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The Soundscape In Michelangelo Antonioni S Cinema

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ISBN : OCLC:1032160672
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Abstract : Antonioni was one of the first directors in Italian cinema to exploit the soundtrack in all of its complexity, significantly reducing the presence of actual music in favour of synthetic sounds and, above all, noise. He drew a distinction between what he termed 'poetic noise' – created specifically by the artist – and 'ineffable sounds', emanating from the natural soundscape. In the first case, the noises are created and reproduced with the moving images, and subsequently defined during the post–synchronisation process; the second case involves an instinctive search which is far more fascinating, as the director realised from his observations during the preparatory phases of his films. This two–pronged approach helped Antonioni to build a depth and breadth in the soundtracks that, even today, represent an experimental model which remains unparalleled in contemporary Italian cinema. This article illustrates the complexity of Antonioni's soundscape by means of the analysis of L'eclisse (The Eclipse), Il deserto rosso (Red Desert) and Professione: reporter (The Passenger), films that can be considered as being ideally representative of the director's poetic ability and sensitivity.

Interpretation And Film Studies

Author : Phillip Novak
ISBN : 9783030447397
Genre : Performing Arts
File Size : 24. 81 MB
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This book argues that the sustained interpretation of individual movies has, contrary to conventional wisdom, never been a major preoccupation of film studies—that, indeed, the field is marked by a dearth of effective, engaging, and enlightening critical analyses of single films. The book makes this case by surveying what has been written about four historically important and well-known movies (D. W. Griffith’s Way Down East, Marcel Carné’s Port of Shadows, Mike Nichols’s The Graduate, and Michelangelo Antonioni’s Red Desert), none of which has been the focus of sustained critical attention, and by exhaustively examining the kinds of work published in four influential film journals (Cinema Journal, Screen, Wide Angle, and Movie). The book goes on to argue for the value of the work of interpretation, illustrating this value through extended analyses of Roman Polanski’s Chinatown and Christopher Nolan’s Memento, both of which thematize interpretation. Novak demonstrates the causes and consequences of reading poorly and the importance of reading well.

Encyclopedia Of Italian Literary Studies

Author : Gaetana Marrone
ISBN : 9781135455309
Genre : Literary Criticism
File Size : 86. 94 MB
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The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.

Pop Culture In Europe

Author : Juliana Tzvetkova
ISBN : 9781440844669
Genre : Social Science
File Size : 49. 26 MB
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A fascinating survey of popular culture in Europe, from Celtic punk and British TV shows to Spanish fashion and Italian sports. • Makes connections between pop culture in Europe to that of the United States • Provides further readings and a bibliography at the end of the work • Includes sidebars throughout the text with additional anecdotal information • Features appendices with top-ten lists of songs, movies, and books

Italian Ecocinema Beyond The Human

Author : Elena Past
ISBN : 9780253039491
Genre : Performing Arts
File Size : 54. 41 MB
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Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing enviornmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.

The New Biographical Dictionary Of Film

Author : David Thomson
ISBN : 9781101874707
Genre : Performing Arts
File Size : 67. 34 MB
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For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”

A Poetics Of Resistance

Author : David Ward
ISBN : 0838635857
Genre : Literary Criticism
File Size : 89. 77 MB
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A Poetics of Resistance: Narrative and the Writings of Pier Paolo Pasolini examines the writings of the Italian poet, novelist, filmmaker, theorist, and dramaturg. Since his murder in 1975 - and especially in the last eight years - Pasolini has been the object of growing critical attention, especially in the United States. For the most part, this new attention has been directed at Pasolini's cinema, the part of his multifarious cultural activity for which he is best known outside Italy. Pasolini, however, was extremely active in different areas of Italian cultural life. Before dedicating himself to cinema, he had made his name as a poet, novelist, and theorist of language and literature, and in the course of his career also achieved fame as a film theorist, dramaturg, and journalist. This book aims to redress this imbalance by directing critical attention to these relatively neglected areas of Pasolini studies. In particular, the book focuses on the question of narrative form that invests all of Pasolini's writings. The book offers readers in-depth analyses of all Pasolini's novels, including for the first time in English a detailed analysis of Petrolio, which has received no critical attention outside Italy. The part of Pasolini's writing that has received the most critical attention has been his film theory. As well as offering a panorama of Italian, British, French, and American readings of these difficult essays, Ward argues that it is necessary to reconsider the role ascribed to what Pasolini calls "film," the process by which a narrative account of reality is put together. Ward also offers detailed analyses of Pasolini's six verse tragedies.

