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Did you know that.. From Stonebridge Park on the Bakerloo Line you can walk to the largest Hindu temple in Europe? From Ealing Broadway on the Central Line you can walk to the oldest film studios in the world? From Stratford on the Central Line you can walk to, and abseil down, Britain's tallest sculpture? London is a city of surprises and variety, over 600 square miles packed full of character. And to really know London you must look beyond the obvious; there are broad vistas and quiet corners, iconic sights and grand boulevards, quaint villages, verdant parks, cobbled alleyways, museums, monuments, markets, theatres, and ancient churches. This book unearths and explores a stupendous range of interesting places, some well known, some less well known, some almost unknown, all of within an easy walk of a Tube station. If you want a day out and you want to do something different then London is your town, the Tube is your means and London by Tube is your guide.

Private Investigator Drake Sanders is having a difficult day. Not only has he been press-ganged by an old police colleague into investigating a murder that he is somehow the main suspect for, but he's been hired by two different people to search for an ancient artefact that doesn't appear to be missing. As business has been slow he effectively agrees to do the same job twice, assuming that he might be able to plug a widening hole in his finances. As he digs deeper into both cases he discovers that his involvement may not have been as coincidental as it had first appeared. His investigations reveal that his employer’s intentions aren't as benign as they claim, that what he is searching for has a significance far beyond being an important historical curiosity. This is borne out when he begins to attract the attention of high-ranking officials, conspiracy theorists, burglars and hired thugs who all seem intent on hindering his progress. Figuring out he has been used to further some greater plot, he has to unravel fact from millenia-old fiction in order to unearth the truth about about an elaborate scheme that threatens to cost him not only his career, but quite possibly his life as well.

A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.

From "an astonishingly original and entertaining writer" (Michael Dirda, The Washington Post) and "our greatest guide to London" (The Spectator), an extraordinary book about a disappearing city The Olympics, the story goes, have transformed London into a gleaming, wholly modern city. And East London—Olympic headquarters—is the city's new jewel, provider of unlimited opportunities and better tomorrows. The grime and poverty have been scrubbed away, and huge stadiums and grand public sculptures have taken their place. The writer Iain Sinclair has lived in East London for four decades, and in Ghost Milk, he tells a very different story about his home: that of a neighborhood turned upside down, of stolen history. Long-beloved parks have vanished; police raids can occur at any time; and high-security exclusion zones—enforced by armed guards and hidden cameras—have steamrolled East London's open streets and public spaces. To prepare for the most public of events, everything has been privatized. A call to arms against the politicians and public figures who have so doggedly preached the gospel of the Olympics, Ghost Milk is also a brilliant reflection on a changing landscape—and Sinclair's most personal book yet. In an attempt to understand what has happened to his beloved city, Sinclair travels farther afield: he walks along the Thames from the North Sea to Oxford; he rides the bus across northern England; he visits Athens and Berlin, Olympic sites of the recent and distant past. Elegiac, intimate, and audacious, Ghost Milk is at once a powerful chronicle of memory and loss, in the tradition of W. G. Sebald and Roberto Bolaño, and a passionate interrogation of our embrace of progress at any cost.

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