on my own random house large print

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Presents an entertaining selection of jokes, anecdotes, stories, and other humor to delight any audience. (Humor).

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

Clear, concise, effective, THE RANDOM HOUSE GUIDE TO GOOD WRITING is for anyone who wishes to communicate well in writing. Mitchell Ivers shows us how to master the medium and the message with an array of features: Precise guidelines on word usage, grammar, and punctuation--and how to decide with "rules" you can discard to suit your purpose; How to choose the tone and style appropriate to your audience and subject; The essential components of plot in fiction and structure in nonfiction, and much more. An Alternate Selection of the Book-of-the-Month Club A Main Selection of the Writer's Digest Book Club

How are children's picturebook proposals chosen for publication? What characteristics of picturebooks promise success? How much input do the artist-authors have once their proposals have been accepted by a publisher? The dynamic process of producing picturebooks is charmingly revealed through interviews with those directly involved from start to finish (including two galleries devoted to displaying the art). In the United States, picturebooks have accounted for $2 billion in sales in a recent year. Compiled from interviews with editors, art directors, and production managers from both British (e.g., Anderson Press, Victor Gollancz, and Walker Books) and American publishers (e.g., Farrar, Straus, and Giroux; Houghton Mifflin, Candlewick Press, and Random House), this book reveals how the creative process works within the business of publishing. The interviews with reviewers and booksellers help provide a well-rounded perspective.

This retrospective brings together the finest work of the most important American book illustrator of the 1920s and 30s, gathering black-and-white pieces from not only important novels, but magazines and advertisements.

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