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The History of Mr. Polly is a 1910 comic novel by H. G. Wells.The protagonist of The History of Mr. Polly is an antihero inspired by H. G. Wells's early experiences in the drapery trade: Alfred Polly, born circa 1870, a timid and directionless young man living in Edwardian England, who despite his own bumbling achieves contented serenity with little help from those around him. Mr. Polly's most striking characteristic is his "innate sense of epithet", which leads him to coin hilarious expressions like "the Shoveacious Cult" for "sunny young men of an abounding and elbowing energy" and "dejected angelosity" for the ornaments of Canterbury Cathedral.

The protagonist of The History of Mr. Polly is an antihero inspired by H. G. Wells's early experiences in the drapery trade: Alfred Polly, born circa 1870, a timid and directionless young man living in Edwardian England, who despite his own bumbling achieves contented serenity with little help from those around him. Mr. Polly's most striking characteristic is his "innate sense of epithet", [1] which leads him to coin hilarious expressions like "the Shoveacious Cult" for "sunny young men of an abounding and elbowing energy" and "dejected angelosity" for the ornaments of Canterbury Cathedral.[2]Alfred Polly lives in the imaginary town of Fishbourne in Kent[3] (not to be confused with Fishbourne, West Sussex or Fishbourne, Isle of Wight - the town in the story is thought to be based on Sandgate, Kent where Wells lived for several years).[4] The novel begins in medias res by presenting a miserable Mr. Polly: "He hated Foxbourne, [a] he hated Foxbourne High Street, he hated his shop and his wife and his neighbours - every blessed neighbour - and with indescribable bitterness he hated himself".[5] Thereafter, The History of Mr. Polly is divided in three parts. Chapters 1-6 depict his life up to age 20, when he marries his cousin Miriam Larkins and sets up an outfitter's shop in Fishbourne. Second Chapters 7-8 show Mr. Polly's spectacular suicide attempt, which ironically makes him a local hero, wins him insurance money that saves him from bankruptcy, and yields the insight that "Fishbourne wasn't the world", which leads him to abandon his shop and his wife.[6] Chapters 9-10, at the Potwell Inn (apparently located in West Sussex), culminates in Mr. Polly's courageous victory over "Uncle Jim", a malicious relative of the innkeeper's granddaughter. An epilogue then depicts Mr. Polly at ease as assistant-innkeeper, after a brief visit to ascertain Miriam's prosperity.

Alfred Polly lives in the imaginary town of Fishbourne in Kent. The novel begins in medias res by awarding a miserable Mr. Polly: "He hated High Street, he hated his shop and his wife and his neighbors and with indescribable resentment he hated himself". Thereafter, Life up to age, when he marries his cousin Miriam Larkins and sets up an outfitter's shop in Fishbourne. Mr. Polly's spectacular suicide attempt, which ironically makes him a local hero, wins him insurance money that saves him from bankruptcy, and yields the insight that "Fishbourne wasn't the world", which leads him to abandon his shop and his wife. Mr. Polly's courageous victory over "Uncle Jim", a malicious relative of the innkeeper's granddaughter. A conclusion then shows Mr. Polly at ease as assistant-innkeeper, after a brief visit to ascertain Miriam's prosperity.

The choice is great, but Wells’s ironic portrait of a man very like himself is the novel that stands out.

A worldwide television audience of millions saw England's most famous maestro take his poignant farewell at the 1967 Last Night of the Proms just weeks before his death. The brush-haired boy from the gasworks of Stamford had become Sir Malcolm Sargent, the nation's 'ambassador with a baton' and friend to royalty. Sleek and debonair, a carnation ever-present in his lapel, Sargent was despised by the musicalestablishment for his populism and showmanship. Yet ordinary music-lovers had been devoted to him, not least for his heroics during the Blitz. 'Flash Harry' is as much an exploration of celebrity and the English psyche as the story of one man. It is the defining work on an extraordinary life drawn from the author's exclusive and unlimited access to Sargent's private letters, photographs and diaries.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing "high" literary art to be read against the background of "low" entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.

First published in 1959. Routledge is an imprint of Taylor & Francis, an informa company.

Jimmy Goggles the God is a short story by H. G. Wells. Herbert George "H. G." Wells (21 September 1866 - 13 August 1946) was an English writer, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing textbooks and rules for war games. Wells is sometimes called "The Father of Science Fiction," as are Jules Verne and Hugo Gernsback. His most notable science fiction works include The War of the Worlds, The Time Machine, The Invisible Man and The Island of Doctor Moreau. Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he sometimes indicated on official documents that his profession was that of "Journalist." Most of his later novels were not science fiction. Some described lower-middle class life (Kipps; The History of Mr Polly), leading him to be touted as a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. Wells's first non-fiction bestseller was Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought (1901). When originally serialised in a magazine it was subtitled, "An Experiment in Prophecy," and is considered his most explicitly futuristic work. It offered the immediate political message of the privileged sections of society continuing to bar capable men from other classes from advancement until war would force a need to employ those most able, rather than the traditional upper classes, as leaders. Anticipating what the world would be like in the year 2000, the book is interesting both for its hits (trains and cars resulting in the dispersion of population from cities to suburbs; moral restrictions declining as men and women seek greater sexual freedom; the defeat of German militarism, and the existence of a European Union) and its misses (he did not expect successful aircraft before 1950, and averred that "my imagination refuses to see any sort of submarine doing anything but suffocate its crew and founder at sea").

The Star is a short story by H. G. Wells. Herbert George "H. G." Wells (21 September 1866 - 13 August 1946) was an English writer, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing textbooks and rules for war games. Wells is sometimes called "The Father of Science Fiction", as are Jules Verne and Hugo Gernsback. His most notable science fiction works include The War of the Worlds, The Time Machine, The Invisible Man and The Island of Doctor Moreau. Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he sometimes indicated on official documents that his profession was that of "Journalist." Most of his later novels were not science fiction. Some described lower-middle class life (Kipps; The History of Mr Polly), leading him to be touted as a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. Wells's first non-fiction bestseller was Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought (1901). When originally serialised in a magazine it was subtitled, "An Experiment in Prophecy", and is considered his most explicitly futuristic work. It offered the immediate political message of the privileged sections of society continuing to bar capable men from other classes from advancement until war would force a need to employ those most able, rather than the traditional upper classes, as leaders.

This is a work of meticulous scholarship, detailed in content, succinct in style and format. Each chapter covers a particular time period and opens with sections on historical background, development of books, and treatment of children. . . . Highly recommended for children's literature research and reference collections. Library Journal

Vols. 1898- include a directory of publishers.

One of the most influential thinkers of his era, H.G. Wells is primarily known for his science fiction writings that looked ahead in time to teach and warn. These novels and stories inspired many filmmakers to bring his visions (if often greatly altered or misfocused) to life on screen. He himself wrote screenplays and closely supervised the production of some of his work. This book is a study of every theatrically released film from 1909 to 1997 that is based, even loosely, on the writings of H.G. Wells, including The Time Machine, The Island of Dr. Moreau, The Invisible Man, The War of the Worlds, The First Men in the Moon, The Food of the Gods and The Empire of the Ants, to name a few. For each film, the author discusses the circumstances surrounding its creation, its plot, how it compares with the literary work, its production and marketing, and its strengths and weaknesses based on aesthetic qualities.

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