requiems-for-the-departed

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The world’s most beloved mystery writers celebrate their favorite mystery novels in this gorgeously wrought collection, featuring essays by Michael Connelly, Kathy Reichs, Ian Rankin, and more. In the most ambitious anthology of its kind, the world’s leading mystery writers come together to champion the greatest mystery novels ever written. In a series of personal essays that reveal as much about the authors and their own work as they do about the books that they love, over a hundred authors from twenty countries have created a guide that will be indispensable for generations of readers and writers. From Agatha Christie to Lee Child, from Edgar Allan Poe to P. D. James, from Sherlock Holmes to Hannibal Lecter and Philip Marlowe to Lord Peter Wimsey, Books to Die For brings together the best of the mystery world for a feast of reading pleasure, a treasure trove for those new to the genre and for those who believe that there is nothing new left to discover. This is the one essential book for every reader who has ever finished a mystery novel and thought…I want more!

Examines in detail the contexts of Brahms's masterpiece and demonstrates that-contrary to recent consensus-it was performed and received as an inherently Christian work during the composer's life.

In a cruel desert, slaves toil in chains. Their masters, seraphim with haloes and swan wings, drive them mercilessly with flaming whips. But long ago, these wretched, beaten people were not slaves. Long ago, they could become dragons. Now they fight to fly again. This bundle includes all three novels in Flame of Requiem, an epic fantasy trilogy about memory, freedom, and dragonfire. BOOK 1: FORGED IN DRAGONFIRE -- For centuries, the slaves have toiled, serving the cruel seraphim. Their ancient home, the mythical Requiem, lies in ruin. Their magic, the ability to become dragons, is lost. Yet now a group of slaves vow to rise as dragons again. BOOK 2: CROWN OF DRAGONFIRE -- In the pits of slavery, a savior arises. Her people march behind her, determined to remove their chains, to return to their lost homeland. They tell their seraphim masters: "Requiem is free. We will fly as dragons again." BOOK 3: PILLARS OF DRAGONFIRE -- The slaves rebel, seeking to remove their cursed collars, to reclaim their lost magic, to find their ancient homeland. Yet their masters, the mighty seraphim, vow to break them . . . or slay them all. Can Requiem rise again? ____________ THE REQUIEM SERIES: Dawn of Dragons Book 1: Requiem's Song Book 2: Requiem's Hope Book 3: Requiem's Prayer Song of Dragons Book 1: Blood of Requiem Book 2: Tears of Requiem Book 3: Light of Requiem Dragonlore Book 1: A Dawn of Dragonfire Book 2: A Day of Dragon Blood Book 3: A Night of Dragon Wings The Dragon War Book 1: A Legacy of Light Book 2: A Birthright of Blood Book 3: A Memory of Fire Requiem for Dragons Book 1: Dragons Lost Book 2: Dragons Reborn Book 3: Dragons Rising Flame of Requiem Book 1: Forged in Dragonfire Book 2: Crown of Dragonfire Book 3: Pillars of Dragonfire Dragonfire Rain Book 1: Blood of Dragons Book 2: Rage of Dragons Book 3: Flight of Dragons

This book is intended to help those who are contemplating performing or studying the Brahms Requiem. It provides historical information, performance considerations, musical analysis, and resource material for all who enjoy the musicology behind this magnificent work. It is especially directed toward conductors, but it is also useful for choristers and soloists as well. A wonderful instructional tool!

First study of Juan Esquivel, a highly significant figure in Spanish musical life in the late sixteenth and early seventeenth centuries.

Winner of the Pulitzer Prize, the 1999 National Book Award for Nonfiction, finalist for the Lionel Gelber Prize and the Kiriyama Pacific Rim Book Prize, Embracing Defeat is John W. Dower's brilliant examination of Japan in the immediate, shattering aftermath of World War II. Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order. John W. Dower is the Elting E. Morison Professor of History at the Massachusetts Institute of Technology. He is a winner of the National Book Critics Circle Award for War Without Mercy.

Fear of fire, flood, plague, invasion by the infidel, purgatory, death, witchcraft - these are just some of the fears that plagued the early modern world which are dealt with in this fascinating well-integrated collection of essays, based on extensive and ground-breaking new research. Drawing on British and Continental examples, the volume explores the panoply of personal and communal tragedies which tormented and terrified both elite and popular communities in this period, and shows how they formed strategies for dealing both practically and psychologically with their fears; it tells of the creation of the first fire service in France, of dog-massacres in times of plague in England, and of flood emergency plans in Holland.

In the near future, the living and the dead share the same space. Most of the "Blue Lights" are harmless, witless drones, as lost in death as they were in life. Some want revenge. Some want power. Some even want company to join them in the ranks of the departed. Enter Alice Hotwire, Detective Exorcist. She's the best there is at keeping the peace on the Blue Light beat and her fellow officers hate her for it. It's a job she doesn't want, in a world she doesn't understand. But, when a break-in at the Maximum Security Necropolis sets off a surge of violent, brutal hauntings, Alice Hotwire knows she's the only one that can pull the city from the brink of chaos.

Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII's new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare's Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England's most celebrated writer. Though commonly neglected as a source for Shakespeare's work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book's ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare's plays so powerful and exceptional. Tracing the prayer book's lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.

Dr. James L. Tyson sailed from Baltimore for California in January 1849, crossing the Isthmus and sailing on to San Francisco. Diary of a physician in California (1850) recounts his 1849 tour of the Northern Mines in search of a likely place for his medical practice and his hospital at Cold Spring, where his patients included a number of Oregonians. Tyson closes his hospital at the end of the summer, sailing from San Francisco as a ship's physician, crossing the Isthmus and landing in the United States in December 1849. His diary pays special attention to miners' health and working conditions

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