my mistress s sparrow is dead

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My Mistress S Sparrow Is Dead

Author : Jeffrey Eugenides
ISBN : 9780007291106
Genre : Love stories
File Size : 81. 34 MB
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From classics such as Chekhov's The Lady with the Lapdog to such modern fare as Richard Ford's Fireworks, this anthology of great love stories captures the desire, obsession, power, and spirit of the emotion that drives and transforms lives.

Vert Vert A Poem Tr By M Montagu

Author : Jean Baptiste L. Gresset
ISBN : OXFORD:590440815
Genre :
File Size : 63. 11 MB
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Dublin University Magazine

Author :
ISBN : OXFORD:555020879
Genre :
File Size : 22. 60 MB
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The Eclectic Magazine Of Foreign Literature Science And Art

Author :
ISBN : IND:32000000480329
Genre : American literature
File Size : 61. 31 MB
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The Dublin University Magazine

Author :
ISBN : UCD:31175012029495
Genre :
File Size : 35. 9 MB
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University Magazine

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ISBN : CORNELL:31924065771465
Genre :
File Size : 51. 30 MB
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Blackwood S Magazine

Author :
ISBN : STANFORD:36105007790384
Genre : England
File Size : 80. 6 MB
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Library Journal

Author : Melvil Dewey
ISBN : UOM:39015081489638
Genre : Libraries
File Size : 32. 30 MB
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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.


Author : Samuel Taylor Coleridge
ISBN : STANFORD:36105005465070
Genre :
File Size : 27. 35 MB
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Roman Receptions Of Sappho

Author : Thea S. Thorsen
ISBN : 9780192564825
Genre : History
File Size : 72. 2 MB
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Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions. There are three prominent reasons for this. Firstly, Sappho is associated with some of the earliest poetry in the classical tradition, which makes her reception history one of the longest we know of. Furthermore, Sappho's poetry promotes ideologically challenging concepts such as female authority and homoeroticism, which have prompted very conspicuous interpretative strategies to deal with issues of gender and sexuality, revealing the values of the societies that have received her works through time. Finally, Sappho's legacy has been very well explored from the perspective of reception studies: important investigations have been made into responses both to her as poet-figure and to her poetry from her earliest reception through to our own time. However, one of the few eras in Sappho's longstanding reception history that has not been systematically explored before this volume is the Roman period. The omission is a paradox. Receptions of Sappho can be traced in more than eighteen Roman poets, among them many of the most central authors in the history of Latin literature. Surely, few other Greek poets can rival the impact of Sappho at Rome. This important fact calls out for a systematic approach to Sappho's Roman reception, which is the aim of Roman Receptions of Sappho that focuses on the poetry of the central period of Roman literary history, from the time of Lucretius to that of Martial.

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