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Silent Film Sound

Author : Rick Altman
ISBN : 0231116632
Genre : Performing Arts
File Size : 55. 15 MB
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Silent films were, of course, never silent at all. However, the sound that used to accompany the screen picture in the early days of cinema has been neglected as an area of study. Altman explores the various musical, narrative, and even synchronized sound systems that enriched cinema before Jolson spoke.

The Sounds Of Silent Films

Author : Claus Tieber
ISBN : 9781137410726
Genre : Music
File Size : 54. 66 MB
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The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.

Silent Film Sound

Author :
ISBN : 0231534000
Genre : Motion picture music
File Size : 61. 70 MB
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Overview: Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive original research and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carnival-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burlesquing or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film music. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse interests and industries came together to produce an extraordinarily successful audiovisual art.

Sounds For The Silents

Author : Daniel Goldmark
ISBN : 9780486492865
Genre : Music
File Size : 82. 40 MB
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This unique collection features piano sheet music that accompanied silent movies. Derived from eight rare sources, the music includes compositions by J. S. Zamecnik, M. L. Lake, Joseph Carl Breil, and others.

Music And Sound In Silent Film

Author : Ruth Barton
ISBN : 9781351995863
Genre : Music
File Size : 30. 32 MB
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Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The 12 chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format. With contributors drawn from film studies and music disciplines, and including both senior and emerging scholars, Music and Sound in Silent Film offers an essential introduction to the origins of film music and the cinematic art form.

Sound In Film The Change From Silent Film To The Talkies

Author : Allardyce Nicoll
ISBN : 9781473358348
Genre : Art
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Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Music And The Silent Film

Author : Martin Miller Marks
ISBN : 9780195068917
Genre : Music
File Size : 68. 30 MB
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The first of three volumes investigating film music, this innovative book shows that there was much more to silent film music than generally recognized--it often was planned from the start as an integral part of the film. This volume covers the music of such films as L'Assassinat du Duc de Guise (1908), D.W. Griffith's The Birth of a Nation (1915), and René Clair's Entr'acte (1924).

Chaplin In The Sound Era

Author : Eric L. Flom
ISBN : 9781476607986
Genre : Performing Arts
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Charles Chaplin’s sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work. Each of Chaplin’s seven sound films—City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)—is covered in a chapter-length essay here. The comedian’s inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie’s themes and contemporary critical reaction to it.

Today S Sounds For Yesterday S Films

Author : K.J. Donnelly
ISBN : 9781137466365
Genre : Performing Arts
File Size : 45. 83 MB
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In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.

Silent Films Loud Music

Author : Phillip Johnston
ISBN : 9781501366413
Genre : Music
File Size : 36. 63 MB
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Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.

The Sounds Of Silent Films

Author : Claus Tieber
ISBN : 9781137410726
Genre : Music
File Size : 71. 97 MB
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The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.

The Sounds Of The Silents In Britain

Author : Julie Brown
ISBN : 9780199797547
Genre : History
File Size : 68. 85 MB
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Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the US of musical cultures and film production.

Sound Of Silents

Author : Lee Erwin
ISBN : OCLC:757197753
Genre :
File Size : 37. 23 MB
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The Sounds Of Early Cinema

Author : Richard Abel
ISBN : 0253108705
Genre : Performing Arts
File Size : 43. 38 MB
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The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

The Silent Sound Designer

Author : Danny Hahn
ISBN : 0993338607
Genre : Silent films
File Size : 84. 40 MB
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Emptiness, stillness and silence in film are discussed in this book as a presence rather than an absence of something. Sounds give structure and meaning to silence; dialogue accentuates pauses; movements revalue stasis; information shapes the unknown. The principal discoveries are quietness, silence, the subtlest moments in film, and sound's power to inspire in us images beyond the screen. This short essay is a lively and passionate introduction to Danny Hahn's major research project on peripheral sound in cinema, and his phenomenology of sonority. Innovative concepts such as audio opacity, cinematic primitivism and audio framing are fuelled by his enthusiasms for silent cinema, and the films of Ozu, Dreyer, Tati, and Tarkovsky.

American Silent Film

Author :
ISBN : 080938910X
Genre :
File Size : 62. 27 MB
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Sound

Author : Kathryn Kalinak
ISBN : 9780813564289
Genre : Music
File Size : 29. 75 MB
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Sound has always been an integral component of the moviegoing experience. Even during the so-called “silent era,” motion pictures were regularly accompanied by live music, lectures, and sound effects. Today, whether we listen to movies in booming Dolby theaters or on tiny laptop speakers, sonic elements hold our attention and guide our emotional responses. Yet few of us are fully aware of the tremendous collaborative work, involving both artistry and technical wizardry, required to create that cinematic soundscape. Sound, the latest book in the Behind the Silver Screen series, introduces key concepts, seminal moments, and pivotal figures in the development of cinematic sound. Each of the book’s six chapters cover a different era in the history of Hollywood, from silent films to the digital age, and each is written by an expert in that period. Together, the book’s contributors are able to explore a remarkable range of past and present film industry practices, from the hiring of elocution coaches to the marketing of soundtrack records. Not only does the collection highlight the achievements of renowned sound designers and film composers like Ben Burtt and John Williams, it also honors the unsung workers whose inventions, artistry, and performances have shaped the soundscapes of many notable movies. After you read Sound, you’ll never see—or hear—movies in quite the same way. Sound is a volume in the Behind the Silver Screen series—other titles in the series include Acting; Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special Visual Effects; Producing; and Screenwriting.

Silent Cinema

Author : Lawrence Napper
ISBN : 9780231543507
Genre : Performing Arts
File Size : 70. 28 MB
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Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed—all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927).

After The Silents

Author : Michael Slowik
ISBN : 9780231535502
Genre : Performing Arts
File Size : 55. 43 MB
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Many believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the "Golden Age" of film music (1935–1950). Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.

Silent Film The Triumph Of The American Myth

Author : Paula Marantz Cohen
ISBN : 9780195140941
Genre : Performing Arts
File Size : 80. 9 MB
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This broad cultural study connects the rise of film to the rise of America as a cultural centre and world power in the 20th century. Cohen argues that through film, America asserted its cultural independence and forged a form of cultural oppression.

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