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More than any other author of the Modern period of American literature, John Steinbeck evidenced a serious interest and background in moral philosophy. His personal reading collection included works ranging from Kant and Spinoza to Taoism and the Bible. Critics also consistently identify Steinbeck as an author whose work promotes serious moral reflection and whose characters undergo profound moral growth. Yet to date there has been no sustained examination of either John Steinbeck's personal moral philosophy or the ethical features and content of his major works. This critical neglect is remedied by a collection of highly readable essays exploring the philosophy and work of one of America's few Nobel Prize winning authors. These thirteen essays, written by experts both within philosophy and Steinbeck studies, examine almost all of Steinbeck's major works. Included in the compilation are five general essays examining Steinbeck's own moral philosophy and eight specific essays analyzing the ethics of various major works.

A Hundred Flowers Blossoming is a collection of literary essays written by faculty members of Xi'an International Studies University, China with two distinctive features. The first one is a Chinese perspective on Western literary works, which is normally not found in the scholarship in the West. The second is the feministic stance demonstrated in most articles, as most of the contributors are female. There are four parts in this collection. Part One is titled 'A Room of Her Own' and shows the feminist approach to literary works. Part Two is titled 'Through the Chinese Lens,' as it presents a Chinese perspective in the analysis of the literary works. 'Form Is Meaning' is the title of Part Three, which approaches literary works from a structuralist perspective. Part Four includes two articles: one exploring the theme of death in Joyce's Dubliners and the other reexamining the images of Faulkner's Trio of Hunting Tales.

A collection of contemporary reviews of Steinbeck's major works.

Cannery Row, East of Eden, Of Mice and Men, The Red Pony and other classic stories by Nobel Prize-winning writer John Steinbeck are set in the agricultural and ocean-front commnuities of the Salinas Valley and Monterey Peninisula. With 126 color photos and 2 maps, this attractive souvenir and guide brings Steinbeck Country to life for visitors as well as readers unable to visit California.

Makes available in one volume all known reprinted American abstracts of Steinbeck-related doctoral dissertations written in English from 1946 to 1993.

An A-Z work with concise entries on all aspects of literature in English.

What are our favorite authors’ favorite words? Which bestselling writer uses the most clichés? How can we judge a book by its cover? Data meets literature in this playful and informative look at our favorite authors and their masterpieces. “A literary detective story: fast-paced, thought-provoking, and intriguing.” —Brian Christian, coauthor of Algorithms to Live By There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? What’s more, do great books in general—the classics and the bestsellers—share this trait? In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring? Blatt draws upon existing analysis techniques and invents some of his own. All of his investigations and experiments are original, conducted himself, and no math knowledge is needed to understand the results. Blatt breaks his findings down into lucid, humorous language and clear and compelling visuals. This eye-opening book will provide you with a new appreciation for your favorite authors and a fresh perspective on your own writing, illuminating both the patterns that hold great prose together and the brilliant flourishes that make it unforgettable.

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