the psychology of perspective and renaissance art

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The Psychology Of Perspective And Renaissance Art

Author : Michael Kubovy
ISBN : 0521368499
Genre : Art
File Size : 32. 4 MB
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Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.

Speakers

Author : Carl Friedrich Graumann
ISBN : 1853590592
Genre : Language Arts & Disciplines
File Size : 42. 96 MB
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The Reconfigured Eye

Author : William J. Mitchell
ISBN : 0262631601
Genre : Photography
File Size : 38. 42 MB
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An analysis of the digital imaging revolution. It describes the technology of digital imaging and looks at how it is changing the way we explore ideas, at its aesthetic potential and at the ethical questions raised. Topics include electronic brushstrokes, virtual cameras, synthetic shading and more.

Making Merit Making Art

Author : Sandra Cate
ISBN : 0824823575
Genre : Art
File Size : 77. 55 MB
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Their work, both celebrated and controversial, depicts stories from the Buddha's lives in otherworldly landscapes punctuated with sly references to this-worldly politics and popular culture. Schooled in international art trends, the artists reverse an Orientalist narrative of the Asian Other, telling their own stories to diverse audiences and subsuming Western spaces into a Buddhist worldview."--BOOK JACKET.

New Media

Author : Martin Lister
ISBN : 9781134083824
Genre : Language Arts & Disciplines
File Size : 30. 59 MB
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New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which 'new media' really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies. The authors introduce a wide variety of topics including: how to define the characteristics of new media; social and political uses of new media and new communications; new media technologies, politics and globalization; everyday life and new media; theories of interactivity, simulation, the new media economy; cybernetics, cyberculture, the history of automata and artificial life. Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject. At www.newmediaintro.com you will find: additional international case studies with online references specially created You Tube videos on machines and digital photography a new ‘Virtual Camera’ case study, with links to short film examples useful links to related websites, resources and research sites further online reading links to specific arguments or discussion topics in the book links to key scholars in the field of new media.

Experiencing Art

Author : Arthur Shimamura
ISBN : 9780190240745
Genre : Psychology
File Size : 37. 91 MB
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How do we appreciate a work of art? Why do we like some artworks but not others? Is there no accounting for taste? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Shimamura considers how we experience art. In a thoughtful and entertaining manner, the book explores how the brain interprets art by engaging our sensations, thoughts, and emotions. It describes interesting findings from psychological and brain sciences as a way to understand our aesthetic response to art. Beauty, disgust, surprise, anger, sadness, horror, and a myriad of other emotions can occur as we experience art. Some artworks may generate such feelings rather quickly, while others depend on thought and knowledge. Our response to art depends largely on what we know--from everyday knowledge about the world, from our cultural backgrounds, and from personal experience. Filled with artworks from many traditions and time points, "Experiencing Art" offers insightful ways of broadening one's approach and appreciation of art.

National Library Of Medicine Current Catalog

Author : National Library of Medicine (U.S.)
ISBN : MINN:31951D01092867R
Genre : Medicine
File Size : 58. 25 MB
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Sight And Embodiment In The Middle Ages

Author : S. Biernoff
ISBN : 9780230508354
Genre : History
File Size : 83. 96 MB
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This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.

Modern Perspectives In Western Art History

Author : W. Eugene Kleinbauer
ISBN : 0802067085
Genre : Art
File Size : 22. 53 MB
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A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.

Women In Italian Renaissance Art

Author : Paola Tinagli
ISBN : 071904054X
Genre : Art
File Size : 71. 61 MB
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This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

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