three-early-stories

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A subject as moving and powerful as humanity's past should be inviting, and when it is told well, it is. Susan Wise Bauer succeeds in telling the captivating story of history with her best-selling history series. Parents and young readers have fallen in love with her narrative history, The Story of the World, and its accompanying Activity Book. Now teachers and home educators can take advantage of a new and valuable learning tool. These easy-to-use tests and answer keys, successfully used by hundreds of parents and teachers, provide an objective method for measuring retention of key facts, figures, and events from history. A combination of sequencing, matching, short-answer, and essay-style questions gives students a chance to show what they've learned. Used with the Activity Book and The Story of the World, the tests give educators a complete history curriculum for their elementary school students.

Three Early Comedies Love's Labor's Lost Farce and fun follow when a young king and his three friends vow to give up women for a year—just as a pretty princess and her three ladies-in-waiting arrive—in a delightful play that ends with one of Shakespeare’s loveliest songs. The Two Gentlemen of Verona In this lyrical comedy, two friends are infatuated with the same woman, while a jilted girl disguised as a boy and a clownish servant with a raffish mutt set the scene for laughter and a timeless story of love. The Merry Wives of Windsor Shakespeare’s famous rogue, Falstaff, woos two married women with identical love letters—and becomes the focus of a hilarious comedy when the women conspire to teach him a lesson. From the Paperback edition.

I ask you to look at this splendid tool, the American ax, not more an implement of labor than an instrument of civilization. If you can not use it, you are not American. If you do not understand it, you can not understand America. This tool is so simple and so perfect that it has scarcely seen change in the course of a hundred years. It lacks decoration, as do the tools and the weapons of all strong peoples. It has no fantastic lines, no deviations from simplicity of outline, no ornamentations, no irregularities. It is simple, severe, perfect. Its beauty is the beauty of utility. In the shaft of the ax there is a curve. This curve is there for a reason, a reason of usefulness. The simple swelling head is made thus not for motives of beauty, but for the purpose of effectiveness. The shaft, an even yard in length, polished, curved, of a formation that shall give the greatest strength to a downright blow in combination with the greatest security to the hand-grasp, has been made thus for a century of American life. This shaft is made of hickory, the sternest of American woods, the one most capable of withstanding the hardest use. It has always been made thus and of this material. The metal head or blade of the American ax is to-day as it has always been. The makers of axes will tell you that they scarcely know of any other model. The face of the blade is of the most highly tempered steel for a third or half of its extent. The blade or bitt is about eight inches in length, the cutting edge four and seven-eighths to five inches in width. The curve of this edge could not, by the highest science, be made more perfect for the purpose of biting deepest at the least outlay of human strength. The poll or back of the ax is about four inches in width, square or roughly rounded into such form that it is capable of delivering a pounding, crushing or directing blow. The weight of the ax-head is about four pounds, that is to say from three and one-half to five pounds. With the ax one can do many things. With it the early American blazed his way through the trackless forests. With it he felled the wood whereby was fed the home fire, or the blaze by which he kept his distant and solitary bivouac. With it he built his home, framing a fortress capable of withstanding all the weaponry of his time. With it he not only made the walls, but fabricated the floors and roof for his little castle. He built chairs, tables, beds, therewith. By its means he hewed out his homestead from the heart of the primeval forest, and fenced it round about. Without it he had been lost.

At the beginning of his career, Philip K. Dick, whose later work won him widespread acclaim as the world's greatest science fiction writer, wrote a number of short novels which were published as paperback originals back-to-back in dual volumes with works by writers who were then more famous. Considerably more straightforward than his later novels, these stories are nevertheless unmistakably the work of the author of DO ANDOIDS DREAM OF ELECTRIC SHEEP? and UBIK in their quirky exuberance and originality. THE MAN WHO JAPED: Following a devastating nuclear war, the Moral Reclamation government took over the world and forced its citizens to live by strictly puritanical rules - no premarital sex, drunkenness, or displaying of neon signs - all of which are reinforced through a constant barrage of messaging to the public. The chief purveyor of these messages is Alan Purcell, next in line to become head of the propaganda bureau. But there is just one problem: a statue of the government's founder has been vandalized and the head is hidden in Purcell's closet. VULCAN'S HAMMER: After the 20th century's devastating series of wars, the world's governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don't like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans, plans that might not include humanity at all. DR. FUTURITY: When Dr Jim Parsons wakes up from a car accident, he finds himself in a future populated almost entirely by the young. But to keep the world run by the young, death is fetishized, and those who survive to old age are put down. In such a world, Parsons - with his innate desire to save lives - is a criminal and outcast. But for one revolutionary group, he may be just the saviour they need to heal and revive their cryogenically frozen leader. And when he and the group journey to 1500s California, what they find causes them to question what they know about history and the underpinnings of their society.

Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. “How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms,” reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. “Contemplating John Updike’s monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner—writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short story to set beside those of these distinguished American predecessors. Congratulations and heartfelt thanks are due to John Updike for having brought such pleasure and such illumination to so many readers for so many years.”

