new york times saturday review of books and art

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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

"But it is his skill as a historian as well as a printer that endears his name to the student of typography. His four volumes on the practice of typography are considered classics. In an age when few American scholars were examining early printed books, he made significant scholarly contributions to the study of incunables. When the Grolier Club was founded in 1884, it was not surprising that, as New York's most illustrious printer, he was asked to be one of the founding members and to provide much the Club's early printing."--BOOK JACKET.

A best-seller from its first publication in 1903, The Call of the Wild tells the story of Buck, a big mongrel dog who is shipped from his comfortable life in California to Alaska, where he must adapt to the harsh life of a sled dog during the Klondike Gold Rush. The narrative recounts Buck’s brutal obedience training, his struggle to meet the demands of human masters, and his rise to the position of lead sled dog as a result of his superior physical and mental qualities. Finally, Buck is free to respond to the “call” of the wilderness. Over a hundred years after its publication, Jack London’s “dog story” retains the enduring appeal of a classic. This Broadview Edition includes a critical introduction that explores London’s life and legacy and the complex scientific and psychological ideas drawn upon by London in writing the story. The appendices include material on the Klondike, Darwin’s writings on dogs, other contemporary writings on instinct and atavism, and maps of the regions in which the story takes place.

A romance of America’s nascent imperial power, Richard Harding Davis’s Soldiers of Fortune recounts the adventures of Robert Clay, a mining engineer and sometime mercenary, and Hope Langham, the daughter of a wealthy American industrialist, as they become caught up in a coup in Olancho, a fictional Latin American republic. When the coup, organized by corrupt politicians and generals, threatens the American-owned Valencia Mining Company, Clay organizes his workers and the handful of Americans visiting the mine into a counter-coup force. Written on the eve of the Spanish-American War, Soldiers of Fortune casts the young American as the dashing, hypermasculine hero of the new military and economic. A huge best-seller, the novel did its part to push the nation into war against Spain, and stands as one of the most important texts in the literature of American imperialism. The appendices, which bring together primary materials by writers and politicians such as Rebecca Harding Davis, Theodore Roosevelt, Jose Martí, Mark Twain, Herbert Spencer, and others, address such issues as social Darwinism, masculinity, and ideas of Anglo-American superiority.

A revelatory look at the life of the great American author—and how it shaped his most beloved works Jack London was born a working class, fatherless Californian in 1876. In his youth, he was a boundlessly energetic adventurer on the bustling West Coast—an oyster pirate, a hobo, a sailor, and a prospector by turns. He spent his brief life rapidly accumulating the experiences that would inform his acclaimed bestselling books The Call of the Wild, White Fang, and The Sea-Wolf. The bare outlines of his story suggest a classic rags-to-riches tale, but London the man was plagued by contradictions. He chronicled nature at its most savage, but wept helplessly at the deaths of his favorite animals. At his peak the highest paid writer in the United States, he was nevertheless forced to work under constant pressure for money. An irrepressibly optimistic crusader for social justice and a lover of humanity, he was also subject to spells of bitter invective, especially as his health declined. Branded by shortsighted critics as little more than a hack who produced a couple of memorable dog stories, he left behind a voluminous literary legacy, much of it ripe for rediscovery. In Jack London: An American Life, the noted Jack London scholar Earle Labor explores the brilliant and complicated novelist lost behind the myth—at once a hard-living globe-trotter and a man alive with ideas, whose passion for seeking new worlds to explore never waned until the day he died. Returning London to his proper place in the American pantheon, Labor resurrects a major American novelist in his full fire and glory.

Writers have represented 9/11 and its aftermath with varying degrees of success. In Out of the Blue, Kristiaan Versluys focuses on novels that move beyond patriotic clichés and cheap sensationalism and provide new insights into the emotional and ethical impact of these traumatic events and what it means to depict them. Versluys focuses on Don DeLillo's Falling Man, Art Spiegelman's In the Shadow of No Towers, Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frédéric Beigbeder's Windows on the World, and John Updike's Terrorist. He scrutinizes how these writers affirm the humanity of the disoriented individual, as opposed to the cocksure killer or politician, and retranslate hesitation, stuttering, or stammering into a precarious act of defiance. Versluys also discusses works by Ian McEwan, Anita Shreve, Martin Amis, and Michael Cunningham, arguing for the novel's distinct power in rendering the devastation of 9/11.

Robert Lowell once remarked, "When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century." One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.

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