Contemporary European Cinema

Author : Betty Kaklamanidou
ISBN : 9781351347068
Genre : Social Science
File Size : 64. 20 MB
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This book offers a range of accounts of the state of "European Cinema" in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic, and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination, and reformulation of recent history in the depiction of personal, cultural, and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of "national" cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets.

The Cinema Of Me

Author : Alisa Lebow
ISBN : 9780231850162
Genre : Performing Arts
File Size : 20. 8 MB
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When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Post War Modernist Cinema And Philosophy

Author : H. Ford
ISBN : 9781137283528
Genre : Performing Arts
File Size : 40. 16 MB
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A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation.

A Cinema Of Poetry

Author : Joseph Luzzi
ISBN : 9781421412962
Genre : Performing Arts
File Size : 87. 28 MB
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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

Die Strassen Die Fabriken Die Farben Der Himmel Die Menschen

Author : Joachim Brohm
ISBN : 8894214125
Genre : Deserto rosso (Motion picture)
File Size : 40. 53 MB
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The film 'Il deserto rosso' ('The Red Desert') by Michelangelo Antonioni, produced in the industrial region around Ravenna in 1964, is one of the key works in film history. Thanks to the innovative color design, the work holds a lot of connecting points for filmmakers, artists and photographers. This is also reflected in the book with over 30 participants, who are reacting to Il deserto rosso with the means of the photographic series in their current work. There is reference to scenic and urban moments in relation to the local situation around Ravenna. Approaches to color analysis, which reflect the narrative structure in photography and film, and those that enlighten atmospheric attitudes - citing the period's atmosphere - from a contemporary perspective are likewise visualized.

La Dolce Morte

Author : Mikel J. Koven
ISBN : 9781461664161
Genre : Performing Arts
File Size : 34. 89 MB
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With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a "good" film and how a particular film is in some way "artistic." In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece.

Still Moving

Author : Steven Higgins
ISBN : 0870703269
Genre : Architecture
File Size : 82. 57 MB
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Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important film archives in the world. The collections include over twenty thousand works, from the earliest movies to the most contemporary moving picture art - from a twenty-seven-second film made by W.K.L. Dickson and William Heise in 1893 to video art and media works by artists such as Chris Marker, Pipilotti Rist, and Joan Jonas. Here, for the first time, is a volume that celebrates this remarkable archive, with over five hundred images from individual films, drawn largely from the Museum's collection of still photographs. Special sections detail significant collections, including those of works by Andy Warhol and Joseph Cornell, of films starring Douglas Fairbanks, and of films produced by the Edison and Biograph companies, two of the world's first commercial film producers. An introduction by Steven Higgins, Curator in the Department of Film and Media, outlines the history of the Museum's collections and gives some insight into how The Museum of Modern Art goes about fulfilling its mandate: acquiring, preserving, and exhibiting these extraordinary and singular works, which form such a large part of the history of the moving image.

Current Biography Yearbook

Author : Charles Moritz
ISBN : 00849499
Genre : Biography
File Size : 38. 28 MB
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Current Biography Yearbook

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ISBN : UOM:49015002849777
Genre : Biography
File Size : 30. 30 MB
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Cinema And Counter History

Author : Marcia Landy
ISBN : 9780253016195
Genre : Performing Arts
File Size : 61. 61 MB
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Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.

The Macmillan Dictionary Of Films And Filmmakers Films

Author : Christopher Lyon
ISBN : UOM:39015031795837
Genre : Motion picture actors and actresses
File Size : 68. 93 MB
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The International Dictionary Of Films And Filmmakers Films

Author : Christopher Lyon
ISBN : 091228904X
Genre : Animators
File Size : 58. 88 MB
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Journal Of The University Film Association

Author : University Film Association
ISBN : UOM:39015009891816
Genre : Documentary films
File Size : 50. 1 MB
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