Brown (1906-1972) was a popular and respected author of more than 20 mysteries and science fiction novels (The Fabulous Clipjoint, won the 1948 Edgar Award for best mystery novel). This study looks closely at his work and chronicles his unusual life. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR

A very humorous updating of the tale about three little pigs and a big bad wolf.

Stories addressed to cats and written from a cat's point of view, featuring such topics as birthday presents, snow, and breakfast.

The Short Stories of Langston Hughes This collection of forty-seven stories written between 1919 and 1963--the most comprehensive available--showcases Langston Hughes's literary blossoming and the development of his personal and artistic concerns. Many of the stories assembled here have long been out of print, and others never before collected. These poignant, witty, angry, and deeply poetic stories demonstrate Hughes's uncanny gift for elucidating the most vexing questions of American race relations and human nature in general.

Miriam Bodian's study of crypto-Jewish martyrdom in Iberian lands depicts a new type of martyr that emerged in the late 16th century -- a defiant, educated judaizing martyr who engaged in disputes with inquisitors. By examining closely the Inquisition dossiers of four men who were tried in the Iberian peninsula or Spanish America and who developed judaizing theologies that drew from currents of Reformation thinking that emphasized the authority of Scripture and the religious autonomy of individual interpreters of Scripture, Miriam Bodian reveals unexpected connections between Reformation thought and historic crypto-Judaism. The complex personalities of the martyrs, acting in response to psychic and situational pressures, emerge vividly from this absorbing book.

Second Stories offers an innovative reexamination of selected texts by seven major figures in American literature. Combining close reading with a powerful ideological argument, Cynthia Jordan demonstrates that a concern with the patriarchal politics of language informs both the thematic content and overall shape of much of the fiction of these writers.

This is my first attempt at children?s stories. Although I have no children of my own, I believe I am still a child at heart and find it easy to get out of my adult role and enjoy simple thinking. I also wanted to give my nephew a chance to try out his drawing hobby. So, I hope you enjoy this simple, short, and, maybe, entertaining change of pace from my first two novels.

A fashionable young man sells his soul for eternal youth and beauty in Oscar Wilde's fascinating gothic tale. The Picture of Dorian Gray, Oscar Wilde’s only full-length novel, is the enduringly eerie story of a naïve and irresistible young man lured by decadent Lord Henry Wotton into a life of depravity. Though Dorian is steeped in sin, his face remains perfect, unlined as years pass—while only his portrait, locked away, reveals the blackness of his soul. This timeless tale of Gothic horror and fable, reveling in the unabashed hedonism and cynical wit of its characters, epitomizes Wilde’s literary revolt against the proprieties of the Victorian era. Sharing this volume with The Picture of Dorian Gray are Wilde’s clever and sophisticated story “Lord Arthur Savile’s Crime” and two of his delicate fairy tales, “The Happy Prince” and “The Birthday of the Infanta.” With an Introduction by Gary Schnidgall and an Afterword by Peter Raby

Red, Blue, and Yellow - the three suns of a trinary star system bathed their lone planet in an ever-shifting colored glow. Stranded on the strange alien world of Amara, the crew of a starship reverts to Goffism, a new philosophy taking over Earth. Sherret, unwilling to adhere to the strict rotating leadership that Goffism requires, is cast out by his fellows and must journey across the planet in search of Captain Bagshaw's ship, the Pegasus, some three hundred miles away. His will be a journey of wonder and discovery as he encounters aliens and humans who have adapted to the strangely changing colors of this world. William F. Temple (1914-1989), an important early British science fiction writer, co-founded the British Interplanetary Society with Sir Arthur C. Clarke and helped to found New Worlds, the most important British science fiction magazine. His novels include The Four-Sided Triangle, Shoot at the Moon, and The Fleshpots of Sansato.

Ignored by her well-meaning husband, Charulata falls in love with a high-spirited young cousin in The Broken Nest (Nashtaneer, 1901). Sharmila, in Two Sisters (Dui Bon, 1933) witnesses her husband sink her fortunes and his passion into his business – and her sister. And the invalid Neeraja finds her life slowly ebbing away as a new love awakens for her beloved husband in The Arbour (Malancha, 1934). Romantic, subtle and nuanced, Rabindranath Tagore’s novellas are about the undercurrents in relationships, the mysteries of love, the ties and bonds of marriage, and above all about the dreams and desires of women.

A guided tour of Hasidism and Hasidic storytelling introducing the reader to rare and unique translations of Hasidism. Gives readers the opportunity to immerse themselves in the world of Hasidic wisdom and narrative and in the teachings of a modern Hasidic teacer.

A simplified retelling of the adventures of a little girl walking in the woods who finds the house of the three bears and helps herself to their belongings. Includes a note on the history of the tale.

The stories in Three Short Stories are off-shoots of the two novels To Bind Fast and Four People on a Marsh. The three stories are about the further experiences and growth of the two main characters in those novels as they search to make sense of the world in which they find themselves. They never find their universe to be without surprises, sometimes horrendous, and sometimes delightful; but they continually find that universe to be very quiet, perhaps silent, when it comes to values and directions for living. And they wonder if it isn't more hostile than friendly.

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