Massing, ''Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond''; Ruth Mellinkoff, ''Pilate''s Wife''; Elizabeth J. Moodey, ''Historical Identity in the Burgundian Netherlands: The Role of Manuscripts''; William Noel, ''William de Brailes in Baltimore, Paris, and Stockholm''; Judith Oliver, ''A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liege Psalters''; Peter Parshall, ''Penitence and Pentimenti: Hieronymus Bosch''s Mocking of Christ in London''; Veronique Plesch, ''Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time for the Renaissance Yet?''; Lilian M. C. Randall, ''To Have and to Hold: The Bridal Hours of Isabelle de Coucy''; Kathryn M. Rudy, ''Fragments of a Mental Journey to a Passion Park''; Jochen Sander, ''Anmerkungen zu Jan Gossaert''; Lucy Freeman Sandler, ''Bedford in Brooklyn''; Gerhard Schmidt, ''Die zwei Stile des Meisters des Friedrichsbreviers: Ein spatgotischer Buchmaler kopiert Stiche des Meisters ES''; Diane Scillia, ''The Master of the Tiburtine Sibyl''s Raising of Lazarus (Mexico City, San Carlos Museum) and the Early Haarlem School of Painting Reconsidered''; Larry Silver, ''Pox vobiscum: Early Modern German Art and Syphilis''; Jeffrey Chipps Smith, ''Albrecht Durer, Cardinal Matthaus Lang, and the Throne of Invention''; Robert Suckale, ''Rogier van der Weydens Werkstatt: Zwei Fallbeispiele''; Judith Testa, ''Simon Bening Studies Raphael: The Impact of the Italian High Renaissance on a Flemish Miniaturist''; Anne H. van Buren, ''A Window on Two Duchesses of Burgundy''; Hugo van der Velden, ''A Prayer Roll of Henry Beauchamp, Earl of Warwick''; Dominique Vanwijnsberghe, ''Robert Campin et l''enluminure: Trois miniatures attribuables a l''entourage direct du peintre tournaisien''; William M. Voelkle, ''Coins, Mussels, and a Crab in the Hours of Catherine of Cleves''; Ursula Weekes, ''Engraving the Mind: An Illustrated Rapiarum of the Fifteenth Century''; Roger S. Wieck, ''The Susanna Hours''; W. C. M. Wustefeld, ''Manuscript Painting in the Circle of the Master of Catherine of Cleves (ca 1635-60): Tradition and Context of Utrecht, Museum Catharijneconvent, Ms. ABM h15.

Layers Of Illusion

Author : Brigitte Dekeyzer
ISBN : UOM:39015059228083
Genre : Poetry
File Size : 29. 95 MB
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Manuscript Illumination In Lyons 1473 1530

Author : Elizabeth Burin
ISBN : UOM:39015055818671
Genre : Literary Criticism
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In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activity of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions.

Art International

Author :
ISBN : MINN:319510013211609
Genre : Art
File Size : 48. 98 MB
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Mediaevistik

Author :
ISBN : STANFORD:36105020950619
Genre : Civilization, Medieval
File Size : 66. 12 MB
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Flemish Music And Society In The Fifteenth And Sixteenth Centuries

Author : Robert Wangermee
ISBN : UCSD:31822013756663
Genre : Flanders
File Size : 48. 13 MB
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Flanders In The Fifteenth Century Art And Civilization

Author : Detroit Institute of Arts
ISBN : PSU:000055775250
Genre : Art, Flemish
File Size : 72. 99 MB
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Bruges And Europe

Author : Valentin Vermeersch
ISBN : UVA:X002281626
Genre : Art
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