the-selected-plays-of-helene-cixous

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Cixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years. This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers. The collection includes: *The Perjured City, translated by Bernadette Fort *Black Sail, White Sail, translated by Donald Watson *Portrait of Dora, translated by Ann Liddle *Drums on the Dam, translated by Judith G. Miller and Brian J. Mallet This exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.

Helene Cixous is widely regarded as one of the world's most influential feminist writers and thinkers. "White Ink" brings together her most revealing interviews, available in English for the first time. Spanning over four decades and including a new interview with the editor Susan Sellers, this collection presents a brilliant, running commentary on the subjects at the heart of Cixous' writing.Here, Cixous discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world. As she responds to interviewers' questions, Cixous is prompted to reflect on her roles and activities as poet, playwright, feminist theorist, professor of literature, philosopher, woman, Jew. Each interview is a remarkable performance, an event in language and thought where Cixous' celebrated intellectual and poetic force can be witnessed 'in action'. The accessibility of the interview format provides an excellent starting-point for readers new to Cixous, while those already familiar with her work will find unexpected insights and fresh elucidations of her thought.

This key collection of feminist writing includes essays, works of fiction, lectures and drama, all arranged chronologically. Spanning twenty years, it demonstrates the development of one of the great creative minds of the 20ieth century.

Hélène Cixous is among the most influential and original literary critics and feminist thinkers of our time. This volume reproduces - for the first time, in any language - a collection of pages from her original writing notebooks, offering a unique insight into her radical thought and work. The material gathered here ranges across the full spectrum of Cixous' writing, including the concept of écriture féminine, and the starting points and sources of inspiration for her poetry and prose. The editor's introduction succinctly outlines the central tenets of Cixous' theory of writing. Each extract is accompanied by editorial commentary and a translation, both by Susan Sellers. The book concludes with an interview with Cixous herself, in which she discusses the writing process, her own criticism, fiction and poetry and the value and importance of these notebooks. Students and teachers of literature, psychoanalysis, philosophy and feminist theory will find this an illuminating and inspiring collection of writings. Edited by Susan Sellers, Professor of English and Related Literature at the Univeristy of St Andrews.

Helene Cixous is among the most influential and original literary critics and feminist thinkers. This volume features a collection of pages from her writing notebooks, offering an insight into her radical thought and work. It ranges across the spectrum of Cixous' writing, including the concept of ecriture feminine.

These exciting and unique author profiles are essential to your holdings because sketches are entirely revised and up-to-date, and completely replace the original Contemporary Authors entries. A softcover cumulative index is published twice per year (included in subscription).

How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide

The first book by Helene Cixous on painting and the contemporary arts. These 11 chapters bring together Helene Cixous' writings about specific contemporary artists and artworks. Neither simply 'art criticism' nor critical essays, Cixous responds to these

An inner journey across space and time linking the "author" to other poets, this lyrical essay-poem continues Helene Cixous's rewriting of notions of boundary, self, other, and author. Cixous here interrogates the status of the author, connecting distant instances of herself with other writers who traverse genders, generations, and national boundaries. First Days of the Year is a celebration of beginnings and future possibilities, based on necessity and hope, constantly mediating writing and living, life and death. Like all of Cixous's profoundly original works, it seductively leads the reader into a new way of thinking by disrupting fixed ideas of psychic identity, subjectivity, and language.

"Neuter was first published by Grasset in 1972 as the third part of a trilogy which includes Le troisieme corps and Les commencements, published in 1970. It summarizes Cixous's earlier concerns - self, language, meaning, relations, ecriture feminine - by laying bare metaphors, incorporating existing material, and through fragmentation, association, and play on signifiers. Its "substance" is nebulous; there is no "content" or "plot," and the "story" itself is more one of the characters than a structural element."

A 'wilful extremist' according to the London Times, Helene Cixous is hailed as one of the most formidable writers and thinkers of our time. From collaborating with the acclaimed performance company Theatre du Soleil, to producing a weighty body of both fiction and non-fiction, Cixous is celebrated for her brilliant contributions to contemporary culture. Acclaimed by luminaries such as Jacques Derrida, her writing has nonetheless been misunderstood and misread to a surprising extent. With the inclusion of Stigmata, one of her greatest works, in the Routledge Classics series, this is about to change. Questions that have long concerned her - the self and the other, autobiographies of writing, sexual difference, literary theory, post-colonial theory, death and life - are explored here and woven into a narrative.

Diocaretz (European Centre for Digital Communication/Infonomics, Maastricht) and Searra (women and literature, French and Francophone literature and cinema, U. of Barcelona) bring together a collection of critical essays on translation and the writing of Cixous, featuring contributions by translators of Cixous' texts into various languages and cultures. Thirteen essays are organized into sections on translating special discourses (Cixous's notebooks and Paris seminars) into a written one; translation as an experience related to a dialogue with the Other, to difference, to the foreign, and possessing an ethical dimension; and practical and theoretical considerations, particularly with regard to gender. No subject index. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

Provides in-depth analysis of the life, works, career, and critical importance of Helene Cixous.

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