hollywood-rat-race

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In a previously unpublished memoir/manual, the king of B horror movies exposes the ruthless realm of moviemaking and introduces the magic and mayhem of Hollywood

Filmmaker Ed Wood was controversial and critically maligned, even labeled “the worst director of all time,” yet he achieved cult status and remains of great interest today. This book frames Wood’s work, such as the cross-dressing themed Glen or Glenda? and the haphazard Bride of the Monster, as reflections of the culture of their era. Wood invariably worked with infinitesimal budgets, shooting at breakneck speed, incorporating plot twists that defied all logic. Yet there was a tangible if unfocused thematic thrust to Wood’s films, which meditate fitfully on gender, religion and society, revealing a “holy trinity” of fixations—sex, death and resurrection. Wood’s infamous Plan 9 From Outer Space encapsulates the fixations and flaws that were his hallmarks, and with 22 other films, is explored here. A filmography and 47 photographs are included.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

In the 1940s and '50s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, Bette Davis, Joan Crawford, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like "cowboy" and "gangster" becoming part of Cuban vernacular speech. Hollywood in Havana takes this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that American movies helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty after seeing freedom-fighting and rebellious values and behaviors on display in wartime dramas and film noirs. At the same time, influential Cuban intellectuals worked to translate cinematic ethics into revolutionary rhetoric--which, ironically, led to pointed critiques of the US presence in Cuba and which were eventually used to subvert American foreign policy. Hollywood in Havana adds to our evolving notions of how American cinema has been internalized and localized around the world, while also broadening our views of the ongoing history of US-Cuban interactions, both cultural and political.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.

This investigation of the roles of family ties in the motion picture industry profiles thirteen representative dynastic families, exploring their complexities and psychological dynamics, and assesses the causes and consequences of nepotism in Hollywood

Hollywood Movie Songs concentrates on movie music after sound took over-from the dazzling Busby Berkeley movies of the 1930s to the present day. Included are more than 700 colorful sheet music covers from famous movies, featuring beloved film stars from Al Jolson through each decade of development, including biographical sketches and representative photos of stars on sheet movie covers. "You ain't heard nothing yet!"

The excitement then continues as Bare takes us through the highs and lows of his life and career, always with humor."--BOOK JACKET.

A self-portrait by the late master of science fiction and popular scientific thought looks back on Asimov's long and fruitful life, discussing his writings, religious beliefs, friendships and personal relationships, and innovative ideas. 30,000 first printing. $30,000 ad/promo.

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An accomplished biblical scholar here juxtaposes movies and New Testament themes to uncover the mythic dimensions of each and to explore the primary conflicts in American society. Brandon Scott's sage and savvy analysis of more than fifty recent popular American movies, from Dirty Harry to Robocop 2, from Pretty Woman to Thelma and Louise, opens a unique slant on American mythology. He delves into the deepest dreams and perennial tensions in American culture: wealth and poverty, race relations, moral aloneness, the superhero and the solo redeemer, violence and war, the mythical West, relations of the sexes, and fears of the future. These portrayals in turn launch him into the chief themes and mythic elements in the New Testament. In the conversation and mutual criticism that his book engenders, Scott clarifies the values that contemporary culture and the Bible might bring to each other.

Hollywood Rhapsody is a history of American movie music, from the days of the silent movies to the maverick productions of the seventies. It tells the story of how talented, if sometimes invisible, musicians, composers, and lyricists have created some of the most memorable music of our time. The stirring, slashing music from Psycho; the sweeping score for Gone with the Wind; the swooning notes of "As Time Goes By" from Casablanca - these and so many more are imprinted on our cultural memory. Gary Marmorstein delves into various genres of motion pictures - from cowboy pictures to pioneering animation and rock 'n' roll - to show how music has enhanced the movies. He also discusses the end of the classic era of film scoring and its impact on American music. Hollywood Rhapsody combines history and biography for an entertaining trip through the world of movie music.

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